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Nude eBook

A Study In Ideal Form

by Kenneth Clark
language: english
Publisher: Princeton University Press, October of 2023 ‧
55,65€
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A landmark study of the nude in art—from the ancient Greeks to Henry Moore—by a towering figure in art history

In this classic book, Kenneth Clark, one of the most eminent art historians of the twentieth century, examines the ever-changing fashion in what constitutes the ideal nude as a basis of humanist form, from the art of the ancient Greeks to that of Renoir, Matisse, and Henry Moore. The Nude reveals the sensitivity of aesthetic theory to fashion, what distinguishes the naked from the nude, and just why the nude has played such an important role in art history. As Clark writes, "The nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which man is capable, mathematical order, and makes it a delight to the senses; and it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshipped for their life-giving beauty rather than their death-dealing powers."

Please note: All images in this ebook are presented in black and white and have been reduced in size.

Nude

A Study In Ideal Form

by Kenneth Clark

Property Description
ISBN: 9780691252896
Publisher: Princeton University Press
Release Date: October of 2023
Language: English
Format: eBook
File Format and Compatibility:
Collection: The A. W. Mellon Lectures In The Fine Arts
Categories: eBooks in English > Art > History of Art
eBooks in English > Fiction > Essays
EAN: 9780691252896
Acessibilidade: Ver características de acessibilidade indicadas pelo editor

ABOUT THE AUTHOR

Kenneth Clark

Kenneth McKenzie Clark was born in London in 1903. He was a writer, director of the UK museum, and one of the best-known art historians of his generation. He studied at Oxford University and specialized in art history. At the age of thirty, he was appointed director of the National Gallery, and the following year, Superintendent of Royal CollectionFrom 1946 onwards he devoted himself to writing and teaching, giving lectures at Oxford. He was Chancellor of the University of York between 1967 and 1978 and a member of the board of the British Museum. He became a prominent member of the Conservative Party and in his later years converted to Catholicism.

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