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ENGLISH

Playwriting And The Craft Of Audience Participation

by Helen E. (The University Of Edinburgh) Shutt

~~74,35€~~ 66,92€ 10% OFF

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 This Element investigates how playwrights can employ text-based strategies to facilitate audience participation in performance. It looks to contemporary discourse in the field of applied theatre to suggest principles the creator of a participatory work may employ to support the creation of a performance text.
ENGLISH

Playwriting And The Craft Of Audience Participation

by Helen E. (The University Of Edinburgh) Shutt

~~24,33€~~ 21,90€ 10% OFF

free shipping

 This Element investigates how playwrights can employ text-based strategies to facilitate audience participation in performance. It looks to contemporary discourse in the field of applied theatre to suggest principles the creator of a participatory work may employ to support the creation of a performance text.
ENGLISH

Dialogue In Amerta Movement

by Emma (Coventry University) Meehan e Samsul (Universitas Gadjah Mada) Maarif

~~24,33€~~ 21,90€ 10% OFF

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 Dialogue is conceived of as verbal interaction between different people or groups such as spoken text between actors in performance. This Element focuses on how 'dialogue' is manifested in dance and somatic practices, through sensory relationality and responsiveness to the environment. This title is also available as Open Access on Cambridge Core.
ENGLISH

Dialogue In Amerta Movement

by Emma (Coventry University) Meehan e Samsul (Universitas Gadjah Mada) Maarif

~~74,35€~~ 66,92€ 10% OFF

free shipping

 Dialogue is conceived of as verbal interaction between different people or groups such as spoken text between actors in performance. This Element focuses on how 'dialogue' is manifested in dance and somatic practices, through sensory relationality and responsiveness to the environment. This title is also available as Open Access on Cambridge Core.
ENGLISH

Movement, Text, Performance

by Paul (University Of Kent ) Allain

~~74,35€~~ 66,92€ 10% OFF

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 This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks. It helps forge an ensemble and build 'worlds' on stage and plays a crucial part in shaping how actors work with and in space.
ENGLISH

Movement, Text, Performance

by Paul (University Of Kent ) Allain

~~24,33€~~ 21,90€ 10% OFF

free shipping

 This Element argues that movement, overseen by a movement director, is vital for theatre-making. It can support actors with characterisation and playing others responsibly and ethically, for scripted and non-scripted tasks. It helps forge an ensemble and build 'worlds' on stage and plays a crucial part in shaping how actors work with and in space.
ENGLISH

English Play Development Under Neoliberalism, 2000â€“2022

by Lucy (University Of Reading) Tyler

~~67,58€~~ 60,82€ 10% OFF

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 This Element is the first study of the institutionalising of English play development practices in the twenty-first century. It identifies how support for playwrights and text increased during the 1990s and 2000s, and draws attention to a liberatory horizon for play development. This title is also available as Open Access on Cambridge Core.
ENGLISH

English Play Development Under Neoliberalism, 2000â€“2022

by Lucy (University Of Reading) Tyler

~~22,98€~~ 20,68€ 10% OFF

free shipping

 This Element is the first study of the institutionalising of English play development practices in the twenty-first century. It identifies how support for playwrights and text increased during the 1990s and 2000s, and draws attention to a liberatory horizon for play development. This title is also available as Open Access on Cambridge Core.
ENGLISH

Comedy And Controversy - Scripting Public Speech

by Marc (University Of Melbourne) Mierowsky e Sarah (University Of Melbourne) Balkin

~~24,33€~~ 21,90€ 10% OFF

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 This Element discusses general features of controlled experimentation, epistemic and practical aspects, and historical perspectives. It argues that controlled experimentation has a material-technical and a conceptual side. It shifts the focus from control experiments to controlling for the epistemologically fundamental issue in experimentation.
ENGLISH

Comedy And Controversy - Scripting Public Speech

by Marc (University Of Melbourne) Mierowsky e Sarah (University Of Melbourne) Balkin

~~74,35€~~ 66,92€ 10% OFF

free shipping

 This Element discusses general features of controlled experimentation, epistemic and practical aspects, and historical perspectives. It argues that controlled experimentation has a material-technical and a conceptual side. It shifts the focus from control experiments to controlling for the epistemologically fundamental issue in experimentation.
ENGLISH

The Poetics Of Performance Diagrams

by Andrej (Universitat Der Kunste Berlin) Mircev

~~74,35€~~ 66,92€ 10% OFF

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 This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. The Element reviews the relevance of diagrams for performance-making, analysis and documentation, and also elucidates the significance of diagrammatic thinking for performance studies.
ENGLISH

The Poetics Of Performance Diagrams

by Andrej (Universitat Der Kunste Berlin) Mircev

~~24,33€~~ 21,90€ 10% OFF

free shipping

 This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. The Element reviews the relevance of diagrams for performance-making, analysis and documentation, and also elucidates the significance of diagrammatic thinking for performance studies.
ENGLISH

Theatricality, Playtexts And Society

by David (University Of York) Barnett

~~74,35€~~ 66,92€ 10% OFF

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 This Element proposes a novel way of defining, understanding, and approaching theatricality. It argues that four foundational, material processes of theatre-making manifest themselves in all playtexts in both overt and covert forms. This title is also available as Open Access on Cambridge Core.
ENGLISH

Theatricality, Playtexts And Society

by David (University Of York) Barnett

~~24,33€~~ 21,90€ 10% OFF

free shipping

 This Element proposes a novel way of defining, understanding, and approaching theatricality. It argues that four foundational, material processes of theatre-making manifest themselves in all playtexts in both overt and covert forms. This title is also available as Open Access on Cambridge Core.
ENGLISH

Playwriting, Dramaturgy And Space

by Sara Freeman

~~23,85€~~ 21,47€ 10% OFF

 This Element presents the work of Caryl Churchill, Naomi Iizuka, and Sarah Ruhl as exemplary of the way text-based theatre, both its scripts and productions, now creates and expects a spatialized imaginary and demonstrates the potentials of text-based theatre in an increasingly visual and spatial field of cultural production.
ENGLISH

Performing Grief In Pandemic Theatres

by Fintan (Birkbeck, University Of London) Walsh

~~74,35€~~ 66,92€ 10% OFF

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 This Element discusses how theatre grieved for itself, for the dead, for lost ways of living, while also imagining and enacting new modes of being together. It shows how grief must seep into the public sphere to fight to save health and social care services, institutions, communities and art forms, including theatre.
ENGLISH

Performing Grief In Pandemic Theatres

by Fintan (Birkbeck, University Of London) Walsh

~~24,33€~~ 21,90€ 10% OFF

free shipping

 This Element discusses how theatre grieved for itself, for the dead, for lost ways of living, while also imagining and enacting new modes of being together. It shows how grief must seep into the public sphere to fight to save health and social care services, institutions, communities and art forms, including theatre.
ENGLISH

Playwriting, Space And Dramaturgy

by Sara (University Of Puget Sound, Washington) Freeman

~~74,35€~~ 66,92€ 10% OFF

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 This Element presents the work of Caryl Churchill, Naomi Iizuka, and Sarah Ruhl as exemplary of the way text-based theatre, both its scripts and productions, now creates and expects a spatialized imaginary and demonstrates the potentials of text-based theatre in an increasingly visual and spatial field of cultural production.
ENGLISH

Playwriting, Dramaturgy And Space

by Sara (University Of Puget Sound, Washington) Freeman

~~24,33€~~ 21,90€ 10% OFF

free shipping

 This Element presents the work of Caryl Churchill, Naomi Iizuka, and Sarah Ruhl as exemplary of the way text-based theatre, both its scripts and productions, now creates and expects a spatialized imaginary and demonstrates the potentials of text-based theatre in an increasingly visual and spatial field of cultural production.

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