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A Televisão Da Bicharada eBook

by Sidónio Muralha
language: brazilian portuguese
Publisher: Global Editora, April of 2022 ‧
7,49€
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Mais uma obra surpreendente do poeta português Sidónio Muralha e da ilustradora Cláudia Scatamacchia. O livro reúne 22 poemas, com títulos inteligentes e sugestivos, sobre os animais. A sonoridade das palavras, o ritmo, a rima, as situações engraçadas, inesperadas e as imagens fortes e coloridas encantam a criança. A zebra quis/ ir passear/ mas a infeliz/ foi para a cama/ teve que se deitar/ porque estava de pijama. O burro, a formiga, a girafa, o tatu, o oleiro, a ovelha, o peixe, o elefante, o papagaio, o esquilo, o pato, o sabiá, a cabrinha, entre outros, emergem do papel com leveza e graça. A leitura de A televisão da bicharada pela sua qualidade literária é uma grande oportunidade para iniciar a criança na riqueza e na expressividade da linguagem poética.

A Televisão Da Bicharada

by Sidónio Muralha

Property Description
ISBN: 9786556121864
Publisher: Global Editora
Release Date: April of 2022
Language: Brazilian Portuguese
Pages: 32
Format: eBook
File Format and Compatibility:
Categories: eBooks in Portuguese > Children’s and Young Adult > Young Adult Literature
EAN: 9786556121864
Acessibilidade: Ver características de acessibilidade indicadas pelo editor

ABOUT THE AUTHOR

Sidónio Muralha

Portuguese writer, born in 1920, in Lisbon, and died on December 9, 1982, in Brazil. He took a commercial course in Lisbon, where he performed small commercial functions until he left for the former Belgian Congo in 1944. There he participated in initiatives to denounce, from abroad, the situation of fascist domination experienced in Portugal. From 1962, he settled in Brazil. In the period between the publication of Beco (1941) and Passagem de Nível (1942) and his departure for Africa, he belonged to the youth group from which Coimbra Neorealism emerged, and his best-known poetic works were located in those years. In 1950, he even published in Portugal Companheira dos Homens, a work that reinforces the option for a militant and intervention poetry. The creative breath only regained its fluency in Brazil, then embarking on new domains of expression such as fiction and children's literature. An important figure of Portuguese Neorealism (being the author of one of the volumes of the "Novo Cancioneiro" collection) and one of its main poets, he published, among other works, The Children's Eyes (1963), The Wounded Bird (1972) and April Poems (1974).

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BY THE AUTHOR