Resultados de Pesquisa

INGLÊS

Theatre And Boxing - The Actor Who Flies

de Franco Ruffini

37,09€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Theatre and Boxing focuses on a problem which is of paramount importance for any theatre practitioner and researcher: the actorâ€™s believable body. This problem has been taken up by Stanislavski, Meyerhold, Artaud, Brecht, Decroux, Copeau, Grotowski, and many others.
INGLÊS

Theatre And Boxing - The Actor Who Flies

de Franco Ruffini

37,09€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Theatre and Boxing focuses on a problem which is of paramount importance for any theatre practitioner and researcher: the actorâ€™s believable body. This problem has been taken up by Stanislavski, Meyerhold, Artaud, Brecht, Decroux, Copeau, Grotowski, and many others.
INGLÊS

Etienne Decroux And His Theatre Laboratory

de Marco De Marinis

64,91€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Etienne Decroux and His Theatre Laboratory is based on the long-awaited translation of Marco De Marinis'' monumental work on mime in the twentieth century: Mimo e teatro nel Novecento (1993). Now revised and updated, the volume focuses specifically on the seminal role played by French mime artist and pedagogue Etienne Decroux. Mime is a theatrical form of ancient tradition. In the nineteenth century, it saw both apogee and crisis in the west with the realistic and gesticulating ''white pantomime''. In the twentieth century, it underwent a radical overhaul, transforming into an ''abstract'' corporeal art that shunned imitation and narrative, and which instead tended towards the plastic, elliptic, allusive, and symbolic transposition of actions and situations. This book is the result of detailed investigations, based on contemporary accounts and obscure or unpublished materials. Through the examination of the creative, pedagogical, and theoretical work of the ''inventor'' of the new mime art, Etienne Decroux, De Marinis focuses on the different assumptions underlying the various modes of the problematic presence of mime in the theatre of the twentieth century: from the utopia of a ''pure'' theatre, attributed to the sole essence of the actor, to its decline into a closed poetic genre often nostalgically stuck in the past; from mime as a pedagogical tool for the actor to mime as an expressive and virtuosic means in the hands of the director.
INGLÊS

Jerzy Grotowski'S Journeys To The East

de Zbigniew Osinski

52,99€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Jerzy Grotowskiâ€™s Journeys to the East is an unusual collection of facts, quotations, and commentaries documenting the real and metaphorical journeys of the Polish theatre director and â€˜teacher of performersâ€™ into a geographical and cultural dimension which we used to and still call the Orient
INGLÊS

Stepping Stones

de Ingemar Lindh

54,31€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Stepping Stones is the book of a practitioner. It documents the work of a laboratory-based practice that investigated the principles of collective improvisation as a performance practice.
INGLÊS

Alchemists Of The Stage - Theatre Laboratories In Europe

de Mirella Schino

50,34€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 What is a theatre laboratory? Why a theatre laboratory? This book tries to answer these questions focusing on the experiences and theories, the visions and the techniques, the differences and similarities of European theatre laboratories in the twentieth century. It studies in depth the Studios of Stanislavski and Meyerhold, the school of Decroux, the Teatr Laboratorium of Jerzy Grotowski and Ludwik Flaszen, as well as Eugenio Barba''s Odin Teatret.Theatre laboratories embody a theatre practice which defies the demands and fashions of the times, the usual ways of production and the sensible functions which stage art enjoys in our society. It is a theatre which refuses to be only art and whose radical research forges new conditions with a view to changing both the actor and the spectator. This research transforms theatrical craft into a laboratory which has been compared to the laboratory of the alchemists, who worked not on material but on substance. The alchemists of the stage did not operate only on forms and styles, but mainly on the living matter of the theatre: the actor, seen not just as an artist but above all as a representative of a new human being.Laboratory theatres have rarely been at the centre of the news. Yet their underground activity has influenced theatre history. Without them, the same idea of theatre, as it has been shaped in the course of the twentieth century, would have been different. In this book Mirella Schino recounts, as in a novel, the vicissitudes of a group of practitioners and scholars who try to uncover the technical, political and spiritual perspectives behind the word laboratory when applied to the theatre.
INGLÊS

Moon Rises From The Ganges - My Journey Through Asian Acting Techniques

de Eugenio Barba

54,31€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 A collection of texts by Eugenio Barba reconstructing the history of his relationships with the Asian classical theatres. Interweaving stories of journeys, meetings, anecdotes, reflections and technical descriptions, the author exposes the phases and changes in a passion that covers the fifty years of his professional trajectory. Little known or unpublished texts are included together with widely diffused articles which have become classics. The result is a book which examines in detail an important chapter of the dialogue between East and West in the theatre culture of the twentieth century.
INGLÊS

Moon Rises From The Ganges - My Journey Through Asian Acting Techniques

de Eugenio Barba

54,31€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 A collection of texts by Eugenio Barba reconstructing the history of his relationships with the Asian classical theatres. Interweaving stories of journeys, meetings, anecdotes, reflections and technical descriptions, the author exposes the phases and changes in a passion that covers the fifty years of his professional trajectory. Little known or unpublished texts are included together with widely diffused articles which have become classics. The result is a book which examines in detail an important chapter of the dialogue between East and West in the theatre culture of the twentieth century.
INGLÊS

Stanislavsky And Yoga

de Sergei Tcherkasski

34,44€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky''s writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky''s studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided.The focus of Tcherkasski''s research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka''s books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles. Among them are:<ul> <li>relaxation of muscles (muscular release), </li> <li>communication and prana, </li> <li>emission of rays and reception of rays, </li> <li>beaming of aura, </li> <li>sending of prana, </li> <li>attention, </li> <li>visualizations (mental images).</li> </ul>Special attention is paid to the idea of the superconscious in Yoga, and in Ramacharaka''s and Stanislavsky''s theories.Tcherkasski''s wide-ranging analysis has resulted in new and intriguing discoveries about the Russian master. Furthermore, he reveals the extent to which Stanislavsky anticipated modern discoveries in neurobiology and cognitive science.In this book Tcherkasski acts as a researcher, historian, theatre director, and experienced acting teacher. He argues that some forty per cent of basic exercises in any Stanislavsky based actor training program of today are rooted in Yoga. Actors, teachers, and students will find it interesting to discover that they are following in the footsteps of Yoga in their everyday Stanislavsky based training and rehearsals.
INGLÊS

Stanislavsky And Yoga

de Sergei Tcherkasski

34,44€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky''s writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky''s studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided.The focus of Tcherkasski''s research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka''s books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles. Among them are:<ul> <li>relaxation of muscles (muscular release), </li> <li>communication and prana, </li> <li>emission of rays and reception of rays, </li> <li>beaming of aura, </li> <li>sending of prana, </li> <li>attention, </li> <li>visualizations (mental images).</li> </ul>Special attention is paid to the idea of the superconscious in Yoga, and in Ramacharaka''s and Stanislavsky''s theories.Tcherkasski''s wide-ranging analysis has resulted in new and intriguing discoveries about the Russian master. Furthermore, he reveals the extent to which Stanislavsky anticipated modern discoveries in neurobiology and cognitive science.In this book Tcherkasski acts as a researcher, historian, theatre director, and experienced acting teacher. He argues that some forty per cent of basic exercises in any Stanislavsky based actor training program of today are rooted in Yoga. Actors, teachers, and students will find it interesting to discover that they are following in the footsteps of Yoga in their everyday Stanislavsky based training and rehearsals.
INGLÊS

Jerzy Grotowski'S Journeys To The East

de Zbigniew Osinski

54,06€ + 10% EM CARTÃO

portes grátis

 Jerzy Grotowskiâ€™s Journeys to the East is an unusual collection of facts, quotations, and commentaries documenting the real and metaphorical journeys of the Polish theatre director and â€˜teacher of performersâ€™ into a geographical and cultural dimension which we used to and still call the Orient
INGLÊS

Theatre And Boxing - The Actor Who Flies

de Franco Ruffini

131,12€ + 10% EM CARTÃO

portes grátis

 Theatre and Boxing focuses on a problem which is of paramount importance for any theatre practitioner and researcher: the actorâ€™s believable body. This problem has been taken up by Stanislavski, Meyerhold, Artaud, Brecht, Decroux, Copeau, Grotowski, and many others.
INGLÊS

Eurasian Theatre - Drama And Performance Between East And West From Classical Antiquity To The Present

de Nicola Savarese

~~55,42€~~ 49,88€ 10% IMEDIATO

portes grátis
INGLÊS

Alchemists Of The Stage - Theatre Laboratories In Europe

de Mirella Schino

216,30€ + 10% EM CARTÃO

portes grátis
INGLÊS

Stepping Stones

de Ingemar Lindh

55,42€ + 10% EM CARTÃO

portes grátis
INGLÊS

Eurasian Theatre - Drama And Performance Between East And West From Classical Antiquity To The Present

de Nicola Savarese

209,54€ + 10% EM CARTÃO

portes grátis
INGLÊS

Alchemists Of The Stage - Theatre Laboratories In Europe

de Mirella Schino

51,36€ + 10% EM CARTÃO

portes grátis
INGLÊS

Digital Media, Projection Design, And Technology For Theatre

de Alex Oliszewski, Daniel Fine e Daniel Roth

ESGOTADO OU NÃO DISPONÍVEL

 Digital Media, Projection Design, and Technology for Theatre covers the foundational skills, best practices, and real-world considerations of integrating digital media and projections into theatre.
INGLÊS

Digital Media, Projection Design, And Technology For Theatre

de Alex Oliszewski, Daniel Fine e Daniel Roth

ESGOTADO OU NÃO DISPONÍVEL

 Digital Media, Projection Design, and Technology for Theatre covers the foundational skills, best practices, and real-world considerations of integrating digital media and projections into theatre.
INGLÊS

Resilience For Teachers Gordon - Engaging Positively With The Realities Of Teaching

de Gordon

ESGOTADO OU NÃO DISPONÍVEL

 How will I survive in teaching? More than that, how can I thrive for the longer term? Resilience for Teachers explores the central role that resilience plays in our ability to cope with the many challenges of teaching.
INGLÊS

Resilience For Teachers Gordon - Engaging Positively With The Realities Of Teaching

de Gordon

ESGOTADO OU NÃO DISPONÍVEL

 How will I survive in teaching? More than that, how can I thrive for the longer term? Resilience for Teachers explores the central role that resilience plays in our ability to cope with the many challenges of teaching.
INGLÊS

Palimpsest Kim - Strategies And Tactics For Intervening In Urban Landscapes

de Ju Youn Kim

ESGOTADO OU NÃO DISPONÍVEL
INGLÊS

Palimpsest Kim - Strategies And Tactics For Intervening In Urban Landscapes

de Ju Youn Kim

ESGOTADO OU NÃO DISPONÍVEL
INGLÊS

Stanislavsky And Yoga

de Sergei Tcherkasski

35,14€

portes grátis

ESGOTADO OU NÃO DISPONÍVEL
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