Resultados de Pesquisa

INGLÊS

The Australian Object - Making Material Histories

~~121,67€~~ 109,50€ 10% IMEDIATO

portes grátis

 A material intervention into Australian art histories, examining overlooked objects that unsettle definitions of nationhood and identity.
INGLÊS

Douard Vuillard, The Nabis, And The Politics Of Domesticity

de Francesca Berry

~~107,33€~~ 96,60€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 This ground-breaking book is the first to address the feminine and feminist politics of Intimiste art - a modernist mode of art making developed in the 1890s by Édouard Vuillard while associated with the Nabi ''brotherhood''. Coined by contemporary critics, ''intimisme'' encapsulated the shared approach of these artists to depicting intimate settings and themes. Vuillard''s paintings, which are typically small, employ bold pigments and economic brushstrokes to depict female figures in tightly composed apartment interiors. Those portrayed include his mother and sister, just as wives and lovers dominate the art of other Nabis, including Maurice Denis and Pierre Bonnard. Francesca Berry comparatively analyses the gender politics of Nabi art to reveal real differences. Through skilled visual interpretation she argues that Vuillard attempted a profound engagement with the material conditions of feminine domesticity in cooperation with his first and most sustained audience: women. He did so, the author reveals, in artworks that explore a complex range of feminine experiences such as sexual initiation, stillbirth, illicit work, and unceasing housework. The personal gender politics of Intimiste practice also are foregrounded. Vuillard''s studio-bedroom afforded him access to quotidian femininity. But at what risks to his sister''s privacy and to his mother''s subjectivity? Making an artistic project of feminine domesticity also meant entering the field of politics. The 1890s was the decade of state legislation and feminist demands with respect to work in the home and women''s familial rights. Personal in motif and Symbolist in form, Berry''s extensive historical research reveals these artworks also to have been social and political, sometimes even feminist, in meaning. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection and social retreat that for too long have been attached to Nabi Symbolism.
INGLÊS

Douard Vuillard, The Nabis, And The Politics Of Domesticity

de Francesca Berry

~~107,33€~~ 96,60€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 This ground-breaking book is the first to address the feminine and feminist politics of Intimiste art - a modernist mode of art making developed in the 1890s by Édouard Vuillard while associated with the Nabi ''brotherhood''. Coined by contemporary critics, ''intimisme'' encapsulated the shared approach of these artists to depicting intimate settings and themes. Vuillard''s paintings, which are typically small, employ bold pigments and economic brushstrokes to depict female figures in tightly composed apartment interiors. Those portrayed include his mother and sister, just as wives and lovers dominate the art of other Nabis, including Maurice Denis and Pierre Bonnard. Francesca Berry comparatively analyses the gender politics of Nabi art to reveal real differences. Through skilled visual interpretation she argues that Vuillard attempted a profound engagement with the material conditions of feminine domesticity in cooperation with his first and most sustained audience: women. He did so, the author reveals, in artworks that explore a complex range of feminine experiences such as sexual initiation, stillbirth, illicit work, and unceasing housework. The personal gender politics of Intimiste practice also are foregrounded. Vuillard''s studio-bedroom afforded him access to quotidian femininity. But at what risks to his sister''s privacy and to his mother''s subjectivity? Making an artistic project of feminine domesticity also meant entering the field of politics. The 1890s was the decade of state legislation and feminist demands with respect to work in the home and women''s familial rights. Personal in motif and Symbolist in form, Berry''s extensive historical research reveals these artworks also to have been social and political, sometimes even feminist, in meaning. Transcending the structural repression of domesticity in histories of modernist art, this book powerfully overturns residual myths of aesthetic introspection and social retreat that for too long have been attached to Nabi Symbolism.
INGLÊS

Material Selves - Object Biographies And Identities In Motion

~~34,57€~~ 31,11€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material. Raising vital questions of cultural identity, belonging and selfhood, Material Selves is the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history. Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olley''s enduring fame, the significance of the Khil''a in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBrun''s royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.
INGLÊS

Material Selves - Object Biographies And Identities In Motion

~~34,57€~~ 31,11€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material. Raising vital questions of cultural identity, belonging and selfhood, Material Selves is the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history. Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olley''s enduring fame, the significance of the Khil''a in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBrun''s royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.
INGLÊS

Gallery At Cleveland House - Displaying Art And Society In Late Georgian London

de Anne Nellis Richter

~~113,29€~~ 101,96€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 In 1806, the Marquess and Marchioness of Stafford opened a gallery at Cleveland House, London, to display their internationally-renowned collection of Old Master paintings to the public. A ticket to the gallery''s Wednesday afternoon openings was a sought-after prize, granting access to the collection and the house''s dazzling interior in the company of artists, celebrities, and Britain''s elite. This book explores the gallery''s interior through the lens of its abundant material culture, including paintings in gilded frames, furniture, silver oil lamps, flower arrangements, and the numerous printed catalogues and guidebooks that made the gallery visible to those who might never cross its threshold. Through detailed analysis of these objects and a wide range of other visual, material, textual and archival sources, the book presents the gallery at Cleveland House as a methodological case study on how the display of art in the 19th century was shaped by notions about public and private space, domesticity, and the role art galleries played in the formation of national culture. In doing so, the book also explains how and why magnificent private galleries and the artworks and objects they contained gripped the public imagination during a critical period of political and cultural transformation during and after the Napoleonic Wars. Combining historical, cultural and material analysis, the book will make essential reading for researchers in British art in the Regency period, museum studies, collecting studies, social history, and the histories of interior decoration and design in the 18th and 19th centuries.
INGLÊS

Gallery At Cleveland House - Displaying Art And Society In Late Georgian London

de Anne Nellis Richter

~~113,29€~~ 101,96€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 In 1806, the Marquess and Marchioness of Stafford opened a gallery at Cleveland House, London, to display their internationally-renowned collection of Old Master paintings to the public. A ticket to the gallery''s Wednesday afternoon openings was a sought-after prize, granting access to the collection and the house''s dazzling interior in the company of artists, celebrities, and Britain''s elite. This book explores the gallery''s interior through the lens of its abundant material culture, including paintings in gilded frames, furniture, silver oil lamps, flower arrangements, and the numerous printed catalogues and guidebooks that made the gallery visible to those who might never cross its threshold. Through detailed analysis of these objects and a wide range of other visual, material, textual and archival sources, the book presents the gallery at Cleveland House as a methodological case study on how the display of art in the 19th century was shaped by notions about public and private space, domesticity, and the role art galleries played in the formation of national culture. In doing so, the book also explains how and why magnificent private galleries and the artworks and objects they contained gripped the public imagination during a critical period of political and cultural transformation during and after the Napoleonic Wars. Combining historical, cultural and material analysis, the book will make essential reading for researchers in British art in the Regency period, museum studies, collecting studies, social history, and the histories of interior decoration and design in the 18th and 19th centuries.
INGLÊS

Domestic Space In France And Belgium - Art, Literature And Design, 1850-1920

~~35,14€~~ 31,63€ 10% IMEDIATO

portes grátis

 This book discusses the conception and representation of domestic space in late 19th and early 20th-century France and Belgium
INGLÊS

The Material Landscapes Of Scotlandâ€™S Jewellery Craft, 1780-1914

de Sarah (National Museums Scotland, Uk) Laurenson

~~28,38€~~ 25,54€ 10% IMEDIATO

portes grátis

 This volume explores questions of materiality and the shifting meanings of skill and workmanship through Scotlandâ€™s jewellery craft in the long 19th century.
INGLÊS

Art Of Mary Linwood - Embroidery, Installation, And Entrepreneurship In Britain, 1787-1845

de Heidi A. Strobel

~~34,57€~~ 31,11€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today''s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery''s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood''s gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood''s extant and destroyed works. By examining Linwood''s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.
INGLÊS

Art Of Mary Linwood - Embroidery, Installation, And Entrepreneurship In Britain, 1787-1845

de Heidi A. Strobel

~~34,57€~~ 31,11€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today''s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery''s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood''s gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood''s extant and destroyed works. By examining Linwood''s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.
INGLÊS

Material Landscapes Of Scotland'S Jewellery Craft, 1780-1914

de Sarah Laurenson

25,03€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This volume explores questions of materiality and the shifting meanings of skill and workmanship through Scotlandâ€™s jewellery craft in the long 19th century.
INGLÊS

Material Landscapes Of Scotland'S Jewellery Craft, 1780-1914

de Sarah Laurenson

25,03€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Shortlisted for the History Book Award in Scotland''s National Book Awards, 2023 Shortlisted for the Society of Authors Translation Prize 2019 During the long 19th century, Scotland was home to an established body of skilled jewellers who were able to access a range of materials from the country''s varied natural landscape: precious gold and silver; sparkling crystals and colourful stones; freshwater pearls, shells and parts of rare animals. Following these materials on their journey from hill and shore, across the jeweller''s bench and on to the bodies of wearers, this book challenges the persistent notion that the forces of industrialisation led to the decline of craft. It instead reveals a vivid picture of skilled producers who were driving new and revived areas of hand skill, and who were key to fostering a focused cultural engagement with the natural world - among both producers and consumers - through the things they made. By placing producers and their skill in cultural context, the book reveals how examining the materiality of even the smallest of objects can offer new and multifaceted insights into the wider transformations that marked British history during the long 19th century. Uniting a vast array of jewellery objects with a range of other sources - including paintings, engravings, newspaper reports, letters, inventories of big houses and small workshops, sketchbooks, novels, works of literary geology and early travel writings - this book provides a deep dive into the cultural history of jewellery production through accessible thematic studies. In doing so, it sets out innovative methodologies for writing about the histories of craft production, the natural environment and the material world. Now available in a paperback edition, it will be an important addition to the bookshelf of cultural historians and those interested in Scotland''s wild landscapes and natural objects.
INGLÊS

Ceramics In The Victorian Era - Meanings And Metaphors In Painting And Literature

de Rachel Gotlieb

113,29€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics'' agencies at this time.
INGLÊS

Ceramics In The Victorian Era - Meanings And Metaphors In Painting And Literature

de Rachel Gotlieb

113,29€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics'' agencies at this time.
INGLÊS

The Material Landscapes Of Scotlandâ€™S Jewellery Craft, 1780-1914

de Sarah (National Museums Scotland, Uk) Laurenson

128,43€ + 10% EM CARTÃO

portes grátis

 This volume explores questions of materiality and the shifting meanings of skill and workmanship through Scotlandâ€™s jewellery craft in the long nineteenth century.
INGLÊS

Material Cultures Of The Global Eighteenth Century - Art, Mobility, And Change

29,80€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Things change. Broken and restored, reused and remade, objects transcend their earliest functions, locations, and appearances. While every era witnesses change, the eighteenth century experienced artistic, economic, and demographic transformations that exerted unique pressures on material cultures around the world. Locating material objects at the heart of such phenomena, Material Cultures of the Global Eighteenth Century expands beyond Eurocentric perspectives to discover the mobile, transcultural nature of eighteenth-century art worlds. From porcelain to betel leaves, Chumash hats to natural history cabinets, this book examines how objects embody imperialism, knowledge, and resistance in various ways. By embracing things both elite and everyday, this volume investigates physical and technological manipulations of objects while attending to the human agents who shaped them in an era of accelerating global contact and conquest. Featuring ten essays, the volume foregrounds diverse scholarly approaches to chart new directions for art history and cultural history. Ranging from California to China, Bengal to Britain, Material Cultures of the Global Eighteenth Century illuminates the transformations within and between artistic media, follows natural and human-made things as they migrate across territories, and reveals how objects catalyzed change in the transoceanic worlds of the early modern period.
INGLÊS

Material Cultures Of The Global Eighteenth Century - Art, Mobility, And Change

29,80€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Things change. Broken and restored, reused and remade, objects transcend their earliest functions, locations, and appearances. While every era witnesses change, the eighteenth century experienced artistic, economic, and demographic transformations that exerted unique pressures on material cultures around the world. Locating material objects at the heart of such phenomena, Material Cultures of the Global Eighteenth Century expands beyond Eurocentric perspectives to discover the mobile, transcultural nature of eighteenth-century art worlds. From porcelain to betel leaves, Chumash hats to natural history cabinets, this book examines how objects embody imperialism, knowledge, and resistance in various ways. By embracing things both elite and everyday, this volume investigates physical and technological manipulations of objects while attending to the human agents who shaped them in an era of accelerating global contact and conquest. Featuring ten essays, the volume foregrounds diverse scholarly approaches to chart new directions for art history and cultural history. Ranging from California to China, Bengal to Britain, Material Cultures of the Global Eighteenth Century illuminates the transformations within and between artistic media, follows natural and human-made things as they migrate across territories, and reveals how objects catalyzed change in the transoceanic worlds of the early modern period.
INGLÊS

Transformative Jars - Asian Ceramic Vessels As Transcultural Enclosures

35,76€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 The term ''jar'' refers to any man-made shape with the capacity to enclose something. Few objects are as universal and multi-functional as a jar - regardless of whether they contain food or drink, matter or a void, life-giving medicine or the ashes of the deceased. As ubiquitous as they may seem, such containers, storage vessels and urns are, as this book demonstrates, highly significant cultural and historical artefacts that mediate between content and environment, exterior worlds and interior enclosures, local and global, this-worldly and otherworldly realms. The contributors to this volume understand jars not only as household utensils or evidence of human civilizations, but also as artefacts in their own right. Asian jars are culturally and aesthetically defined crafted goods and as objects charged with spiritual meanings and ritual significance. Transformative Jars situates Asian jars in a global context and focuses on relationships between the filling, emptying and re-filling of jars with a variety of contents and meanings through time and throughout space. Transformative Jars brings together an interdisciplinary team of scholars with backgrounds in curating, art history and anthropology to offer perspectives that go beyond archaeological approaches with detailed analyses of a broad range of objects. By looking at jars as things in the hands of makers, users and collectors, this book presents these objects as agents of change in cultures of craftsmanship and consumption.
INGLÊS

Transformative Jars - Asian Ceramic Vessels As Transcultural Enclosures

35,76€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 The term ''jar'' refers to any man-made shape with the capacity to enclose something. Few objects are as universal and multi-functional as a jar - regardless of whether they contain food or drink, matter or a void, life-giving medicine or the ashes of the deceased. As ubiquitous as they may seem, such containers, storage vessels and urns are, as this book demonstrates, highly significant cultural and historical artefacts that mediate between content and environment, exterior worlds and interior enclosures, local and global, this-worldly and otherworldly realms. The contributors to this volume understand jars not only as household utensils or evidence of human civilizations, but also as artefacts in their own right. Asian jars are culturally and aesthetically defined crafted goods and as objects charged with spiritual meanings and ritual significance. Transformative Jars situates Asian jars in a global context and focuses on relationships between the filling, emptying and re-filling of jars with a variety of contents and meanings through time and throughout space. Transformative Jars brings together an interdisciplinary team of scholars with backgrounds in curating, art history and anthropology to offer perspectives that go beyond archaeological approaches with detailed analyses of a broad range of objects. By looking at jars as things in the hands of makers, users and collectors, this book presents these objects as agents of change in cultures of craftsmanship and consumption.
INGLÊS

Domestic Space In Britain, 1750-1840 - Materiality, Sociability And Emotion

de Freya Gowrley

30,99€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Longlisted for the Historians of British Art (HBA) Book Prize 2023 Between 1750 and 1840, the home took on unprecedented social and emotional significance. Focusing on the design, decoration, and reception of a range of elite and middling class homes from this period, Domestic Space in Britain, 1750-1840 demonstrates that the material culture of domestic life was central to how this function of the home was experienced, expressed, and understood at this time. Examining craft production and collection, gift exchange and written description, inheritance and loss, it carefully unpacks the material processes that made the home a focus for contemporaries'' social and emotional lives. The first book on its subject, Domestic Space in Britain, 1750-1840 employs methodologies from both art history and material culture studies to examine previously unpublished interiors, spaces, texts, images, and objects. Utilising extensive archival research; visual, material, and textual analysis; and histories of emotion, sociability, and materiality, it sheds light on the decoration and reception of a broad array of domestic spaces. In so doing, it writes a new history of late eighteenth- and early nineteenth-century domestic space, establishing the materiality of the home as a crucial site for identity formation, social interaction, and emotional expression.
INGLÊS

Domestic Space In Britain, 1750-1840 - Materiality, Sociability And Emotion

de Freya Gowrley

30,99€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Longlisted for the Historians of British Art (HBA) Book Prize 2023 Between 1750 and 1840, the home took on unprecedented social and emotional significance. Focusing on the design, decoration, and reception of a range of elite and middling class homes from this period, Domestic Space in Britain, 1750-1840 demonstrates that the material culture of domestic life was central to how this function of the home was experienced, expressed, and understood at this time. Examining craft production and collection, gift exchange and written description, inheritance and loss, it carefully unpacks the material processes that made the home a focus for contemporaries'' social and emotional lives. The first book on its subject, Domestic Space in Britain, 1750-1840 employs methodologies from both art history and material culture studies to examine previously unpublished interiors, spaces, texts, images, and objects. Utilising extensive archival research; visual, material, and textual analysis; and histories of emotion, sociability, and materiality, it sheds light on the decoration and reception of a broad array of domestic spaces. In so doing, it writes a new history of late eighteenth- and early nineteenth-century domestic space, establishing the materiality of the home as a crucial site for identity formation, social interaction, and emotional expression.
INGLÊS

Domestic Space In France And Belgium - Art, Literature And Design, 1850-1920

29,80€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This book discusses the conception and representation of domestic space in late 19th and early 20th-century France and Belgium
INGLÊS

Domestic Space In France And Belgium - Art, Literature And Design, 1850-1920

29,80€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This book discusses the conception and representation of domestic space in late 19th and early 20th-century France and Belgium
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