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INGLÊS

Society Tale In Russian Literature - From Odoevskii To Tolstoi

~~197,43€~~ 177,69€ 10% IMEDIATO

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 This collection of essays is the first book to appear on the society tale in nineteenth-century Russian fiction. Written by a team of British and American scholars, the volume is based on a symposium on the society tale held at the University of Bristol in 1996. The essays examine the development of the society tale in Russian fiction, from its beginnings in the 1820s until its subsumption into the realist novel, later in the century. The contributions presented vary in approach from the text or author based study to the generic or the sociological. Power, gender and discourse theory all feature strongly and the volume should be of considerable interest to students and scholars of nineteenth-century Russian literature. There are essays covering Pushkin, Lermontov, Odoevsky and Tolstoi, as well as more minor writers, and more general and theoretical approaches.
INGLÊS

North In Russian Romantic Literature

de Otto Boele

~~197,43€~~ 177,69€ 10% IMEDIATO

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 This book explores the North in Russian romantic literature as a symbol of national particularity. It largely ignores the vogue of Ossian, being primarily concerned with the significance of the North for Russia's national self-image. The author demonstrates how, starting with Lomonosov, the North initially functions as a symbol of Russia's 'new' European identity. Gradually it acquires a different ideological charge, giving voice to growing resentment over the inroads of western culture. By the turn of the century, the North no longer denotes Russia's supposed Europeanness, but its 'unique national' spirit, believed to have been polluted by the slavish imitation of the West. By this time, the theme of winter was discovered as an appropriate vehicle for the expression of nationalist sentiments, culminating in the popular myth of the winter of 1812 as an ally of the Russian people. This study also investigates the theme of 'northern homesickness' as opposed to the lure of the South and concludes by examining the national stereotypes of Russia's northern neighbours, the Swedes and the Finns.
INGLÊS

Character In The Short Prose Of Ivan Sergeevic Turgenev

de Sander Brouwer

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 In this book, the problem of literary character is investigated in a series of detailed analyses of short stories by I.S.Turgenev: Bezhin Lea, Mumu, A Journey into Polese, The Dog and Punin and Baburin. Up until roughly the 1920's (in Russia: before Formalism), the approach to character in literary criticism was based on the implicit assumption that literary character somehow reflected characters in real life, who were thought to have a fixed inner essence (psychological and/or ideological). In post-formalist, structuralist studies, on the other hand, character as it were dissolved into the textual fabric of the work. In this book, the basic viewpoint of structuralist theory of character, namely its exclusively textual nature, is retained. But in that case, how is the structure of character in texts of the pre-modernist era to be described, in which the belief in the existence of an inner essence in actual as well as in fictional characters had hardly yet been shaken? In order to tackle this problem, the author turns to Roman Jakobson's idea, taken up and developed by W.Schmid and A.Hansen-Love, that the meaning of a work of literature is generated by the interaction of paradigmatic and syntagmatic mechanisms. The image of character in Turgenev's stories is the result of devices characteristic of narrative as well as of verbal art. It is partly created with the help of leitmotivs that form sequences of equivalences, and of intertextual references. Thus (social) representation is supplemented by lyrical and philosophical overtones. Comparable observations have been made by V.M.Markovic (1982) on Turgenev's novels, as well as on those by Puskin, Gogol' and Lermontov. For the assessment of intra- and intertextual equivalences it has been found of great importance to pay more attention than is usually done to folkloric connotations of details in Turgenev's fictional world. Thus new layers of meaning can be uncovered in stories that have been considered well-studied; and a first-ever interpretation is given of The Dog, a story traditionally regarded as incomprehensible.
INGLÊS

Pushkin'S Mozart And Salieri - Themes, Character, Sociology

de Robert Reid

~~197,43€~~ 177,69€ 10% IMEDIATO

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 Mozart and Salieri, probably the best known of Pushkin's `Little Tragedies', was written in 1830 during the peak of the poet's creative powers. Like the other Little Tragedies it is a `closet drama' which concentrates on the devastating effects of an all-consuming human passion, in this case envy. Mozart and Salieri typifies Pushkin's implicational technique of character construction: the salient points of a fictional psyche are highlighted sufficiently to suggest inner depth while stopping short of precise concretication; this allows full play to lectorial inference on a plurality of connotational levels - thematic, psychological and sociological. The present work, the first of its kind in English, isolates two major thematic dominants in the play - envy and music - and these form the focus for its aesthetic and psychological preoccupations respectively. A variety of psychological approaches are brought to bear on the play's protagonists including adaptations of the theories of Freud, Adler, Jung and Klages. The readiness with which these contrastive but complementary approaches yield new insights into the nature and motivations of the protagonists of Mozart and Salieri points to a work of profound cultural significance, something all the more remarkable given its modest compass. The sociological and anthropological approaches applied to the drama in this study dwell particularly on theories of social interaction and theories of alienation, anomie and suicide. Pushkin has often been regarded as an enigmatic phenomenon in the west, the compactness and economy of his works often seeming at odds with the degree of impact which they have made on subsequent generations of Russian writers. The present work seeks to lay bare what is typical for Pushkin: the intimation of great psychological and philosophical truths via a superficially unassuming medium. It is not surprising, therefore, that the influence of Pushkin's Mozart and Salieri, and of the aesthetic and ideological positions they represent, can be felt in the works of later Russian writers, notably Dostoyevsky.
INGLÊS

Evolution Of Space In Russian Literature - A Spatial Reading Of 19th And 20th Century Narrative Literature

de Katharina Hansen Love

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 This book is concerned with the literary development of the narrative category of space in Russian literature from Romanticism until Modernism. It consists of two parts. The theoretical introduction renders a survey of some major 20-th century theories on literary development in the tradition of Russian Formalism and Czech Structuralism. A critical discussion is given of the cultural and stylistic typologies of the soviet scholar D. Lichacev and the semiotician I. Smirnov. Furthermore, the ideas on literary space, as they were developed by two important representatives of the Moscow-Tartu School of Semiotics, Ju.Lotman and V.Toporov, are described together with the method of literary analysis they offer. The contents of the second part of the book are analyses of the structure of space in the following narrative works: Mcyri by M.Ju. Lermontov, Nevskij prospekt by N.V. Gogol, Oblomov by I.A. Goncarov, V tolpe by F. Sologub and Kotlovan by A. Platonov. The analyses are accompanied by an interpretation of the story based on the spatial details in the text.It appears that both continuity and change characterize the development of literary space. This two-fold nature of the evolutionary proces comes to the fore through recurrence of spatial archetypes in all the periods under discussion and through ambivalence of meaning as a result of the semiotization of literary space in each literary work.
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Dostoevskii'S Overcoat: Influence, Comparison, And Transposition

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INGLÊS

Dostoevskii'S Overcoat: Influence, Comparison, And Transposition

194,78€ + 10% EM CARTÃO

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 One of the most famous quotations in the history of Russian literature is Fedor Dostoevskii's alleged assertion that 'We have all come out from underneath Gogol's Overcoat'. Even if Dostoevskii never said this, there is a great deal of truth in the comment. Gogol certainly was a profound influence on his work, as were many others. Part of this book's project is to locate Dostoevskii in relationship to his predecessors and contemporaries. However, the primary aim is to turn the oft-quoted apocryphal comment on its head, to see the profound influence Dostoevskii had on the lives, work and thought of his contemporaries and successors. This influence extends far beyond Russia and beyond literature. Dostoevskii may be seen as the single greatest influence on the sensibilities of the twentieth and twenty-first centuries. To a greater or lesser extent those concerned with the creative arts in the twentieth and twenty-first centuries have all come out from under Dostoevskii's 'Overcoat'.
INGLÊS

Aspects Of Dostoevskii - Art, Ethics And Faith

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 Perhaps more than any other nineteenth-century Russian writer, Dostoevskii's continuing popularity rests on his contemporary relevance. The prophetic streak in his creativity gives him the same lasting appeal as dystopian novelists such as Zamiatin and Orwell whom he influenced and whose ethical concerns he anticipated. Religious themes are prominent in his work, too, and, though he was a believer, his interest seems to lie in the tension between faith and unbelief, which was felt as keenly in the Russia of his time as in our own. The nature of Dostoevskii's art also continues to be debated. The older tendency to disparage his literary method has given way to a recognition of the originality of his techniques, without which his ideological concerns would not have emerged with such thought-provoking clarity. The chapters which comprise this volume address these issues in a range of Dostoevskii's works, from shorter classics, such as House of the Dead and Notes from Underground to great novels such as Crime and Punishment and The Brothers Karamazov. This work will be of use to scholars and students of Dostoevskii at all levels as well as to those with an interest in nineteenth-century literature more generally.
INGLÊS

Profane Challenge And Orthodox Response In Dostoevsky'S Crime And Punishment

de Janet G. Tucker

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 Profane Challenge and Orthodox Response in Dostoevsky's Crime and Punishment presents for the first time an examination of this great novel as a work aimed at winning back "target readers", young contemporary radicals, from Utilitarianism, nihilism, and Utopian Socialism. Dostoevsky framed the battle in the context of the Orthodox Church and oral tradition versus the West. He relied on knowledge of the Gospels as text received orally, forcing readers to react emotionally, not rationally, and thus undermining the very basis of his opponents' arguments. Dostoevsky saves Raskol'nikov, underscoring the inadequacy of rational thought and reminding his readers of a heritage discarded at their peril. This volume should be of special interest to secondary and university students, as well as to readers interested in literature, particularly, in Russian literature, and Dostoevsky.
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Dutch Contributions To The Fourteenth International Congress Of Slavists

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INGLÊS

Dutch Contributions To The Fourteenth International Congress Of Slavists - Ohrid, September 10-16, 2008. Literature

147,08€ + 10% EM CARTÃO

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 In this volume of SSLP the contributions of Dutch scholars working in the field of Slavic literature and culture to the 14th International Congress of Slavists (Ohrid, Macedonia, September 10-16, 2008) are brought together. All of them except one (on the Polish poet Cyprian Norwid's story Stigma), deal with Russian literature from the end of the 18th century up to recent years. A variety of topics is treated, such as the feminization of Russian literature, the reflection of poetry in prose, anthropological and religious dimensions of literature, the specifics of theme and of plot, Russian modernism and postmodernism, and the status of language, from different methodological angles: gender studies, structural analysis, philosophical-contextual, postcolonial. Works of such Russian authors as Ippolit Bogdanovich, Ivan Turgenev, Pavel Mel'nikov-Pecherskii, Ignatii Potapenko, Iurii Trifonov, Timur Kibirov and Viktor Pelevin are discussed in detail. This volume is of interest for a scholarly audience interested in Russian literature of the last 250 years.
INGLÊS

What The God-Seekers Found In Nietzsche - The Reception Of Nietzsche'S Ubermensch By The Philosophers Of The Russian Religious Renaissance

de Nel Grillaert

156,35€ + 10% EM CARTÃO

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 At the end of the nineteenth and the beginning of the twentieth century, a large and varied group of the Russian intelligentsia became fascinated by Friedrich Nietzsche, whose provocative ideas inspired many of them to overcome obsolete traditions and to create new values. Paradoxically, the German philosopher, who vigorously challenged the established Christian worldview, invigorated the rich ferment of religious philosophy in the Russian Silver Age: his ideas served as a fruitful source of inspiration for the philosophers of the Russian religious renaissance, the so-called God-seekers, in their quest for a new religious consciousness. Especially Nietzsche's anthropology of the Ubermensch was instrumental in their reformulation of Christianity. This book explores how three pivotal figures in the Russian religious reception of Nietzsche, i.e. Vladimir Solov'ev, Dmitrii Merezhkovskii and Nikolai Berdiaev, engaged in a vacillating yet highly prolific debate with Nietzsche and how each of them appropriated his anthropology of the Ubermensch in their religious philosophy. In order to explain Merezhkovskii's and Berdiaev's assessment of Nietzsche, the author highlights the significance of Dostoevskii: only by reading Nietzsche through the prism of Dostoevskii could both God-seekers pin down the religious ramifications of Nietzsche's thought. This book will be of interest to anyone fascinated by Nietzsche, Dostoevskii, Russian religious philosophy, Russian history of ideas and reception studies.
INGLÊS

Turgenev And Russian Culture - Essays To Honour Richard Peace

198,75€ + 10% EM CARTÃO

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 The present volume has as its central aim a reassessment of the works of Ivan Turgenev for the twenty-first century. Against the background of a decline in interest in nineteenth-century literature the articles gathered here seek to argue that the period in general, and his work in particular, still have much to offer the modern sensibility. The volume also offers a great variety of approaches. Some of the contributors tackle major works by Turgenev, including Rudin and Smoke, while others address key themes that run through all his creative work. Yet others address his influence, as well as his broader relationship with Russian and other cultures. A final group of articles examines other key figures in Russian literary culture, including Belinskii, Herzen and Tolstoi. The work will therefore be of interest to students, postgraduates and specialists in the field of Russian literary culture. At the same time, they will stand as a tribute to the life and work of Professor Richard Peace, a long-standing specialist in nineteenth-century Russian literature, in whose honour the volume has been compiled.
INGLÊS

Legacy Of Ancient Rome In The Russian Silver Age

de Anna Frajlich

115,28€ + 10% EM CARTÃO

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 The legacy of ancient Rome has always constituted an important component of the Russian cultural consciousness. This book analyzes the forms involved in creating the Roman image and explores its functionality within the given poetic system. It explores the background and the stimulus leading up to the composition of a particular poem.
INGLÊS

Narrative, Space And Gender In Russian Fiction: 1846-1903

de Joe Andrew

103,35€ + 10% EM CARTÃO

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 Contains a number of works from Russian literature published over the period in which the 'woman question' rose to the fore and reached its peak. This book includes discussions which focus on issues of narrative and space, and how they acted as 'technologies of gender'. It is useful for those interested in nineteenth-century Russian literature.
INGLÊS

Montaging Pushkin - Pushkin And Visions Of Modernity In Russian Twentieth-Century Poetry

de Alexandra Smith

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 Montaging Pushkin offers for the first time a coherent view of Pushkin's legacy to Russian twentieth-century poetry, giving many new insights. Pushkin is shown to be a Russian forerunner of Baudelaire. Furthermore it is argued that the rise of the Russian and European novel largely changed the ways Russian poets have looked at themselves and at poetic language; that novelisation of poetry is detectable in the major works of poetry that engaged in a creative dialogue with Pushkin, and that polyphonic lyric has been achieved. Alexandra Smith locates significant examples of Pushkin's cinematographic cognition of reality, suggesting that such dynamic descriptions of Petersburg helped create a highly original animated image of the city as comic apocalypse, which followers of Pushkin appropriated very successfully even as far as the late twentieth century. Montaging Pushkin will be of interest to all students of Russian poetry, as well as specialists in literary theory, European studies and the history of ideas.
INGLÊS

Breaking Ground - Travel And National Culture In Russia From Peter I To The Era Of Pushkin

de Sara Dickinson

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 Breaking Ground examines travel writing's contribution to the development of a Russian national culture from roughly 1700 to 1850, as Russia struggled to define itself against Western Europe. Russian examples of literary travel writing began with imitative descriptions of grand tours abroad, but progressive familiarity with the West and with its literary forms gradually enabled writers to find other ways of describing the experiences of Russians en route. Blending foreign and native cultural influences, writers responded to the pressures of the age-to Catherine II, Napoleon, and Nicholas I, for example-both by turning "inward" to focus on domestic touring and by rewriting their relationship to the West. This book tracks the evolution of literary travel writing in this period of its unprecedented popularity and demonstrates how the expression of national identity, the discovery of a national culture, and conceptions of place-both Russian and Western European-were among its primary achievements. These elements also constitute travel writing's chief legacy to prose fiction, "breaking ground" for the later masterpieces of writers such as Turgenev, Dostoevsky, and Tolstoy. For literary scholars, historians, and other educated readers with interests in Russian culture, travel writing, comparative literature, and national identity.
INGLÊS

Waiting For Pushkin - Russian Fiction In The Reign Of Alexander I (1801-1825)

de Alessandra Tosi

209,35€ + 10% EM CARTÃO

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 Waiting for Pushkin provides the only modern history of Russian fiction in the early nineteenth century to appear in over thirty years.Prose fiction has a more prominent position in the literature of Russia than in that of any other great country. Although nineteenth-century fiction in particular occupies a privileged place in Russian and world literature alike, the early stages of this development have so far been overlooked. By combining a broad historical survey with close textual analysis the book provides a unique overview of a key phase in Russian literary history. Drawing on a wide range of sources, including rare editions and literary journals, Alessandra Tosi reconstructs the literary activities occurring at the time, introduces neglected but fascinating narratives, many of which have never been studied before and demonstrates the long-term influence of this body of works on the ensuing "golden age" of the Russian novel. Waiting for Pushkin provides an indispensable source for scholars and students of nineteenth-century Russian fiction. The volume is also relevant to those interested in women's writing, comparative studies and Russian literature in general.
INGLÊS

Pure, Strong And Sexless - The Peasant Woman'S Body And Gleb Uspensky

de Henrietta Mondry

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 Pure, Strong and Sexless explores the representation of gender and sexuality of peasant women in turn of the century Russian culture through the writings of populist writer Gleb Uspensky. Uspensky's numerous works address a range of issues related to sexuality, including infanticide, abortion, prostitution, adultery and venereal disease. This is the first comprehensive study of populist's fantasies in regard to the peasant woman's body as a non-sexed utopian body within Russian fin-de-siecle sexual discourse. Included in this book is the first English translation of the diary of Uspensky's psychiatrist, Dr Boris Sinani. This frank account portrays the tragic decline of a sensitive observer and writer into the psychotic and delusionary world of schizophrenia. This work is an invaluable source for students of Russian literature, gender studies, and history of psychiatry.
INGLÊS

Overcoming Of History In War And Peace

de Jeff Love

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 The Overcoming of History in "War and Peace" marks a radical departure from the critical tradition dominated by Sir Isaiah Berlin's view that the novel is deeply divided against itself, a majestically flawed contest of brilliant art and clumsy thought. To the contrary, Jeff Love argues that the apparently divided nature of the text, its multi-leveled negotiation between different kinds of representation, expresses the rich variety of the novel's very deliberate striving to capture the fluidity of change and becoming in the fixed forms of language. The inevitable failure of this striving, revealing the irreducible conflict between infinite desire and finite capacity, is at once the source of new beginnings and the repetition of old ones, a wellspring of continually renewed promises to achieve a synoptic vision of the whole that the novel cannot fulfill. This repetitive struggle between essentially comic and tragic conceptions of human action, far from being a pervasive flaw in the texture of the novel, in fact constitutes its dynamic center and principal trope as well as the productive origin of the unusual features that distinguish it as an uncommonly bold narrative experiment.
INGLÊS

Turgenev - Art, Ideology And Legacy

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 Turgenev is in many ways the most enigmatic of the great nineteenth-century Russian writers. A realist, he was nevertheless drawn towards symbolism and the supernatural in his later career. Renowned for his authentic depictions of Russian life, he spent long periods in Europe and was more Western in outlook than many of his contemporaries. Though he stood aloof from politics, the major political issues of nineteenth-century Russia are central to his fiction. Interest in Turgenev remains strong in the twenty-first century, sustained by the amenability of his work to contemporary critical approaches and also by a recognition of the continuing relevance of his perspective on the perennial complexities of Russia's relations with Europe. This volume provides ample evidence of this interest. The chapters which comprise it are written by specialists on the writer and cover many aspects of Turgenev's creativity from his artistic method to such issues as the Jewish Question and Europe. It also examines his cultural legacy - in film and recent popular re-writes of his novels - as well as his influence on writers as diverse as Rozanov and Robert Dessaix. This work will be of interest to students, postgraduates and specialists in the field of Russian literary culture.
INGLÊS

Shoreless Bridges - South East European Writing In Diaspora

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 Exiles cross borders, become non-mainstream individuals and break through barriers of thought and experience. Forced or chosen detachment can lead to originality of vision, awareness of simultaneous dimensions - in short a writing that challenges boundaries of genre, monolingualism and national literatures.The writers of the Balkan (Slavic) diaspora offer narratives of critical reflection, strange fusions and unions, representative of the new cultural identities of contemporary Europe.This volume presents an interesting combination of original writer's essays (by Tzveta Sofronieva, Goran Stefanovski, Dubravka Ugresic) and academic discussions on the function of such narratives, seeking answers to a number of academic questions, related to the construction of the Self in processes of cultural translation/transmission.
INGLÊS

House In Russian Literature - A Mythopoetic Exploration

de Joost Van Baak

266,33€ + 10% EM CARTÃO

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 The domestic theme has a tremendous anthropological, literary and cultural significance. The purpose of this book is to analyse and interpret the most important realisations and tendencies of this thematic complex in the history of Russian literature. It is the first systematic book-length exploration of the meaning and development of the House theme in Russian literature of the past 200 years. It studies the ideological, psychological and moral meanings which Russian cultural and literary tradition have invested in the house or projected on it in literary texts. Central to this study's approach is the concept of the House Myth, consisting of a set of basic fabular elements and a set of general types of House images. This House Myth provides the general point of reference from which the literary works were analyzed and compared. With the help of this analytical procedure characteristics of individual authors could be described as well as recurrent patterns and features discerned in the way Russian literature dealt with the House and its thematics, thus reflecting characteristics of Russian literary world pictures, Russian mentalities and Russian attitudes towards life. This book is of interest for students of Russian literature as well as for those interested in the House as a cultural and literary topic, in the semiotics of literature, and in relations between culture, anthropology and literature.
INGLÊS

(Un)Masking Bruno Schulz - New Combinations, Further Fragmentations, Ultimate Reintegrations

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 Whatever critical scalpel one selects for dissecting the literary works of Bruno Schulz (1892-1942), there will always be a certain degree of textual resistance which cannot be broken. Or in other words, taking off one of Schulz's many masks, one will probably never avoid the impression that a new mask has emerged. This book contributes to the three most typical critical strategies of reading Schulz's works (combinations, fragmentations, reintegrations) - being fully aware, of course, of the relativity of each particular approach. In addition, the book sets out to explore all of Schulz's creative output (i.e. his stories as well as his graphic, epistolary and even literary critical works), as one of Schulz's main goals was exactly to cross artificially set up boundaries between, among other things, different artistic media of expression. The book for the first time brings together leading Schulzologists (Jarzebski, Robertson, Sproede) and their prospective successors (Augsburger, Gorin, Kato, Suchanska-Drazynska, Underhill, Wojda), established Polish academics (Dabrowski, Markowski, Skwara, Weretiuk) and their foreign counterparts (De Bruyn, Gall, Meyer-Fraatz, Schulte, Zielinski), scholars primarily working on other authors (Anessi, Sliwa, Zurek) and those focusing on other art forms (Sanchez-Pardo, Watt). The editors' introduction offers an overview of seven decades of Schulzology. The book is of interest for both readers with a general interest in (world) literature and/or a particular interest in Polish and Jewish studies.
INGLÊS

Joseph Brodsky And Modern Russian Culture

~~204,05€~~ 183,65€ 10% IMEDIATO

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 This volume is a major contribution to the study of the life, work and standing of Joseph Brodsky, 1987 Nobel Prize Laureate and the best-known Russian poet of the second half of the twentieth century. This is the most significant book devoted to him in the last 25 years, and features work by many of the leading experts on him, both in Russia and the West. Every one of the chapters makes a real contribution to different aspects of Brodsky - the growth of interest in his work, his world view and political position, and the unique aspects of his poetics. Taken together, the sixteen chapters offer a rounded interpretation of his significance for Russian culture today.
INGLÊS

Documentary Aesthetics In The Long 1960s In Eastern Europe And Beyond

~~193,45€~~ 174,11€ 10% IMEDIATO

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 This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of depicting daily life, writing testimony or subjective reportage emerged that still shape cultural debates today.
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