Fiction

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Franz Marc 1880-1916 - The Visionary Of The Blue Rider

by Franz Marc e Klaus H. Carl

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 Franz Marc (1880-1916) was a key figure in the German Expressionist movement of the early 20th century. Marc was a founding member of the expressionist group Der Blaue Reiter along with other great artists of the time: Wassily Kandinsky, August Macke, and Alexej von Jawlensky. A brilliant use of colour along with stark futurist and cubist styles create the distinct qualities that make Marc a master of modern art. Symbolising masculinity, femininity, and violence among his calm and bucolic animal subjects, Marc's unique and creative use of colour and meaning will forever have a firm place in art history.
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Rosa Bonheur. An Unconventional Path - Nature Rendered With Reverence

by Vicky Charles

~~7,89€~~ 7,10€ 10% OFF

 Rosa Bonheur (1822-1899) Bonheur was the oldest of four artistic children born to the French landscape painter Raymond Bonheur. Rosa began sketching and sculpting animals at an early age and used her interest in animals to help her learn to read and write. She would sketch an animal for each letter of the alphabet and perfected her form by visiting butcher shops and cattle markets in Paris to achieve anatomically correct likenesses. Her 1853 masterpiece, The Horse Fair, brought her worldwide recognition, and she was the first female artist to be awarded the cross of the Legion of Honour in France. She retired at the edge of the Fontainbleu Forest with a menagerie that included gazelles, lions and other exotic animals.
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James Mcneill Whistler 1834-1863 - Tones, Twilight, And Elegance

by Patrick Chaleyssin

~~7,89€~~ 7,10€ 10% OFF

 Whistler's work can be divided into four periods. The first was a research period in which the artist was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Gray and Black, and this is symbolic of his aesthetic theories.
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Edward Hopper - The Life And Vision Of Edward Hopper - Painting Silence

by Gerry Souter

~~7,89€~~ 7,10€ 10% OFF

 In his works, Hopper poetically expressed the solitude of man confronted to the American way of life as it developed in the 1920s. Inspired by the movies and particularly by the various camera angles and attitudes of characters, his paintings expose the alienation of mass culture. Created using cold colours and inhabited by anonymous characters, Hopper's paintings also symbolically reflect the Great Depression. Through a series of different reproductions (etchings, watercolours, and oil-on-canvas paintings), as well as thematic and artistic analysis, the author sheds new light on the enigmatic and tortured world of this outstanding figure.
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Albert Marquet. The Paradox Of Time - The Quiet Fauve

by Mikhail Guerman

~~7,89€~~ 7,10€ 10% OFF

 It is a paradox that Marquet belongs more to the past and future than to the present. His art awaits the silence that is yet to fall. He nevertheless teaches us to appreciate the riches of meditation, directing us to that exalted place of peace so central to his vision. This book traces his artistic journey, from his early training in Paris to his travels abroad, highlighting his unique approach to light, atmosphere, and form. Through his restrained yet expressive style, Marquet offers a contemplative alternative to the bold intensity of his contemporaries.
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Nicolas Poussin. The Master Of Colours - The Classicist Of French Painting

by Natalia Serebriannaia e Youri Zolotov

~~7,93€~~ 7,14€ 10% OFF

 Nicolas Poussin(1594 - 1665) was undoubtedly a highly significant master of the historical genre. He shaped its aesthetics which, regrettably, subsequently became regarded as a set of hard-and-fast rules (a trap which the Russian followers of the founder of classicism also fell into). We know that Poussin attributed prime significance to the actual choice of matter for depiction, giving preference to subjects which provided food for profound thought. Creatively reworking the aesthetic legacy of the Ancients, he introduced into the realm of painting the concept of the "modus" (mood of depiction), which established the functional unity of three components: the idea, the structure of the depiction, and its perception by the viewer. Composition assumed a predominant significance in his artistic system. In a letter of 1665, Nicolas Poussin put forward three main theses: firstly, painting is simply imitation; secondly, it aims to bring delight; Thirdly, the artist is endowed with a natural talent that no one can give him or deprive him of.
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Edvard Munch - The Scream And The Soul

by Ashley Bassie e Elizabeth Ingles

~~7,89€~~ 7,10€ 10% OFF

 Edvard Munch (1863-1944), a Norwegian painter involved in Expressionism, was so attached to his work that he called his paintings his children, which is rather unsurprising given that they were deeply personal. Indeed, Munch expressed much of his own inner turmoil through his art, particularly in the earlier part of his career. He painted not what he saw, but what he felt when he saw it, allowing his morbidity and illness to imbue his paintings with a sombre tone. These darker paintings, including his famous The Scream, endured and would greatly influence German Expressionism.
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The Wild Imagination Of James Ensor - The Painter Of The Absurd And The Sacred

by Emile Verhaeren e James Ensor

~~7,93€~~ 7,14€ 10% OFF

 Discover the vividly colourful world of James Ensor! This new monograph takes you on a captivating journey through the artistry of one of Belgium's foremost painters. Ensor, with his distinctive style and audacity, presented a realm teeming with masks, skeletons, and carnival festivities. Each page immerses you in an extravagant tableau where fantasy intertwines with reality. This book beckons you to navigate the intricate maze of Ensor's imaginati on. Adorned with high-quality illustrations and engaging prose, you'll be enthralled by the visual eloquence of this masterful artist, who is both provocative and whimsically humorous.
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Caspar David Friedrich. Master Of The Tragic Landscape - The Soul Of Romanticism

by Victoria Charles

~~7,89€~~ 7,10€ 10% OFF

 Caspar David Friedrich (1774-1840), a prominent German painter of the 19th century, was a vital figure in the Romantic movement. His artwork is characterised by its poetic and melancholic essence, displaying a profound sense of spirituality and transcendence. In his paintings, he masterfully blended external nature depictions with deep inner symbolism. His often desolate landscapes and grand architecture evoke a yearning for peace, solitude, and spiritual elevation. The skilful utilisation of light and shadow in his composition amplifies the emotional resonance of Friedrich's art, imbuing it with an almost mystical quality. The artistic legacy of Caspar David Friedrich continues to influence contemporary landscape painting. His unparalleled aptitude for capturing the infinite within the finite renders his work a timeless representation of humanity's quest for transcendence and spiritual connection. This biography delves into the life and creations of this remarkable artist, celebrating his invaluable contributions to the evolution of Romantic painting.
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Albrecht Dürer 1471-1528 - The Genius Of The German Renaissance

by Victoria Charles

~~7,93€~~ 7,14€ 10% OFF

 Albrecht Dürer (1471-1528) is widely regarded as one of the most significant artists of the Northern Renaissance. Born in Nuremberg, Germany, Dürer became renowned for his mastery of various mediums, including painting, printmaking, and wood-cutting. Throughout his life, Dürer produced a vast array of works that demonstrated his technical skill and innovative vision. His art often incorporated religious and classical themes, and his use of perspective and realism helped to establish new standards in European art. Beyond his artistic achievements, Dürer was also a prolific writer and thinker. His treatises on geometry, human proportion, and the theory of perspective remain influential in the fields of art and science to this day. In this comprehensive biography, readers will gain insight into Dürer's life and work, exploring the cultural and political context in which he lived and the impact he had on the art world. Drawing on extensive research and analysis, this book presents a compelling portrait of one of the most important figures of the Renaissance.
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Kandinsky - Painting The Invisible

by Wassily Kandinsky

~~7,89€~~ 7,10€ 10% OFF

 Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.
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Vasily Surikov - Surikov And The Russian Epic

by Vladimir Kemenov

~~7,89€~~ 7,10€ 10% OFF

 Born in Krasnoiarsk in 1848, Surikov died in Moscow in 1916. He is one of the great masters of history painting, and he occupies a special place in Russian culture. Like Delacroix, he believed that history was not a pretext for nice painting but an inexorable drama with neither culprits nor innocents but rather people driven by invisible forces. He was very knowledgeable about Russian history, and his paintings deal with crucial moments. He sought in historical events the answers to pressing problems of his time. Here is a book about a painter little-known in the West, analysed with understanding by one of the greatest Russian art critics.
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Alphonse Mucha - The Soul Of Art Nouveau

by Patrick Bade e Victoria Charles

~~7,89€~~ 7,10€ 10% OFF

 Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the "Mucha style" for the legions of imitators who adapted the master's celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha's career.
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Paul Cézanne - Still Lifes Of Pure Thought

by Elie Faure

~~7,93€~~ 7,14€ 10% OFF

 Cézanne was perhaps the most complex artist of the 19th century. One of the greatest of the Postimpressionists, his works and ideas were crucial to the aesthetic development of many 20th-century artists and art movements, especially Cubism. Cézanne's ambition, in his own words, was "to make out of Impressionism something as solid and durable as the paintings of the museums". He aimed to achieve the monumental in a modern language of glowing, vibrating tones. Cézanne wanted to retain the natural colour of an object and to harmonize it with the various influences of light and shade trying to destroy it; to work out a scale of tones expressing the mass and character of the form.
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Amedeo Modigliani - Bohemian Beauty And Tragic Genius

by D. H. Lawrence, Frances Alexander, Jane Rogoyska e Klaus H. Carl

~~7,89€~~ 7,10€ 10% OFF

 Equally famous for his masterful canvasses and tumultuous mental health, Amedeo Modigliani (1884-1920) was, in many ways, the prototypical tortured artist. A lifelong sufferer of painfully degenerative tuberculosis, Modigliani was famous for denying his disease with a frenzied bohemian lifestyle of hard drinking, drug abuse, and passionate love affairs. But at the same time, he managed to produce some of the modern movement's most enduring masterpieces, and today his work sells for record-breaking sums whenever it comes up for auction. In this fascinating examination of Modigliani's life and works, Klaus H. Carl, Frances Alexander, and Jane Rogoyska turn their penetrating gaze on this most enigmatic of artistic geniuses. Their insightful text is accompanied by extracts from D.H. Lawrence's highly sensual novel Lady Chatterley's Lover, chosen to complement Modigliani's art and to give a new perspective to it.
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Claude Monet - The Father Of Impressionism

by Nathalia Brodskaya e Nina Kalitina

~~6,75€~~ 6,08€ 10% OFF

 For Claude Monet the designation 'impressionist' always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures. Boudin advised Monet to stop doing caricatures and to take up landscapes instead. The sea, the sky, animals, people, and trees are beautiful in the exact state in which nature created them - surrounded by air and light. Indeed, it was Boudin who passed on to Monet his conviction of the importance of working in the open air, which Monet would in turn transmit to his impressionist friends. Monet did not want to enrol at the Ecole des Beaux-Arts. He chose to attend a private school, L'Académie Suisse, established by an ex-model on the Quai d'Orfèvres near the Pont Saint-Michel. One could draw and paint from a live model there for a modest fee. This was where Monet met the future impressionist Camille Pissarro. Later in Gleyre's studio, Monet met Auguste Renoir Alfred Sisley, and Frédéric Bazille. Monet considered it very important that Boudin be introduced to his new friends. He also told his friends of another painter he had found in Normandy. This was the remarkable Dutchman Jongkind. His landscapes were saturated with colour, and their sincerity, at times even their naïveté, was combined with subtle observation of the Normandy shore's variable nature. At this time Monet's landscapes were not yet characterized by great richness of colour. Rather, they recalled the tonalities of paintings by the Barbizon artists, and Boudin's seascapes. He composed a range of colour based on yellow-brown or blue-grey. At the Third Impressionist Exhibition in 1877 Monet presented a series of paintings for the first time: seven views of the Saint-Lazare train station. He selected them from among twelve he had painted at the station. This motif in Monet's work is in line not only with Manet's Chemin de fer (The Railway) and with his own landscapes featuring trains and stations at Argenteuil, but also with a trend that surfaced after the railways first began to appear. In 1883, Monet had bought a house in the village of Giverny, near the little town of Vernon. At Giverny, series painting became one of his chief working procedures. Meadows became his permanent workplace. When a journalist, who had come from Vétheuil to interview Monet, asked him where his studio was, the painter answered, "My studio! I've never had a studio, and I can't see why one would lock oneself up in a room. To draw, yes - to paint, no". Then, broadly gesturing towards the Seine, the hills, and the silhouette of the little town, he declared, "There's my real studio."Monet began to go to London in the last decade of the nineteenth century. He began all his London paintings working directly from nature, but completed many of them afterwards, at Giverny. The series formed an indivisible whole, and the painter had to work on all his canvases at one time. A friend of Monet's, the writer Octave Mirbeau, wrote that he had accomplished a miracle. With the help of colours he had succeeded in recreating on the canvas something almost impossible to capture: he was reproducing sunlight, enriching it with an infinite number of reflections. Alone among the impressionists, Claude Monet took an almost scientific study of the possibilities of colour to its limits; it is unlikely that one could have gone any further in that direction.
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Hieronymus Bosch - Visions, Symbols, And The Secrets Of The Soul

by Virginia Pitts Rembert

~~7,86€~~ 7,07€ 10% OFF

 Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of religion. Medieval traditions and values were crumbling, thrusting man into a new universe where faith had lost some of its power and much of its magic. Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. Believing that everyone had to make their own moral choices, he focused on themes of hell, heaven and lust. He brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes.
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Auguste Rodin - The Birth Of Modern Sculpture

by Rainer Maria Rilke

~~7,86€~~ 7,07€ 10% OFF

 Influenced by the masters of Antiquity, the genius of Michelangelo and Baroque sculpture, particularly of Bernini, Auguste Rodin (1840-1917) is one of the most renowned artists in history. Though Rodin is considered a founder of modern sculpture, he did not set out to critique past classical traditions. Many of his sculptures were criticised and considered controversial because of their sensuality or hyperrealist qualities. His most original works departed from traditional themes of mythology and allegory, and embraced the human body, celebrating individualism and physicality. This book uncovers the life and career of this highly acclaimed artist by exploring his most famous works of art, such as the Gates of Hell, The Thinker and the infamous The Kiss.
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Vincent Van Gogh - Sunflowers And Silence - The Intensity Of Being

by Victoria Charles

~~7,86€~~ 7,07€ 10% OFF

 Vincent van Gogh's life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh's illness. The author of the article saw the painter as "a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological." Very little is known about Vincent's childhood. At the age of eleven he had to leave "the human nest", as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply "Vincent". He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent's work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh's life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: "I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, 'La tristesse durera toujours (The sadness will last forever).'"
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Ivan Shishkin - Russian Pines And Silent Beauty

by Irina Shuvalova e Victoria Charles

~~7,86€~~ 7,07€ 10% OFF

 Russian countryside is some of the world's most lovely, from the celebrated explosions of wild flowers that fill its forests in the spring, to the icy winter tundra that defeated the advances of Napoleon and Hitler, and provided the backdrop for the drama of many of Russian literature's celebrated scenes. And no one immortalized it better than Ivan Shishkin (1832-1898), a Russian landscape painter. In this comprehensive work of scholarship, Irina Shuvalova and Victoria Charles make a thorough examination of Shishkin's work.
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Hokusai

by Edmond De Goncourt

~~7,86€~~ 7,07€ 10% OFF

 Without a doubt, Katsushika Hokusai is the most famous Japanese artist since the middle of the nineteenth century whose art is known to the Western world. Reflecting the artistic expression of an isolated civilisation, the works of Hokusai - one of the first Japanese artists to emerge in Europe - greatly influenced the Impressionist and Post-Impressionist painters, such as Vincent van Gogh. Considered during his life as a living Ukiyo-e master, Hokusai fascinates us with the variety and the significance of his work, which spanned almost ninety years and is presented here in all its breadth and diversity.
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Ivan Aivazovsky And The Russian Painters Of Water - Master Of The Seascape Painting

by Victoria Charles

~~7,86€~~ 7,07€ 10% OFF

 The seascapes of Ivan Aivazovsky (1817-1900) made his name in Russia, his native country where he was a painter of the court of Nicholas I, yet his fame barely extended beyond these borders. Master of the Sublime, he made the ocean the principal subject of his work. Sometimes wild and raging, sometimes calm and peaceful, the life of the ocean is composed of as many allegories as the human condition. Like Turner, whom he knew and whose art he admired, he never painted outside in nature, nor did he make preliminary sketches; hispaintings were the fruit of his exceptional memory. With more than 6,000 canvasses, Aivazovsky was one of the most prolific painters of his time.
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Karl Bryullov - The Romantic Genius Of Russian Painting

by Galina Leontyeva

~~7,93€~~ 7,14€ 10% OFF

 Karl Bryullov (1799-1852) stands as a towering figure in 19th-century Russian art. Though trained in the classical traditi on, he is best remembered for his emotionally charged Romantic masterpieces. Bryullov's brilliance—both intellectual and artistic—combined with his fiercely independent spirit, ignited widespread admiration across Russia. His dynamic style and expressive power stirred the hearts of a nation. His fame extended well beyond Russia's borders. In Western Europe, Bryullov earned the respect of cultural luminaries such as Thorvaldsen, Sir Walter Scott, Stendhal, and Liszt, securing his place among the greats of European art.
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Mary Cassatt - An American Woman At The Heart Of Impressionism

by Victoria Charles

~~7,93€~~ 7,14€ 10% OFF

 The biography, entitled Mary Cassatt - A Woman's Art, provides an insightful account of the life and career of Mary Cassatt . She was one of a select few women who managed to establish a presence in the male-dominated art world of the late 19th and early 20th centuries. Cassatt, originally from the United States, spent most of her life in France, where she became a prominent member of the Impressionist movement alongside Degas and Monet. This book, which features approximately 100 reproductions of her works, demonstrates how Mary Cassatt , with her distinctive female perspective, transcended the prevailing artistic norms of the era. Her intimate portrayals of motherhood and domestic scenes exemplify her resilience and perceptivity. Her œuvre serves as a compelling testament to the advancement of women in the art world.
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