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Wrong - A Critical Biography Of Dennis Cooper

de Diarmuid Hester

45,90€ + 10% EM CARTÃO

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 A lively retrospective appraisal of Dennis Cooper's fifty-year career, Wrong tracks the emergence of Cooper's singular style alongside his participation in a number of American subcultural movements like New York School poetry, punk rock, and radical queercore music and zines.
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Neocolonial Fictions Of The Global Cold War

98,69€ + 10% EM CARTÃO

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 Bringing together noted scholars in the fields of literary, cultural, gender, and race studies, this volume challenges us to reconsider our understanding of the Cold War, revealing it to be a global phenomenon rather than just a binary conflict between US and Soviet forces.
INGLÊS

William Gibson And The Future Of Contemporary Culture

119,25€ + 10% EM CARTÃO

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 William Gibson is frequently described as one of the most influential writers of the past few decades, yet his body of work has only been studied partially and without full recognition of its implications for literature and culture beyond science fiction. It is high time for a book that explores the wide-ranging impact of Gibson's fiction.
INGLÊS

Wrong - A Critical Biography Of Dennis Cooper

de Diarmuid Hester

52,93€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 A lively retrospective appraisal of Dennis Cooper's fifty-year career, Wrong tracks the emergence of Cooper's singular style alongside his participation in a number of American subcultural movements like New York School poetry, punk rock, and radical queercore music and zines.
INGLÊS

Poems Of The American Empire - The Lyric Form In The Long Twentieth Century

de Jen Hedler Phillis

99,38€ + 10% EM CARTÃO

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 Argues that careful attention to a particular strain of twentieth-century lyric poetry yields a counter-history of American global power. The period that Phillis covers - from Ezra Pound's A Draft of XXX Cantos in 1930 to Cathy Park Hong's Engine Empire in 2012 - roughly matches the ascent and decline of the American empire.
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Neocolonial Fictions Of The Global Cold War

112,63€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Bringing together noted scholars in the fields of literary, cultural, gender, and race studies, this volume challenges us to reconsider our understanding of the Cold War, revealing it to be a global phenomenon rather than just a binary conflict between US and Soviet forces.
INGLÊS

Half A Million Strong - Crowds And Power From Woodstock To Coachella

de Gina Arnold

26,43€ + 10% EM CARTÃO

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 In Half a Million Strong, music writer and scholar Gina Arnold explores the history of large music festivals in America and examines their impact on American culture.
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Technomodern Poetics - The American Literary Avant-Garde At The Start Of The Information Age

de Todd F. Tietchen

99,38€ + 10% EM CARTÃO

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 After the second World War, the term "technology" came to signify both the anxieties of possible annihilation in a rapidly changing world and the exhilaration of accelerating cultural change. Technomodern Poetics examines how some of the most well-known writers of the era described the tensions between technical, literary, and media cultures at the dawn of the Digital Age.
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Visible Dissent - Latin American Writers, Small U.S. Presses, And Progressive Social Change

de Longo Teresa V. Longo

106,00€ + 10% EM CARTÃO

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 <div><p>As Teresa Longo’s groundbreaking examination reveals, North America’s dissident literature has its roots in the Latin American literary tradition. From Pablo Neruda’s <i>Canto General</i> to Eduardo Galeano’s <i>Open Veins of Latin America</i> to Gabriel García Márquez’s <i>One Hundred Years of Solitude</i>—among others—contemporary writers throughout the Americas have forced us to reconsider the United States’s relationship with Latin America, and more broadly with the Global South. Highlighting the importance of reading and re-reading the Latin American canon in the United States, Longo finds that literature can be an instrument of progressive social change, and argues that small literary presses—City Lights, Curbstone, and Seven Stories—have made that dissent visible in the United States. In the book’s final two chapters on the Robert F. Kennedy Center’s Speak Truth to Power initiative and the publication of Marc Falkoff’s <i>Poems from Guantánamo</i>, the author turns our attention further outward, probing the role poetry, theater, and photography play in global human rights work. </p><p>Locating the work of artists and writers alongside that of scholars and legal advocates, <i>Visible Dissent</i> not only unveils the staying-power of committed writing, it honors the cross-currents and the on-the-ground implications of humane political engagement. </p></div>
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American Unexceptionalism - The Everyman And The Suburban Novel After 9/11

de Kathy Knapp

59,63€ + 10% EM CARTÃO

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 <div><i>American Unexceptionalism</i> examines a constellation of post-9/11 novels that revolve around white middle-class male suburbanites, thus following a tradition established by writers such as John Updike and John Cheever. Focusing closely on recent works by Richard Ford, Chang-Rae Lee, Jonathan Franzen, Philip Roth, Anne Tyler, Gish Jen, A. M. Homes, and others, Kathy Knapp demonstrates that these authors revisit this well-trod turf and revive the familiar everyman character in order to reconsider and reshape American middle-class experience in the wake of the 9/11 attacks and their ongoing aftermath.<br> <br> The novels in question all take place in the sprawling terrain that stretches out beyond the Twin Towers—the postwar suburbs that since the end of World War II have served, like the Twin Towers themselves, as a powerful advertisement of dominance to people around the globe, by projecting an image of prosperity and family values. These suburban tales and their everyman protagonists grapple, however indirectly, with the implications of the apparent decline of the economic, geopolitical, and moral authority of the United States. In the context of perceived decay and diminishing influence, these novels actively counteract the narrative of American exceptionalism frequently peddled in the wake of 9/11.<br> <br> If suburban fiction has historically been faulted for its limited vision, this newest iteration has developed a depth of field that self-consciously folds the personal into the political, encompasses the have-nots along with the haves, and takes in the past when it imagines the future, all in order to forge a community of readers who are now accountable to the larger world. <i>American Unexceptionalism</i> traces the trajectory by which recent suburban fiction overturns the values of individualism, private property ownership, and competition that originally provided its foundation. In doing so, the novels examined here offer readers new and flexible ways to imagine being and belonging in a setting no longer characterized by stasis, but by flux.</div>
INGLÊS

Race Sounds - The Art Of Listening In African American Literature

de Nicole Brittingham Furlonge

51,31€ + 10% EM CARTÃO

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 We live in a world of talk. Yet Race Sounds argues that we need to listen more - not just hear things, but actively listen - particularly in relation to how we engage race, gender, and class differences. Forging new ideas about the relationship between race and sound, Furlonge explores how black artists imagine listening.
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It'S Just The Normal Noises - Marcus, Guralnick, No Depression, And The Mystery Of Americana Music

de Timothy Gray

27,83€ + 10% EM CARTÃO

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 Roots rock, Americana, alt country: what are they and why do they matter? Americans have been trying to answer these questions for as long as the music bearing these labels has existed. In It's Just the Normal Noises, Timothy Gray examines a wide array of writing about roots music from the 1960s to the 2000s.
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How To Revise A True War Story - Tim O''Brien''S Process Of Textual Production

de John K. Young

72,88€ + 10% EM CARTÃO

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 <div>"You can tell a true war story if you just keep on telling it," Tim O’Brien writes in <i>The Things They Carried</i>. Widely regarded as the most important novelist to come out of the American war in Viet Nam, O’Brien has kept on telling true war stories not only in narratives that cycle through multiple fictional and non-fictional versions of the war’s defining experiences, but also by rewriting those stories again and again. Key moments of revision extend from early drafts, to the initial appearance of selected chapters in magazines, across typescripts and page proofs for first editions, and through continuing post-publication variants in reprints.<br> <br> <i>How to Revise a True War Story</i> is the first book-length study of O’Brien’s archival papers at the University of Texas’s Harry Ransom Center. Drawing on extensive study of drafts and other prepublication materials, as well as the multiple published versions of O’Brien’s works, John K. Young tells the untold stories behind the production of such key texts as <i>Going After Cacciato</i>, <i>The Things They Carried</i>, and <i>In the Lake of the Woods</i>. By reading not just the texts that have been published, but also the versions they could have been, Young demonstrates the important choices O’Brien and his editors have made about how to represent the traumas of the war in Viet Nam. The result is a series of texts that refuse to settle into a finished or stable form, just as the stories they present insist on being told and retold in new and changing ways. In their lack of textual stability, these variants across different versions enact for O’Brien’s readers the kinds of narrative volatility that is key to the American literature emerging from the war in Viet Nam. Perhaps in this case, you can tell a true war story if you just keep on revising it.<br> </div>
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After The Program Era - The Past, Present, And Future Of Creative Writing In The University

46,38€ + 10% EM CARTÃO

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 <div>The publication in 2009 of Mark McGurl’s <i>The Program Era</i> provoked a sea change in the study of postwar literature. Even though almost every English department in the United States housed some version of a creative writing program by the time of its publication, literary scholars had not previously considered that this institutional phenomenon was historically significant. McGurl’s groundbreaking book effectively established that "the rise of the creative writing program stands as the most important event in postwar American literary history," forcing us to revise our understanding not only of the relationship between higher education and literary production, but also of the periodizing terminology we had previously used to structure our understanding of twentieth-century literature.<br> <br> <i>After the Program Era</i> explores the consequences and implications, as well as the lacunae and liabilities, of McGurl’s foundational intervention. Glass focuses only on American fiction and the traditional MFA program, and this collection aims to expand and examine its insights in terms of other genres and sites. Postwar poetry, in particular, has until now been neglected as a product of the Program Era, even though it is, arguably, a "purer" example, since poets now depend almost entirely on the patronage of the university. Similarly, this collection looks beyond the traditional MFA writing program to explore the pre-history of writing programs in American universities, as well as alternatives to the traditionally structured program that have emerged along the way.<br> <br> Taken together, the essays in <i>After the Program Era</i> seek to answer and explore many of these questions and continue the conversations McGurl only began.<br> <br> CONTRIBUTORS<br> Seth Abramson, Greg Barnhisel, Eric Bennett, Matthew Blackwell, Kelly Budruweit, Mike Chasar, Simon During<b>,</b> Donal Harris, Michael Hill, Benjamin Kirbach, Sean McCann, Mark McGurl, Marija Rieff, Juliana Spahr, Stephen Voyce, Stephanie Young<br> </div>
INGLÊS

Workshops Of Empire - Stegner, Engle, And American Creative Writing During The Cold War

de Bennett Eric Bennett

29,81€ + 10% EM CARTÃO

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 During and just after World War II, an influential group of American writers and intellectuals projected a vision for literature that would save the free world. Novels, stories, plays, and poems, they believed, could inoculate weak minds against simplistic totalitarian ideologies, heal the spiritual wounds of global catastrophe, and just maybe prevent the like from happening again. As the Cold War began, high-minded and well-intentioned scholars, critics, and writers from across the political spectrum argued that human values remained crucial to civilization and that such values stood in dire need of formulation and affirmation. They believed that the complexity of literature-of ideas bound to concrete images, of ideologies leavened with experiences-enshrined such values as no other medium could.Creative writing emerged as a graduate discipline in the United States amid this astonishing swirl of grand conceptions. The early workshops were formed not only at the time of, but in the image of, and under the tremendous urgency of, the postwar imperatives for the humanities. Vivid renderings of personal experience would preserve the liberal democratic soul-a soul menaced by the gathering leftwing totalitarianism of the USSR and the memory of fascism in Italy and Germany.Workshops of Empire explores this history via the careers of Paul Engle at the University of Iowa and Wallace Stegner at Stanford. In the story of these founding fathers of the discipline, Eric Bennett discovers the cultural, political, literary, intellectual, and institutional underpinnings of creative writing programs within the university. He shows how the model of literary technique championed by the first writing programs-a model that values the interior and private life of the individual, whose experiences are not determined by any community, ideology, or political system-was born out of this Cold War context and continues to influence the way creative writing is taught, studied, read, and written into the twenty-first century.
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Richard Ford And The Ends Of Realism

de Ian Mcguire

66,25€ + 10% EM CARTÃO

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 "An original exploration of the work of writer Richard Ford in the context of its place within contemporary debates about the possible role, meaning of, and value of literary realism in a postmodern age"--
INGLÊS

Pynchon'S California

59,63€ + 10% EM CARTÃO

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 <div><i>Pynchon’s California</i> is the first book to examine Thomas Pynchon’s use of California as a setting in his novels. Throughout his 50-year career, Pynchon has regularly returned to the Golden State in his fiction. With the publication in 2009 of his third novel set there, the significance of California in Pynchon’s evolving fictional project becomes increasingly worthy of study. Scott McClintock and John Miller have gathered essays from leading and up-and-coming Pynchon scholars who explore this topic from a variety of critical perspectives, reflecting the diversity and eclecticism of Pynchon’s fiction and of the state that has served as his recurring muse from <i>The Crying of Lot 49</i> (1965) through <i>Inherent Vice</i> (2009).<br> <br> Contributors explore such topics as the relationship of the "California novels" to Pynchon’s more historical and encyclopedic works; the significance of California''s beaches, deserts, forests, freeways, and "hieroglyphic" suburban sprawl; the California-inspired noir tradition; and the surprising connections to be uncovered between drug use and realism, melodrama and real estate, private detection and the sacred. The authors bring insights to bear from an array of critical, social, and historical discourses, offering new ways of looking not only at Pynchon’s California novels, but at his entire oeuvre. They explore both how the history, geography, and culture of California have informed Pynchon’s work and how Pynchon’s ever-skeptical critical eye has been turned on the state that has been, in many ways, the flagship for postmodern American culture.<br> <br> CONTRIBUTORS: Hanjo Berressem, Christopher Coffman, Stephen Hock, Margaret Lynd, Scott MacLeod, Scott McClintock, Bill Millard, John Miller, Henry Veggian <br></div>
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Reading Capitalist Realism

de Leigh Claire La Berge

62,94€ + 10% EM CARTÃO

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 <div>As the world has been reshaped since the 1970s by economic globalization, neoliberalism, and financialization, writers and artists have addressed the problem of representing the economy with a new sense of political urgency. Anxieties over who controls capitalism have thus been translated into demands upon literature, art, and mass media to develop strategies of representation that can account for capitalism’s power.<br> <br> <i>Reading Capitalist Realism</i> presents some of the latest and most sophisticated approaches to the question of the relation between capitalism and narrative form, partly by questioning how the "realism" of austerity, privatization, and wealth protection relate to the realism of narrative and cultural production. Even as critics have sought to locate a new aesthetic mode that might consider and move beyond theorizations of the postmodern, this volume contends that narrative realism demands renewed scrutiny for its ability to represent capitalism’s latest scenes of enclosure and indebtedness.<br> <br> Ranging across fiction, nonfiction, television, and film, the essays collected here explore to what extent realism is equipped to comprehend and historicize our contemporary economic moment and what might be the influence or complicity of the literary in shaping the global politics of lowered expectations. Including essays on writers such as Mohsin Hamid, Lorrie Moore, Jess Walter, J. M. Coetzee, James Kelman, Ali Smith, Russell Banks, William Vollmann, and William Gibson, as well as examinations of Hollywood film productions and <i>The Wire</i> television series, <i>Reading Capitalist Realism</i> calls attention to a resurgence of realisms across narrative genres and questions realism’s ability to interrogate the crisis-driven logic of political and economic "common sense."</div>
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Violet America - Regional Cosmopolitanism In U.S. Fiction

de Arthur Jason Arthur

52,93€ + 10% EM CARTÃO

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 Violet America takes on the long habit among literary historians and critics of thinking about large segments of American literary production in terms of regionalism. Jason Arthur argues that classifying broad swaths of American literature as regionalist or "local color" writing brings with it a set of assumptions, informed by longstanding habits of thought about American culture, that marginalize important literary works and deform our understanding of them. Moreover, these assumptions reinforce our ideas about the divisions between city and country, coast and center, cosmopolitan and provincial that lie behind not only our literature, but our politics.Against this common view, Violet America demonstrates just how cosmopolitan the regional impulse can be. In the works of James Agee, Jack Kerouac, Maxine Hong Kingston, Russell Banks, and Jonathan Franzen, the regional impulse yields narratives about the interdependence between privilege and poverty, mainstream and margin, urban and rural. These narratives counteract the polarizing cultural lens that, when unquestioned, sees the red-state/blue-state geography of twenty-first-century America as natural. Tracking the evolution of this impulse to depolarize, Violet America develops a literary history of "regional cosmopolitanism," a key urge of which is to represent the interconnectedness of the local, the national, and the global. Writers incorporating this perspective redress the blight of America's neglected places and peoples without also falling victim to the stigmas of being purely regional in their scope and interest. Rather than simply celebrating regional difference, the regional cosmopolitan fiction that Arthur discusses blends the nation's cultural polarities into a connected, interdependent America.
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American Literature And Culture In An Age Of Cold War - A Critical Reassessment

66,18€ + 10% EM CARTÃO

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 <div> <div>The time is right for a critical reassessment of Cold War culture both because its full cultural impact remains unprocessed and because some of the chief paradigms for understanding that culture confuse rather than clarify.</div> <div> </div> <div>A collection of the work of some of the best cultural critics writing about the period, <i>American Literature and Culture in an Age of Cold War</i> reveals a broad range of ways that American cultural production from the late 1940s to the present might be understood in relation to the Cold War. Critically engaging the reigning paradigms that equate postwar U.S. culture with containment culture, the authors present suggestive revisionist claims. Their essays draw on a literary archive—including the works of John Updike, Joan Didion, Richard E. Kim, Allen Ginsberg, Edwin Denby, Alice Childress, Frank Herbert, and others—strikingly different from the one typically presented in accounts of the period.</div> <div> </div> <p>Likewise, the authors describe phenomena—such as the FBI’s surveillance of writers (especially African Americans), biopolitics, development theory, struggles over the centralization and decentralization of government, and the cultural work of Reaganism—that open up new contexts for discussing postwar culture. Extending the timeline and expanding the geographic scope of Cold War culture, this book reveals both the literature and the culture of the time to be more dynamic and complex than has been generally supposed. </p> </div>
INGLÊS

Legacy Of David Foster Wallace

26,43€ + 10% EM CARTÃO

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 Considered by many to be the greatest writer of his generation, David Foster Wallace was at the height of his creative powers when he committed suicide in 2008. In a sweeping portrait of Wallace's writing and thought and as a measure of his importance in literary history, The Legacy of David Foster Wallace gathers cutting-edge, field-defining scholarship by critics alongside remembrances by many of his writer friends, who include some of the world's most influential authors.In this elegant volume, literary critics scrutinize the existing Wallace scholarship and at the same time pioneer new ways of understanding Wallace's fiction and journalism. In critical essays exploring a variety of topics-including Wallace's relationship to American literary history, his place in literary journalism, his complicated relationship to his postmodernist predecessors, the formal difficulties of his 1996 magnum opus Infinite Jest, his environmental imagination, and the "social life" of his fiction and nonfiction-contributors plumb sources as diverse as Amazon.com reader recommendations, professional book reviews, the 2009 Infinite Summer project, and the David Foster Wallace archive at the University of Texas's Harry Ransom Center.The creative writers-including Don DeLillo, Jonathan Franzen, George Saunders, Rick Moody, Dave Eggers, and David Lipsky, and Wallace's Little, Brown editor, Michael Pietsch-reflect on the person behind the volumes of fiction and nonfiction created during the author's too-short life.All of the essays, critical and creative alike, are written in an accessible style that does not presume any background in Wallace criticism. Whether the reader is an expert in all things David Foster Wallace, a casual fan of his fiction and nonfiction, or completely new to Wallace, The Legacy of David Foster Wallace will reveal the power and innovation that defined his contribution to literary life and to self-understanding. This illuminating volume is destined to shape our understanding of Wallace, his writing, and his place in history.
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Postmodern/Postwar And After - Rethinking American Literature

86,13€ + 10% EM CARTÃO

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 Within the past ten years, the field of contemporary American literary studies has changed significantly. Postmodern/Postwar - and After aims to be a field-defining book - a sourcebook for the new and emerging critical terrain - that explores the postmodern/postwar period and what comes after.
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Meanings Of J. Robert Oppenheimer

de Lindsey Michael Banco

29,81€ + 10% EM CARTÃO

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 J. Robert Oppenheimer, director of the Manhattan Project, the single most recognizable face of the atomic bomb, was and still is a conflicted, controversial figure. The Meanings of J. Robert Oppenheimer examines how he has been represented over the past seven decades in biographies, histories, fiction, comics, photographs, film, TV, documentaries, theatre, and museums.
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Places In The Making - A Cultural Geography Of American Poetry

de Jim Cocola

72,88€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry this study traces a poetics centred upon more particular and situated engagements with actual places and spaces.
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