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Black Artists In Their Own Words eBook
idioma: inglês
Editor:
University of California Press, setembro de 2025 ‧
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30,20€
10% DESCONTO
IMEDIATO
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DISPONIBILIDADE IMEDIATA
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SINOPSE
"A keen and insightful window into a rich artistic legacy."—Publishers Weekly
The first book to center Black artists' voices on Black aesthetics, revealing a century of evolving relationships to race, identity, and art.
What is Black art? No one has thought harder about that question than Black artists, yet their perspectives have been largely ignored. Instead, their stories have been told by intellectuals like W. E. B. Du Bois and Alain Locke, who defined "a school" of Black art in the early twentieth century. For the first time, Black Artists in Their Own Words offers an insightful corrective.
Esteemed art historian Lisa Farrington gathers writing spanning a century across the United States, the Caribbean, and the African continent—including from renowned artists Henry Tanner, Nancy Elizabeth Prophet, Romare Bearden, Wifredo Lam, Renee Cox, and many more—that reveals both evolutions and equivocations. Many artists, especially during the civil rights era, have embraced Black aesthetics as a source of empowerment. Others prefer to be artists first and Black second, while some have rejected racial identification entirely. Here, Black artists reclaim their work from reductive critical narratives, sharing the motivations underlying their struggles to create in a white-dominated art world.
The first book to center Black artists' voices on Black aesthetics, revealing a century of evolving relationships to race, identity, and art.
What is Black art? No one has thought harder about that question than Black artists, yet their perspectives have been largely ignored. Instead, their stories have been told by intellectuals like W. E. B. Du Bois and Alain Locke, who defined "a school" of Black art in the early twentieth century. For the first time, Black Artists in Their Own Words offers an insightful corrective.
Esteemed art historian Lisa Farrington gathers writing spanning a century across the United States, the Caribbean, and the African continent—including from renowned artists Henry Tanner, Nancy Elizabeth Prophet, Romare Bearden, Wifredo Lam, Renee Cox, and many more—that reveals both evolutions and equivocations. Many artists, especially during the civil rights era, have embraced Black aesthetics as a source of empowerment. Others prefer to be artists first and Black second, while some have rejected racial identification entirely. Here, Black artists reclaim their work from reductive critical narratives, sharing the motivations underlying their struggles to create in a white-dominated art world.
DETALHES
| Propriedade | Descrição |
|---|---|
| ISBN: | 9780520384149 |
| Editor: | University of California Press |
| Data de Lançamento: | setembro de 2025 |
| Idioma: | Inglês |
| Páginas: | 416 |
| Tipo de produto: | eBook |
| Formato e Compatibilidade: | |
| Coleção: | Documents Of Twentieth-Century Art |
| Classificação Temática: |
eBooks em Inglês
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Arte
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Artes em Geral
eBooks em Inglês > Arte > História da Arte eBooks em Inglês > Guias Turísticos e Mapas > América do Norte |
| EAN: | 9780520384149 |
| Acessibilidade: | Ver características de acessibilidade indicadas pelo editor |
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