The Eyes Have It

Explores those rarefied screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of ""reality"" is put in context, challenged, and wilfully engaged.