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Berliner Ensemble Adaptations eBook
The Tutor; Coriolanus; The Trial Of Joan Of Arc At Rouen, 1431; Don Juan; Trumpets And Drums
language: english
Publisher:
BLOOMSBURY PUBLISHING, July of 2014 ‧
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IMMEDIATE AVAILABILITY
Ebook for ADE
SYNOPSIS
This volume contains Brecht''s post-1950 adaptations of world dramatic classics for the Berliner Ensemble. Brecht''s remodeled versions show all of the great dramatist''s characteristic preoccupations: hatred of personal greatness, admiration of the people and hatred of war unless waged on behalf of the people who, to him, were the embodiment of wisdom and good sense.
The Tutor is a 1950s adaptation of an 18th century play by J.M.R. Lenz and is a savage portrait of the subservience of German intellectuals and schoolmasters to the whims of the rich and powerful.
Coriolanus is an unfinished adaptation of Shakespeare''s play, using the Roman story to reflect Marxist theories of class struggle.
Don Juan, a collaborative adaptation of Molière''s play, redefines the charming social parasite as both a ridiculous egoist and an example of a dangerously attractive, theatrically mythic personality type.
The Trial of Joan of Arc at Rouen adapts a radio play by Anna Seghers which was based on the original records of the trial of Joan of Arc.
Trumpets and Drums is an adaptation of Farquhar''s 18th century Restoration comedy The Recruiting Officer, which transfers the action to the American Civil War and introduces comments on imperialism and colonial conquest.
The Tutor is a 1950s adaptation of an 18th century play by J.M.R. Lenz and is a savage portrait of the subservience of German intellectuals and schoolmasters to the whims of the rich and powerful.
Coriolanus is an unfinished adaptation of Shakespeare''s play, using the Roman story to reflect Marxist theories of class struggle.
Don Juan, a collaborative adaptation of Molière''s play, redefines the charming social parasite as both a ridiculous egoist and an example of a dangerously attractive, theatrically mythic personality type.
The Trial of Joan of Arc at Rouen adapts a radio play by Anna Seghers which was based on the original records of the trial of Joan of Arc.
Trumpets and Drums is an adaptation of Farquhar''s 18th century Restoration comedy The Recruiting Officer, which transfers the action to the American Civil War and introduces comments on imperialism and colonial conquest.
DETAILS
| Property | Description |
|---|---|
| ISBN: | 9781472512857 |
| Publisher: | BLOOMSBURY PUBLISHING |
| Release Date: | July of 2014 |
| Language: | English |
| Pages: | 416 |
| Format: | eBook |
| File Format and Compatibility: | |
| Collection: | World Classics |
| Categories: |
eBooks in English
>
Art
>
Performing Arts
|
| EAN: | 9781472512857 |
| Acessibilidade: | Ver características de acessibilidade indicadas pelo editor |
ABOUT THE AUTHOR
Bertolt Brecht
Bertolt Brecht (1898-1956)
Dramaturgo, poeta, romancista e ensaísta , nasceu em Augsburg, Alemanha, a 10 de fevereiro de 1898.
Em 1917 iniciou o curso de medicina em Munique, mas logo foi convocado pelo exército, indo trabalhar como enfermeiro num hospital militar. Aquele que se iria tornar uma das mais importantes figuras do teatro do século XX, cedo começou a escrever os seus primeiros poemas e cedo se rebelou contra os "falsos padrões" da arte e da vida burguesa, corroídas pela Primeira Guerra. Tal atitude reflete-se já na sua primeira peça, o drama expressionista "Baal", de 1918. Colabora com os diretores Max Reinhardt e Erwin Piscator. Em 1928, faz com Kurt Weill a "Ópera de Três Vinténs". Com a ascensão de Hitler, deixa o país em 1933, e exila-se em países como a Dinamarca e Estados Unidos da América, onde sobrevive à custa de trabalhos para Hollywood. Faz da crítica ao nazismo e à guerra tema de obras como "Mãe coragem e seus filhos" (1939). Dos Estados Unidos, vítima do macartismo, parte em 1947 para a Suíça onde redige o "Pequeno Organon", suma de sua teoria teatral. Volta à Alemanha em 1948, onde funda, no ano seguinte, em Berlim Leste, a companhia Berliner Ensemble.
Bertolt Brecht destacou-se também na poesia, de forte conteúdo social.
Morreu em Berlim, a 14 de agosto 1956.
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