Resultados de Pesquisa

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Courtly And Queer - Deconstruction, Desire, And Medieval French Literature

de Charlie Samuelson

66,18€ + 10% EM CARTÃO

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 <div>Recasts queerness in medieval French romances by juxtaposing key genres for the first time, revealing how their literary sophistication overlaps with modern conceptions of queerness.</div>
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Continental England - Form, Translation, And Chaucer In The Hundred Years’ War

de Elizaveta Strakhov

66,18€ + 10% EM CARTÃO

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 <div>Employs Chaucer as a lens to argue that Anglo-French translation of <i>formes fixes</i> poetry helped rebuild cultural ties between England and Continental Europe during the Hundred Years' War.</div>
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Talk And Textual Production In Medieval England

de Libbon Marisa Libbon

46,31€ + 10% EM CARTÃO

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 People in medieval England talked, and yet we seldom talk or write about their talk. People conversed not within literary texts, but in the world in which those texts were composed and copied. The absence of such talk from our record of the medieval past is strange. Its absence from our formulation of medieval literary history is stranger still. In <i>Talk and Textual Production in Medieval England</i>, Marisa Libbon argues that talk among medieval England’s public, especially talk about history and identity, was essential to the production of texts and was a fundamental part of the transmission and reception of literature. Examining Richard I’s life as an exemplary subject of medieval England’s class-crossing talk about the past, Libbon advances a theory of how talk circulates history, identity, and cultural memory over time. By identifying sites of local talk about England''s past, from law courts to palace chambers, and tracing rumors about Richard that circulated during his life and long after his death, Libbon offers a literary history of Richard that accounts for the spaces between and around extant manuscript copies of Middle English romances like <i>Richard Coeur de Lion</i>, insular and Continental chronicles, and <i>chansons de geste</i> with figures such as Charlemagne and Roland. These spaces, usually dismissed as silent, tell us about the processes of writing and reading and illuminate the intangible daily life in which textual production occurred. In revealing the pressures that talk about the past exerted on textual production, this book<i> </i>relocates the power of making culture and collective memory to a wider, collaborative authorship in medieval England.
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Scripting The Nation - Court Poetry And The Authority Of History In Late Medieval Scotland

de Katherine H. Terrell

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 <i>Scripting the Nation </i>is the first book to set the poets of Scottish King James IV’s court—William Dunbar, Walter Kennedy, and Gavin Douglas—in an extended dialogue with Latin and vernacular traditions of historiography. In the fourteenth and fifteenth centuries, Latin chroniclers such as John of Fordun and Walter Bower argued for their nation’s status, using genealogically based myths of origin that linked Scotland to ancient centers of power. As vernacular histories grew more Anglophobic and quarrels rooted in the past continued to influence Anglo-Scottish diplomacy, Dunbar, Kennedy, and Douglas took up a national discourse that responded to English myths and an English poetic tradition exemplified by Geoffrey Chaucer. Terrell’s elegant study examines how these Scottish writers marked out a distinct realm of Scottish cultural and poetic achievement, appropriating and subverting English literary models in ways that reveal the interplay between literary and historical authority in the scripting of nationhood.
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Inventing Womanhood - Gender And Language In Later Middle English Writing

de Williams Tara Williams

19,81€ + 10% EM CARTÃO

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 <div>In <i>Inventing Womanhood,</i> Tara Williamsinvestigates new ideas about womanhood that arose in fourteenth-century Britain and evolved throughout the fifteenth century. In the aftermath of the plague and the substantial cultural shifts of the late 1300s, female roles expanded temporarily. As a result, the dominant models of maiden, wife, and widow could no longer adequately describe women’s roles and lives.</div><div> </div><div>Middle English writers responded by experimenting with new ways of representing women across a variety of genres, from courtly poetry to devotional texts and from royal correspondence to cycle plays. In particular, writers coined new terms, including "womanhood" and "femininity," and refashioned others, such as "motherhood." These experiments allowed writers to develop and define a larger idea of womanhood underlying more specific identities like wife or mother and to re-imagine women’s relationships to different kinds of authority—generally masculine and frequently religious.</div><div> </div><div>By exploring the medieval origins of some of our most important gender vocabulary, <i>Inventing Womanhood</i> defamiliarizes our modern usage, which often treats those terms as etymologically transparent and almost limitlessly capacious. It also restores a necessary historical and linguistic dimension to gender studies, providing the groundwork for reconsidering how that language and the categories it creates have determined the ways in which gender has been imagined since the Middle Ages.</div><div> </div>
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Revivalist Fantasy - Alliterative Verse And Nationalist Literary History

de Randy P. Schiff

43,66€ + 10% EM CARTÃO

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 <i>Revivalist Fantasy: Alliterative Verse and Nationalist Literary History</i> by Randy P. Schiff contributes to recent conversations about disciplinary history by analyzing the nationalist context for scholars and editors involved in disseminating the literary historical theory of an Alliterative Revival. Redirecting Alliterative Revivalism’s backward gaze, <i>Revivalist Fantasy</i> re-engages with the local contexts of select alliterative works.<br> <br> Schiff revises readings of alliterative poetry as Francophobic, exploring the transnational imperialist elitism in the translation <i>William of Palerne</i>. He contributes to the discussion of gender in <i>Sir Gawain and the Green Knight</i> by linking the poem’s powerful female players with anxieties about women’s control of wealth and property in militarized regions of England. The book also explores the emphatically pre-national, borderlands sensibilities informing the <i>Awntyrs off Arthure</i> and <i>Golagros</i> and <i>Gawane</i>, and it examines the exploitation of collaborative composition in the material legacy of the <i>Piers Plowman</i> tradition.<br> <br> <i>Revivalist Fantasy</i> concludes that Revivalist nationalism obscures crucial continuities between late-medieval and post-national worlds and that critics’ interests should be channeled into the forging of connections between past and present rather than suspended in the scholarly pursuit of origins. The book will be of interest to scholars of editorial history and translation studies and to those interested in manuscript studies.
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Fictions Of Evidence - Witnessing, Literature, And Community In The Late Middle Ages

de Taylor Jamie K. Taylor

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 <div><div>Throughout the Middle Ages, witnessing was a crucial way religious and legal "truths" were understood and produced. Religious and secular officials alike harnessed the power of testimony to assert doctrinal, political, or legal responsibilities. Swearing an oath, testifying in court, and signing a deposition were common ways to shape and discipline both devotional and legal communities. In <i>Fictions of Evidence: Witnessing, Literature, and Community in the Late Middle Ages,</i> Jamie K. Taylor traces depictions of witnessing in a wide range of late medieval texts and shows how witnessing practices formed and reformed, policed and challenged medieval communities.</div><div> </div><div>Through close study of texts like the <i>Man of Law’s Tale</i> and <i>Piers Plowman</i> alongside sermon exempla, common law statutes, and pastoral treatises, <i>Fictions of Evidence</i> argues that vernacular literature was a vital site of criticism and dissent. It shows that devotional and legal witnessing practices offered medieval writers a distinct vocabulary they could use to expose how the ethical and legal obligations to one’s community were constructed. And since vernacular writers often challenged the ways ecclesiastical or secular authorities asserted community bonds, they found they could use those same witnessing practices and language to imagine extra-legal or extra-ecclesiastical communities that followed different ethical codes.</div></div>
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Body Against Soul - Gender And Sowlehele In Middle English Allegory

de Raskolnikov Masha Raskolnikov

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 <div><div>In medieval allegory, Body and Soul were often pitted against one another in debate. In <i>Body Against Soul: Gender and</i> Sowlehele <i>in Middle English Allegory,</i> Masha Raskolnikov argues that such debates function as a mode of thinking about psychology, gender, and power in the Middle Ages. Neither theological nor medical in nature, works of <i>sowlehele</i> ("soul-heal") described the self to itself in everyday language—moderns might call this kind of writing "self-help." Bringing together contemporary feminist and queer theory along with medieval psychological thought, <i>Body Against Soul</i> examines <i>Piers Plowman</i>, the "Katherine Group," and the history of psychological allegory and debate. In so doing, it rewrites the history of the Body to include its recently neglected fellow, the Soul.<br><br>The topic of this book is one that runs through all of Western history and remains of primary interest to modern theorists—how "my" body relates to "me." In the allegorical tradition traced by this study, a male person could imagine himself as a being populated by female personifications, because Latin and Romance languages tended to gender abstract nouns as female. However, since Middle English had ceased to inflect abstract nouns as male or female, writers were free to gender abstractions like "Will" or "Reason" any way they liked. This permitted some psychological allegories to avoid the representational tension caused by placing a female soul inside a male body, instead creating surprisingly queer same-sex inner worlds. The didactic intent driving <i>sowlehele</i> is, it turns out, complicated by the erotics of the struggle to establish a hierarchy of the self’s inner powers.</div><div> </div><div> </div></div>
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Fashioning Change - The Trope Of Clothing In High- And Late-Medieval England

de Denny-Brown Andrea Denny-Brown

397,43€ + 10% EM CARTÃO

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 <div><div>Medieval European culture was obsessed with clothing. In <i>Fashioning Change: The Trope of Clothing in High-and Late-Medieval England,</i> Andrea Denny-Brown explores the central impact of clothing in medieval ideas about impermanence and the ethical stakes of human transience. Studies of dress frequently contend with a prevailing cultural belief that bodily adornment speaks to interests that are frivolous, superficial, and cursory. Taking up the vexed topic of clothing’s inherent changeability, Denny-Brown uncovers an important new genealogy of clothing as a representational device, one imbued with a surprising philosophical pedigree and a long history of analytical weightiness.</div><div>Considering writers as diverse as Boethius, Alain de Lille, William Durand, Chaucer, and Lydgate, among others, Denny-Brown tracks the development of a literary and cultural trope that begins in the sixth century and finds its highest expression in the vernacular poetry of fifteenth-century England. Among the topics covered are Boethian discourses on the care of the self, the changing garments of Lady Fortune, novelty in ecclesiastical fashions, the sartorial legacy of Chaucer’s Griselda, and the emergence of the English gallant. These literary treatments of vestimentary variation—which develop an aesthetics of change itself—enhance our understanding of clothing as a phenomenological and philosophical category in medieval Europe and illustrate the centrality of the Middle Ages to theories of aesthetics, of materiality, and of cultural change.</div></div>
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Imagining The Parish In Late Medieval England

de Rentz Ellen K. Rentz

39,68€ + 10% EM CARTÃO

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 <div>Collective worship and the ritual life of the local parish mattered deeply to late medieval laypeople, and both loom large in contemporary visual and vernacular culture. The parish offered an important framework for Christians as they negotiated the relationship between individual, community, and God. And as a place where past, present, and future came together, the parish promised an ongoing relationship between the living and the dead, positioning the here and now of the local parish in the long trajectory of eschatological time. <br> <br><i>Imagining the Parish in Late Medieval England</i> explores the ways in which Middle English literature engages the idea of lay spiritual community and the ideal of parochial worship. Ellen K. Rentz pairs nuanced readings of works such as <i>Piers Plowman,</i><i>Handlyng Synne,</i> and the <i>Prick of Conscience</i> with careful analysis of contemporary sermons, spiritual handbooks, and liturgical texts as well as a wide range of visual sources, including wall paintings and stained glass. This new study examines how these texts and images locate the process of achieving salvation in the parish and in the work that parishioners undertook there together.</div>
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Form And Reform - Reading Across The Fifteenth Century

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 <div> <p><i>Form and Reform: Reading across the Fifteenth Century</i> challenges the idea of any definitive late medieval moment and explores instead the provocatively diverse, notably untidy, and very rich literary culture of the age. These essays from leading medievalists, edited by Shannon Gayk and Kathleen Tonry, both celebrate and complicate the reemergence of the fifteenth century in literary studies. Moreover, this is the first collection to concentrate on the period between 1450 and 1500—the crucial five decades, this volume argues, that must be understood to comprehend the entire century’s engagement with literary form in shifting historical contexts.</p> <div>The three parts of the collection read the categories of form and reform in light of both aesthetic and historical contexts, taking up themes of prose and prosody, generic experimentation, and shifts in literary production. The first section considers how attention to material texts might revise our understanding of form; the second revisits devotional writing within and beyond the context of reform; and the final section plays out different perspectives on the work of John Skelton that each challenge and test notions of the fifteenth century in literary history.</div> </div>
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Answerable Style - The Idea Of The Literary In Medieval England

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 <div><div>Renewed interest in aesthetics, in form, and the idea of the literary has led some scholars to announce the arrival of a "new formalism," but the provisional histories of such a critical rebirth tend to begin well after the beginning, paying scant attention to medieval literary scholarship, much less the Middle Ages. The essays in <i>Answerable Style: The Idea of the Literary in Medieval England</i> offer a collective rebuke to the assumption that any such aesthetic turn can succeed without careful attention to the history and criticism of "the medieval literary."</div><div> </div><div>Taking as their touchstone the influential work of Anne Middleton, whose searching explorations of the dialectical intersection of form and history in Middle English writing lie at the heart of the medievalist’s literary critical enterprise, the essays in this volume address the medieval idea of the literary, with special focus on the poetry of Chaucer, Langland, and Gower. The essays, by a notable array of medievalists, range from the "contact zones" between clerical culture and vernacular writing, to manuscript study and its effects on the modalities of "persona" and voicing, to the history of emotion as a basis for new literary ideals, to the reshapings of the genre of tragedy in response to late-medieval visions of history, and finally to the relations between poets writing in different medieval vernaculars. With this unusually broad yet thematically complementary set of essays, <i>Answerable Style</i> offers a set of key critical and historical reference points for questions currently preoccupying literary study.</div></div>
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Medieval Things - Agency, Materiality, And Narratives Of Objects In Medieval German Literature And Beyond

de Bettina Bildhauer

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 What does medieval literature look like from the point of view not of knights and ladies, but of treasure, and rings, nets and the grail? How does medieval literature imagine the agency of material things, and what exactly distinguishes human subjects from inanimate objects? <i>Medieval Things: Agency, Materiality, and Narratives of Objects in Medieval German Literature and Beyond</i> brings together a theoretically informed and politically engaged new materialist approach with a study of how everyday objects are understood in medieval literature. Bettina Bildhauer argues that medieval narratives can inspire current critical theory on agency and materiality. She focuses on famous and forgotten German narratives from the twelfth to the sixteenth centuries, including Wolfram of Eschenbach’s <i>Parzival</i> and the epic <i>Song of the Nibelungs</i><i>,</i> and sets them in their global context. Many such tales can be reconceptualized as "thing biographies"—stories that follow the trajectory not of a human hero but of a coin, a gown, a treasure, or a ring. Many also use nets and networks to conceptualize dangerous structures of knowledge. Shine, glamour, and charisma emerge as particularly powerful ways in which material things exert a kind of agency that is neither pseudo-human nor fetishistic. In analyzing details like these from medieval literature, Bildhauer thus contributes in new ways to current theory on agency and materiality.
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Death And The Pearl Maiden - Plague, Poetry, England

de Coley David K. Coley

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 <div>The plague first arrived in the English port of Weymouth in the summer of 1348. Two years later, half of Britain was dead, but the Black Death was just beginning. In the decades to come, England would suffer recurring outbreaks, social and cultural upheaval, and violent demographic shifts. The pandemic was, by any measure, a massive cultural trauma; however, within the vernacular English literature of the fourteenth century, the response to the disease appears muted, particularly compared to contemporaneous descriptions emerging from mainland Europe.<br><i>Death and the Pearl Maiden: Plague, Poetry, England</i> asks why one of the singular historical traumas of the later Middle Ages appears to be evoked so fleetingly in fourteenth-century Middle English poetry, a body of work as daring and socially engaged as any in English literary history. By focusing on under-recognized pestilential discourses in <i>Pearl</i>, <i>Cleanness</i>, <i>Patience</i>, and <i>Sir Gawain and the Green Knight</i>—the four poems uniquely preserved British Library MS Cotton Nero A.x —this study resists the idea that the Black Death had only a slight impact on medieval English literature, and it strives to account for the understated shape of England’s literary response to the plague and our contemporary understandings of it.<br> </div>
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Political Appetites - Food In Medieval English Romance

de Hostetter Aaron Hostetter

44,98€ + 10% EM CARTÃO

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 <div><i>Political Appetites: Food in Medieval English Romance </i>is the first book-length examination of the cultural and theoretical resonances of food and cooking in medieval English literature, offering a new assessment of the vexed and critically underappreciated genre of romance. Aaron Hostetter moves beyond the critical assumptions of the food practices of medieval English culture as only reflecting Eucharistic preoccupations. Focusing on the romance literature of England, from tenth-century hagiographic verse to fifteenth-century courtly adventures, he also engages the politics of secular eating. Focus on the edible allows <i>Political Appetites </i>to apply fresh insights from cultural studies and critical theory to these narratives—to adumbrate their unique political perspectives. The analysis of food reveals these stories to be sophisticated responses to the material and political conditions of their day.<br> <br>If humanity has attempted through its brief history to render the material world edible, then food and food practice not only influence our aspirations but also shift focus to the limits of human existence on this planet. In studying the foodways of the past as a fundamental economic activity, <i>Political Appetites</i> questions contemporary attitudes towards consumption as their proliferation and abuses create social inequities, menace ecosystems, and threaten to bring about the end of the Anthropocene Era.<br> </div>
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Fragments For A History Of A Vanishing Humanism

de Joy Eileen A. Joy e Seaman Myra Seaman

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 <div><i>Fragments for a History of a Vanishing Humanism</i> brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity—what is the value, <i>and</i> peril, of "being human" or "being post/human" together?; and finally, 7) the constructive, <i>and</i> destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman.<br> <br>This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as "fragments" because the authors do not believe there can ever be a "total history" of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what "the human" (or "post/human") is has always been an ongoing, never finished cultural project.</div>
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Invention And Authorship In Medieval England

de Edwards Robert R. Edwards

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 <div>From the twelfth century onwards, medieval English writers adapted the conventions of high literary culture to establish themselves as recognized authors and claim a significant place for works of imagination beside those of doctrine and instruction. Their efforts extended over three languages—Latin, French, and English—and across a discontinuous literary history. Their strategy was to approach authorship as a field of rhetorical invention rather than a fixed institution. Consequently, their work is at once revisionary and ambivalent. Writers conspicuously position themselves within tradition, exploit the resources of poetic belatedness, and negotiate complex relations to their audiences and social authority.<br> <br> <br>Authorial invention in the Middle Ages is the base of a national tradition that English writers in the Renaissance saw as stable and capable of emulating the canons of classical languages and the Italian and French vernaculars. In <i>Invention and Authorship in Medieval England,</i> Robert R. Edwards brings new interpretive perspectives to Walter Map, Marie de France, John Gower, Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate. He offers a critical reading of key moments that define the emergence of medieval English authorship by showing how writers adapt the commonplaces of authorship to define themselves and their works externally and to construct literary meaning internally. <br> </div>
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Medieval Risk-Reward Society - Courts, Adventure, And Love In The European Middle Ages

de Hasty Will Hasty

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 <div><i>The Medieval Risk-Reward Society</i> offers a study of adventure and love in the European Middle Ages focused on the poetry of authors such as Marie de France, Chrétien de Troyes, Wolfram von Eschenbach, and Gottfried von Strassburg—showing how a society based on sacrifice becomes a society based on wagers and investments. Will Hasty’s sociological approach to medieval courtly literature, informed by the analytic tools of game theory, reveals the blossoming of a worldview in which outcomes are uncertain, such that the very self (of a character or an authorial persona) is contingent on success or failure in possessing the things it desires—and upon which its social identity and personal happiness depend. Drawing on a diverse selection of contrasting canonical works ranging from the <i>Iliad</i> to the biblical book of Joshua to High Medieval German political texts to the writings of Leibniz and Mark Twain, Hasty enables an appreciation of the distinctive contributions made in antiquity and the Middle Ages to the medieval emergence of a European society based on risks and rewards.<br> <br><i>The Medieval Risk-Reward Society</i>: <i>Courts, Adventure, and Love in the European Middle Ages</i> takes a descriptive approach to the competitions in religion, politics, and poetry that are constitutive of medieval culture. Culture is considered always to be <i>happening,</i> and to be happening on the cultural cutting edge as competitions for rewards involving the element of chance. This study finds adventure and love—the principal concerns of medieval European romance poetry—to be cultural game changers, and thereby endeavors to make a humanist contribution to the development of a cultural game theory.</div>
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Chaucer On Screen - Absence, Presence, And Adapting The Canterbury Tales

de Kathleen Coyne Kelly e Tison Pugh

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 <div>Unlike William Shakespeare, Jane Austen, Charles Dickens, and other great authors who have enjoyed continued success in Hollywood, Geoffrey Chaucer has largely been shunted to the margins of the cinematic world. <i>Chaucer on Screen: Absence, Presence, and Adapting the Canterbury Tales,</i> edited by Kathleen Coyne Kelly and Tison Pugh, investigates the various translations of Chaucer and the <i>Canterbury Tales</i> to film and television, tracing out how the legacies of the great fourteenth-century English poet have been revisited and reinterpreted through visual media. Contributors to this volume address the question of why Chaucer is so rarely adapted to the screen, and then turn to the occasional, often awkward, attempts to adapt his narratives, including such works as Michael Powell and Emeric Pressburger’s lyrical <i>A Canterbury Tale</i> (1944), Pier Paolo Pasolini’s still-controversial <i>I racconti di Canterbury (</i>1972), Bud Lee’s soft-core <i>The Ribald Tales of Canterbury</i> (1985), Brian Helgeland’s <i>A Knight’s Tale (2001),</i> and BBC television productions, among others<i>. Chaucer on Screen</i> aims to rethink some of the premises of adaptation studies and to erase the ideological lines between textual sources and visual reimaginings in the certainty that many pleasures, scholarly and otherwise, can found in multiple media across disparate eras.</div>
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Chaucer, Gower, And The Affect Of Invention

de Nowlin Steele Nowlin

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 <div>In this book, Steele Nowlin examines the process of poetic invention as it is conceptualized and expressed in the poetry of Geoffrey Chaucer (1343-1400) and John Gower (ca. 1330-1408). Specifically, it examines how these two poets present invention as an affective force, a process characterized by emergence and potentiality, and one that has a corollary in affect—that is, a kind of force or sensation distinct from emotion, characterized as an "intensity" that precedes what is only later cognitively understood and expressed as feeling or emotion, and that is typically described in a critical vocabulary of movement, emergence, and becoming.<br> <br><i>Chaucer, Gower, and the Affect of Invention</i> thus formulates a definition of affect that differs from most work in the recent "turn to affect" in medieval studies, focusing not on the representation of emotion or desire, or efforts to engage medieval alterity, but on the movement and emergence that precede emotional experience. It likewise argues for a broader understanding of invention in late medieval literature beyond analyses of rhetorical poetics and authorial politics by recuperating the dynamism and sense of potential that characterize inventional activity. Finally, its close readings of Chaucer’s and Gower’s poetry provide new insights into how these poets represent invention in order to engage the pervasive social and cultural discourses their poetry addresses.<br> </div>
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Politics Of Ecology - Land, Life, And Law In Medieval Britain

de Schiff Randy P. Schiff e Taylor Joseph Taylor

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 <div>If medieval literary studies is, like so many fields, currently conditioned by an ecological turn that dislodges the human from its central place in materialist analysis, then why now focus on the law? Is not the law the most human, if not indeed the human, institution? In proposing that all life in medieval Britain, whether animal or vegetable, was subject to the same legal machine that enabled claims on land, are we not ignoring the ecocritical demand that we counteract human exceptionalism and reframe the past with inhuman eyes?<br> <br>This volume, edited by Randy P. Schiff and Joseph Taylor, presents a diverse and stimulating group of interconnected essays that respond to these questions by infusing biopolitical material and theory into ecocentric studies of medieval life. The Politics of Ecology: Land, Life, and Law in Medieval Britain pursues the political power of sovereign law as it disciplines and manages various forms of natural life, and discloses the literary biopolitics played out in texts that work out the fraught interactions of life and law, in all its forms. Contributors to this volume explore such issues as legal networks and death, Arthurian bare life, Chaucerian medical biopolitics, the biopolitics of fur, ecologies of sainthood, arboreal political theology, conservation and political ecology, and geographical melancholy.<br> <br>Bringing together both established and rising critical voices, The Politics of Ecology creates a place for cutting-edge medievalist ecocriticism focused on the intersections of land, life, and law in medieval English, French, and Latin literature.<br> </div>
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Art Of Vision - Ekphrasis In Medieval Literature And Culture

de Knapp Ethan Knapp

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 <div>One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of <i>ekphrasis.</i> The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, <i>The Art of Vision</i> is committed to reclaiming <i>medieval</i> ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English.<br> <br>The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. <i>The Art of Vision</i> furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.</div>
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Desire In The Canterbury Tales

de Scala Elizabeth Scala

166,82€ + 10% EM CARTÃO

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 <div>Chaucer’s Canterbury Tales is a discourse of desire. Beyond the many pilgrims’ stories taking desire as their topic, Elizabeth Scala argues that desire operates in structurally significant ways found in the signifying chains that link the tales to each other.<br><br>Desire in the Canterbury Tales coordinates the compulsions of desire with the act of misreading to define the driving force of Chaucer’s story collection. With Chaucer’s competitive pilgrimage as an important point of departure, this study examines the collection’s manner of generating stories out of division, difference, and contestation. It argues that Chaucer’s tales are produced as misreadings and misrecognitions of each other. Looking to the main predicate of the General Prologue’s famous opening sentence ("longen") as well as the thematic concerns of a number of tale-tellers, and working with a theoretical model that exposes language as the product of such longing, Scala posits desire as the very subject of the Canterbury Tales and misrecognition as its productive effect. In chapters focusing on both the well-discussed tales of fragment 1 and the marriage group as well as the more recalcitrant religious stories, <i>Desire in the</i> Canterbury Tales offers a comprehensive means of accounting for Chaucer’s poem.<br></div>
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