Resultados de Pesquisa

INGLÊS

The Valentine Gallery - The Forgotten Story Of Valentine Dudensing, Matisse, Picasso, And The Us Market For Modern Art (1926â€“1947)

de Julia May (Independent, Usa) Boddewyn

~~128,43€~~ 115,59€ 10% IMEDIATO

portes grátis

 The first book to examine the key role played by art dealer Valentine Dudensing in shaping the canon of modern art in the United States and presents an overview of his life while exploring the wider context of the New York art market of the time.
INGLÊS

Lillie P. Bliss - Collector, Advocate, And Visionary Benefactor Of The Museum Of Modern Art

de Irene M. Walsh

~~107,33€~~ 96,60€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 She helped found MoMA and pioneered the promotion of work of American and French modern artists at the turn of the 20th century, but until now, her life and legacy remain woefully under examined. An early pioneer and patron of French and American modernism, Lillie P. Bliss (1864-1931) was one of three female cofounders of MoMA in 1929, and went on to furnish the museum with one of the finest collections of modern art in the world. Presenting case-studies alongside data-driven analysis drawn from original research into the American art market, this book reconstructs Bliss''s influential career in rich and compelling detail. It weaves together extensive archival material related to the art and the artists that Bliss collected and patronised - such as Paul Cezanne, Pierre-Auguste Renoir, Edgar Degas, Georges Seurat, and Odilon Redon - the art market of the time and the evolution of the New York museum ecosystem, and highlights the importance of private collecting in the development of American museums. By revisiting MoMA''s foundational history, author Irene Walsh explores how Lillie P. Bliss''s visionary bequest of over 120 artworks upon her death in 1931 profoundly influenced and shaped the institution, questioning why her pioneering role has been overshadowed by other collectors. Combining biography, market knowledge, institutional analysis, and art history, it enriches our understanding of early 20th-century dealer dynamics and collection strategies in New York, illuminates the role of collections in shaping art narratives, while offering contemporary insights into women''s agency in the arts. Global, interdisciplinary, and timely, the book provides fascinating first-hand research into a collector of great importance, and will make a long standing contribution to studies in the art market and 20th-century collecting.
INGLÊS

Lillie P. Bliss - Collector, Advocate, And Visionary Benefactor Of The Museum Of Modern Art

de Irene M. Walsh

~~107,33€~~ 96,60€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 She helped found MoMA and pioneered the promotion of work of American and French modern artists at the turn of the 20th century, but until now, her life and legacy remain woefully under examined. An early pioneer and patron of French and American modernism, Lillie P. Bliss (1864-1931) was one of three female cofounders of MoMA in 1929, and went on to furnish the museum with one of the finest collections of modern art in the world. Presenting case-studies alongside data-driven analysis drawn from original research into the American art market, this book reconstructs Bliss''s influential career in rich and compelling detail. It weaves together extensive archival material related to the art and the artists that Bliss collected and patronised - such as Paul Cezanne, Pierre-Auguste Renoir, Edgar Degas, Georges Seurat, and Odilon Redon - the art market of the time and the evolution of the New York museum ecosystem, and highlights the importance of private collecting in the development of American museums. By revisiting MoMA''s foundational history, author Irene Walsh explores how Lillie P. Bliss''s visionary bequest of over 120 artworks upon her death in 1931 profoundly influenced and shaped the institution, questioning why her pioneering role has been overshadowed by other collectors. Combining biography, market knowledge, institutional analysis, and art history, it enriches our understanding of early 20th-century dealer dynamics and collection strategies in New York, illuminates the role of collections in shaping art narratives, while offering contemporary insights into women''s agency in the arts. Global, interdisciplinary, and timely, the book provides fascinating first-hand research into a collector of great importance, and will make a long standing contribution to studies in the art market and 20th-century collecting.
INGLÊS

Art Market And The Museum - Institutional Collecting, Display And Patronage Since The Mid-Nineteenth Century

~~107,33€~~ 96,60€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 This book considers how art market stakeholders, including art dealers, collectors and agents, have shaped museum collections and affected exhibition practices since the mid-nineteenth century. Based on new archival research and data analysis, it explores the role of dealers not only in selling directly to museums, but in influencing museum collecting priorities, as well as potential donors. It also examines the important but hitherto overlooked contribution of the female curator-agent. The book is divided into three sections, which address the relationship between art dealers and museums, women as art agents and influencers, and the strategies of entrepreneurial collectors. Featuring contributions from a wide range of international specialists in the market for decorative arts and antiquities, as well as European modernism, The Art Market and the Museum explores the origins and development of the modern Western art market and the global art networks that operated not only in Paris, London and New York, but in cities such as Glasgow, Vienna, Melbourne and Kansas City. It is perfect reading for scholars and researchers on the history of the art market, museum studies and art history more broadly.
INGLÊS

Art Market And The Museum - Institutional Collecting, Display And Patronage Since The Mid-Nineteenth Century

~~107,33€~~ 96,60€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 This book considers how art market stakeholders, including art dealers, collectors and agents, have shaped museum collections and affected exhibition practices since the mid-nineteenth century. Based on new archival research and data analysis, it explores the role of dealers not only in selling directly to museums, but in influencing museum collecting priorities, as well as potential donors. It also examines the important but hitherto overlooked contribution of the female curator-agent. The book is divided into three sections, which address the relationship between art dealers and museums, women as art agents and influencers, and the strategies of entrepreneurial collectors. Featuring contributions from a wide range of international specialists in the market for decorative arts and antiquities, as well as European modernism, The Art Market and the Museum explores the origins and development of the modern Western art market and the global art networks that operated not only in Paris, London and New York, but in cities such as Glasgow, Vienna, Melbourne and Kansas City. It is perfect reading for scholars and researchers on the history of the art market, museum studies and art history more broadly.
Jewish Dealers And The European Art Market, C. 1860 1940 - Negotiating Cultural Modernity

~~113,29€~~ 101,96€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 Collected essays from across disciplines exploring the phenomenon of Jewish art and antique dealers in modern European cultural history.
Jewish Dealers And The European Art Market, C. 1860 1940 - Negotiating Cultural Modernity

~~113,29€~~ 101,96€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 Before the tragedy of the Holocaust, many of the leading art and antiques dealers across Europe were Jewish, establishing dynamic cross-Channel, international and transatlantic networks. Aside from a few famous examples, however, we are only at the beginning of exploring the diversity of Jewish dealers'' commercial and cultural worlds, and reflecting on the particular conditions that made possible their dramatic expansion within the profession. Adopting a wider geography than any previous study, this book brings together a team of distinguished international contributors to consider Jewish art dealers as an interconnected cohort, tied together by common strategies and a shared vulnerability. After an extended historiographical introduction, the volume presents case studies and trends from 1860-1940, including: Jewish family businesses in Western Europe; the role of Jews as mediators of art from East Asia; the antisemitism and suspicion faced by Jewish dealers; Jews as theorists, exhibition makers and promoters of modern art ; and the geographical mobility and professional reinvention of Jewish dealers in times of economic and political crisis. With a wide variety of illustrations, including paintings, decorative arts, historic photographs and archival material, the volume adopts a mix of methodological approaches to analyse a key chapter in Jewish cultural history and in the history of the international art market. Includes Afterword by Charles Dellheim, author of Belonging and Betrayal: How Jews Made the Art World Modern (2021).
Women Art Dealers - Creating Markets For Modern Art, 1940â€“1990

~~27,03€~~ 24,33€ 10% IMEDIATO

portes grátis

 Through a range of case studies, this book challenges male-dominant art market history by exploring how female dealers worked to promote international art and acted as key agents in the development of the modern global art market.
Social World Of Galleries - Contemporary Art, The Market And Internationalization

de Alain Quemin

~~35,76€~~ 32,18€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 This book presents the first detailed study of the place of contemporary art galleries and gallerists, especially within the art markets of Europe and the United States. Based on the author''s field research carried out for over a decade, and combining ethnographic material with quantitative data, the book reveals the major role galleries play in the creation of art value. Despite being pillars of the art market, there has been very little in-depth research on galleries, especially when compared with the analysis of artists, critics, and dealers. Written by a sociologist who has spent a decade as an art critic, the book builds on work conducted by art historian and sociologist Raymonde Moulin from the 1960s to the 1990s. Drawing on ethnographic observations and interviews with those working in the field today, it provides a thorough and up-to-date analysis of what contemporary art galleries really are: the spaces they occupy both physically and online; their position within gallery ''districts''; their relation to art fairs and biennials; and how friendship with clients is built and trends within the business, in turn illuminating the hierarchized structure of the sector. The book concludes by addressing a significant gap in data on the art market by providing a sociological ranking of international contemporary art galleries. Offering a detailed analysis to a topic that has never been fully studied, The Social World of Galleries is essential reading for scholars and students of art sociology, art history and art business, as well as gallerists, collectors or art lovers, and artists themselves.
Social World Of Galleries - Contemporary Art, The Market And Internationalization

de Alain Quemin

~~35,76€~~ 32,18€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 This book presents the first detailed study of the place of contemporary art galleries and gallerists, especially within the art markets of Europe and the United States. Based on the author''s field research carried out for over a decade, and combining ethnographic material with quantitative data, the book reveals the major role galleries play in the creation of art value. Despite being pillars of the art market, there has been very little in-depth research on galleries, especially when compared with the analysis of artists, critics, and dealers. Written by a sociologist who has spent a decade as an art critic, the book builds on work conducted by art historian and sociologist Raymonde Moulin from the 1960s to the 1990s. Drawing on ethnographic observations and interviews with those working in the field today, it provides a thorough and up-to-date analysis of what contemporary art galleries really are: the spaces they occupy both physically and online; their position within gallery ''districts''; their relation to art fairs and biennials; and how friendship with clients is built and trends within the business, in turn illuminating the hierarchized structure of the sector. The book concludes by addressing a significant gap in data on the art market by providing a sociological ranking of international contemporary art galleries. Offering a detailed analysis to a topic that has never been fully studied, The Social World of Galleries is essential reading for scholars and students of art sociology, art history and art business, as well as gallerists, collectors or art lovers, and artists themselves.
INGLÊS

Jewish Dealers And The European Art Market, C. 1860â€“1940 - Negotiating Cultural Modernity

~~128,43€~~ 115,59€ 10% IMEDIATO

portes grátis

 Collected essays from across disciplines exploring the phenomenon of Jewish art and antique dealers in modern European cultural history.
INGLÊS

Women Art Dealers - Creating Markets For Modern Art, 1940-1990

~~23,84€~~ 21,46€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 Through a range of case studies, this book challenges male-dominant art market history by exploring how female dealers worked to promote international art and acted as key agents in the development of the modern global art market.
INGLÊS

Women Art Dealers - Creating Markets For Modern Art, 1940-1990

~~23,84€~~ 21,46€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets - through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal. Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways.
INGLÊS

New York Market For French Art In The Gilded Age, 1867-1893

de Leanne M. Zalewski

35,76€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this "Gilded Age picture rush," the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors'' and art dealers'' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
INGLÊS

New York Market For French Art In The Gilded Age, 1867-1893

de Leanne M. Zalewski

35,76€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this "Gilded Age picture rush," the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors'' and art dealers'' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
INGLÊS

Women Art Dealers - Creating Markets For Modern Art, 1940â€“1990

~~128,43€~~ 115,59€ 10% IMEDIATO

portes grátis

 Through a range of case studies, this book challenges male-dominant art market history by exploring how female dealers worked to promote international art and acted as key agents in the development of the modern global art market.
INGLÊS

Compelling Stories For English Language Learners - Creativity, Interculturality And Critical Literacy

de Dr Janice (Nord University, Norway) Bland

135,19€ + 10% EM CARTÃO

portes grátis

 Shows language teachers how to use childrenâ€™s and young adult literature in primary and secondary schools to promote critical literacy and interculturality.
INGLÊS

Theodore Rousseau And The Rise Of The Modern Art Market - An Avant-Garde Landscape Painter In Nineteenth-Century France

de Simon Kelly

35,76€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau''s work, rediscovering the original radical charge that once surrounded the artist''s work and led to extensive and peculiarly modern tensions with the market place.
INGLÊS

Theodore Rousseau And The Rise Of The Modern Art Market - An Avant-Garde Landscape Painter In Nineteenth-Century France

de Simon Kelly

35,76€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau''s work, rediscovering the original radical charge that once surrounded the artist''s work and led to extensive and peculiarly modern tensions with the market place.
INGLÊS

Art Markets, Agents And Collectors - Collecting Strategies In Europe And The United States, 1550-1950

32,18€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
INGLÊS

Art Markets, Agents And Collectors - Collecting Strategies In Europe And The United States, 1550-1950

32,18€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
INGLÊS

Pioneers Of The Global Art Market - Paris-Based Dealer Networks, 1850-1950

32,18€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 By the turn of the twentieth century, Paris was the capital of the art world. While this is usually understood to mean that Paris was the center of art production and trading, this book examines a phenomenon that has received little attention thus far: Paris-based dealers relied on an ever-expanding international network of peers. Many of the city''s galleries capitalized on foreign collectors'' interest by expanding globally and proactively cultivating transnational alliances. If the French capital drew artists from around the world-from Cassatt to Picasso-the contemporary-art market was international in scope. Art dealers deliberately tapped into a growing pool of discerning collectors in northern and eastern Europe, the UK, and the USA. International trade was rendered not just desirable but necessary by the devastating effects of wars, revolutions, currency devaluation and market crashes which stalled collecting in Europe. Pioneers of the Global Art Market assembles original scholarship based on a close inspection of and fresh perspective on extant dealer records. It caters to an amplified curiosity concerning the emergence and workings of our unprecedented contemporary-centric and global art market. This anthology fills a significant gap in the expanding field of art market studies by addressing how, initially, contemporary art, which is now known as historical modernism, made its way into collections: who validated what by promoting and selling it, where, and how. It includes unpublished material, concrete examples, bibliographical and archival references, and should appeal to academics, curators, educators, dealers, collectors, artists and art lovers alike. It celebrates the modern art dealer as transnational impresario, the global reach of the modern-art market, and the impact of traders on the history of collecting, and ultimately on the history of art.
INGLÊS

Pioneers Of The Global Art Market - Paris-Based Dealer Networks, 1850-1950

32,18€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 By the turn of the twentieth century, Paris was the capital of the art world. While this is usually understood to mean that Paris was the center of art production and trading, this book examines a phenomenon that has received little attention thus far: Paris-based dealers relied on an ever-expanding international network of peers. Many of the city''s galleries capitalized on foreign collectors'' interest by expanding globally and proactively cultivating transnational alliances. If the French capital drew artists from around the world-from Cassatt to Picasso-the contemporary-art market was international in scope. Art dealers deliberately tapped into a growing pool of discerning collectors in northern and eastern Europe, the UK, and the USA. International trade was rendered not just desirable but necessary by the devastating effects of wars, revolutions, currency devaluation and market crashes which stalled collecting in Europe. Pioneers of the Global Art Market assembles original scholarship based on a close inspection of and fresh perspective on extant dealer records. It caters to an amplified curiosity concerning the emergence and workings of our unprecedented contemporary-centric and global art market. This anthology fills a significant gap in the expanding field of art market studies by addressing how, initially, contemporary art, which is now known as historical modernism, made its way into collections: who validated what by promoting and selling it, where, and how. It includes unpublished material, concrete examples, bibliographical and archival references, and should appeal to academics, curators, educators, dealers, collectors, artists and art lovers alike. It celebrates the modern art dealer as transnational impresario, the global reach of the modern-art market, and the impact of traders on the history of collecting, and ultimately on the history of art.
INGLÊS

Old Masters Worldwide - Markets, Movements And Museums, 1789-1939

38,15€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew''s in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
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