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INGLÊS

We The Platform - How The Internet Changed Twenty-First-Century Literature

de Aarthi Vadde

~~40,56€~~ 36,50€ 10% IMEDIATO

portes grátis

 We the Platform is a groundbreaking account of mass writing in the twenty-first century, identifying literary possibility amid the profound upheavals in traditional publishing.
INGLÊS

We The Platform - How The Internet Changed Twenty-First-Century Literature

de Aarthi Vadde

~~158,17€~~ 142,35€ 10% IMEDIATO

portes grátis

 We the Platform is a groundbreaking account of mass writing in the twenty-first century, identifying literary possibility amid the profound upheavals in traditional publishing.
INGLÊS

We The Platform - How The Internet Changed Twenty-First-Century Literature

de Aarthi Vadde

~~33,60€~~ 30,24€ 10% IMEDIATO

 Web 2.0 gave us the online world as we know it today. Popularized in 2004, it redefined the internet as social, a platform for self-expression and data gathering. The ensuing proliferation of user-generated content such as social media posts, fan fiction, self-published novels, and Instagram poetry has spurred a host of anxieties about the end of literature. Yet contemporary literary fiction is deeply indebted to the folk forms that Web 2.0 cultivated, even when it is sharply critical of the platform business models behind them. We the Platform is a groundbreaking account of mass writing in the twenty-first century, identifying rarely recognized forms of literary possibility amid the profound upheavals in traditional publishing. Aarthi Vadde examines the explosion of textuality across digital platforms: countless writers, diverse publishing formats, and vast communities of readers responding to stories publicly and instantly. Countering ubiquitous decline narratives, she offers powerful examples of literary innovation, adaptation, and survival. Among them are Jonathan Lethem and Lauren Oylers challenges to individualist ideas of authorship, the Twitter fiction of Jennifer Egan and Teju Cole, Margaret Atwood and Naomi Aldermans collaborative writing on Wattpad, conceptual projects like Book from the Ground, and the experimental use of chatbots by authors including Sheila Heti. Through nuanced and illuminating readings, this book shows how platform-based writing has altered cornerstone concepts of authorship, aesthetic form, and craft, delivering a bold new understanding of literature now.
INGLÊS

American Literature'S War On Crime - Novels And The Hidden History Of Mass Incarceration

de Theodore Martin

~~37,85€~~ 34,07€ 10% IMEDIATO

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 Theodore Martin offers a groundbreaking account of the ways that reading habits and crime politics intersected in the age of mass incarceration.
INGLÊS

American Literature'S War On Crime - Novels And The Hidden History Of Mass Incarceration

de Theodore Martin

~~33,60€~~ 30,24€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 While the United States was building the worlds largest prison system, Americans were reading crime novels. What did it mean to read crime fiction in a tough-on-crime era? How were fictional stories about crime linked to cultural narratives about criminality, class, and race? What did novels have to do with the making of mass imprisonment in America? Theodore Martin offers a groundbreaking account of the ways that reading habits and crime politics intersected in the age of mass incarceration. He shows how the War on Crime was waged on the page, arguing that fiction made the policies and ideologies of crime control legible to diverse readerships. American Literatures War on Crime analyzes dozens of novelsfrom best-sellers and prize winners to cult classics and forgotten mass-market paperbacksby authors including Mary Higgins Clark, James Ellroy, Ralph Ellison, Donald Goines, Sue Grafton, Patricia Highsmith, Chester Himes, Stephen King, Walter Mosley, and Sister Souljah. Rewriting the history of one of the past centurys most popular genres, this ambitious book reveals how the rise of mass incarceration transformed American crime fictionand how crime fiction became a key battleground in the War on Crime.
INGLÊS

Poetry In General - How A Literary Form Became Public

de Keegan Cook Finberg

~~40,56€~~ 36,50€ 10% IMEDIATO

portes grátis

 Keegan Cook Finberg argues that poetry became an increasingly capacious force in the second half of the twentieth century because it could speak directly to the degradation of the social-democratic notion of the public.
INGLÊS

Poetry In General - How A Literary Form Became Public

de Keegan Cook Finberg

ESGOTADO OU NÃO DISPONÍVEL

 Keegan Cook Finberg argues that poetry became an increasingly capacious force in the second half of the twentieth century because it could speak directly to the degradation of the social-democratic notion of the public.
INGLÊS

Poetry After Barbarism - The Invention Of Motherless Tongues And Resistance To Fascism

de Jennifer (University Of Chicago) Scappettone

~~47,32€~~ 42,59€ 10% IMEDIATO

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 Against a backdrop of xenophobic and ethnonationalist fantasies of linguistic purity, Poetry After Barbarism uncovers a stateless, polyglot poetry of resistanceâ€"the poetry of motherless tongues.
INGLÊS

Poetry After Barbarism - The Invention Of Motherless Tongues And Resistance To Fascism

de Jennifer (University Of Chicago) Scappettone

~~181,15€~~ 163,04€ 10% IMEDIATO

portes grátis

 Against a backdrop of xenophobic and ethnonationalist fantasies of linguistic purity, Poetry After Barbarism uncovers a stateless, polyglot poetry of resistanceâ€"the poetry of motherless tongues.
INGLÊS

Poetry After Barbarism - The Invention Of Motherless Tongues And Resistance To Fascism

de Jennifer Scappettone

ESGOTADO OU NÃO DISPONÍVEL

 Winner, 2026 Book Prize in Literary and Cultural Studies, American Association for Italian Studies Against a backdrop of xenophobic and ethnonationalist fantasies of linguistic purity, Poetry After Barbarism uncovers a stateless, polyglot poetry of resistance—the poetry of motherless tongues. Departing from the national and global paradigms that dominate literary history, Jennifer Scappettone traces the aesthetic and geopolitical resonance of "xenoglossic" poetics: poetry composed in the space of contestation between national languages, concretizing dreams of mending the ruptures traced to the story of Babel. As global migration, aerial bombardment, and the wireless telegraph shrank distances with brute force during the twentieth century, visions of transcultural communication emerged in the hopes of bridging linguistic difference. At the same time, evolving Fascist ideologies denied the reality of cultural admixture and the humanity of the stranger. Authors who write xenoglossic verse occupy languages without a perceived birthright or sanctioned education; they compose in ecstatic "orphan tongues" that rebuff nationalist ideologies, on the one hand, and globalization, on the other, uprooting notions of belonging ensconced in nativist metaphors of milk, blood, and soil while rendering the reactionary category of the barbarian obsolete. Raised within or in the wake of fascism, these poets practice strategic forms of literary and linguistic barbarism, proposing modes of collectivity that exceed geopolitical definitions. Studying experiments between languages by immigrant, refugee, and otherwise stateless authors—from Baroness Elsa von Freytag-Loringhoven to Emilio Villa, Amelia Rosselli, Etel Adnan, LaTasha N. Nevada Diggs, Chika Sagawa, and Sawako Nakayasu—this book explores how poetry can both represent and jumpstart metamorphosis of the shape and sound of citizenship, modeling paths toward alternative republics in which poetry might assume a central agency.
INGLÊS

Poetry In General - How A Literary Form Became Public

de Keegan Cook Finberg

~~46,36€~~ 41,72€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 In the second half of the twentieth century, poetry leapt out of books and became an interdisciplinary public form. Poetry entered bureaucratic systems of organization like index card catalogues; it pushed the boundaries of privately owned public parks. Keegan Cook Finberg argues that poetry became an increasingly capacious force during this period because it could speak directly to the degradation of the social-democratic notion of the public.Poetry in General explores how poets expanded their practice into the realms of politics, work, and everyday life from 1960 to the present, from the apex of the welfare state to an era of privatization and austerity. It considers a compelling array of figures-including Yoko Ono, George Brecht, Frank O'Hara, Amiri Baraka, Bernadette Mayer, Eleanor Antin, Adrian Piper, and M. NourbeSe Philip-whose works draw on conceptual techniques to transform official documents and spaces. Finberg shows how these public texts expose the mechanisms of the neoliberal consensus about work and leisure, the state's facilitation of capitalism, and enduring racial and gender inequities. She also provides politically charged ways to interpret and critique racial capitalism, antiabortion legislation, and mass debt. A new literary and institutional history of postwar poetics, this book shows how poetic experiments address the privatization of collective life and rethink the category of the public.
INGLÊS

Writing Backwards - Historical Fiction And The Reshaping Of The American Canon

de Alexander Manshel

~~46,36€~~ 41,72€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 Contemporary fiction has never been less contemporary. Midcentury writers tended to set their works in their own moment, but for the last several decades critical acclaim and attention have fixated on historical fiction. This shift is particularly dramatic for writers of color. Even as the literary canon has become more diverse, cultural institutions have celebrated Black, Asian American, Latinx, and Indigenous novelists almost exclusively for their historical fiction. Writing Backwards explores what the dominance of historical fiction in the contemporary canon reveals about American literary culture. Alexander Manshel investigates the most celebrated historical genres—contemporary narratives of slavery, the World War II novel, the multigenerational family saga, immigrant fiction, and the novel of recent history—alongside the literary and academic institutions that have elevated them. He examines novels by writers including Toni Morrison, Viet Thanh Nguyen, Colson Whitehead, Julia Alvarez, Leslie Marmon Silko, Michael Chabon, Julie Otsuka, Yaa Gyasi, Ben Lerner, and Tommy Orange in the context of MFA programs, literary prizes, university syllabi, book clubs, and the National Endowment for the Arts. Manshel studies how historical fiction has evolved over the last half century, documenting the formation of the newly inclusive literary canon as well as who and what it still excludes. Offering new insight into how institutions shape literature and the limits of historical memory, Writing Backwards also considers recent challenges to the historical turn in American fiction.
INGLÊS

Big Fiction - How Conglomeration Changed The Publishing Industry And American Literature

de Dan Sinykin

39,74€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Shortlisted, 2024 SHARP Book History Book Prize, Society for the History of Authorship, Reading, and Publishing In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature—and literature itself—transformed. Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction. Big Fiction features dazzling readings of a vast range of novelists—including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O’Brian, and Walter Mosley—as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.
INGLÊS

Writing Backwards - Historical Fiction And The Reshaping Of The American Canon

de Alexander Manshel

~~40,56€~~ 36,50€ 10% IMEDIATO

portes grátis

 Writing Backwards explores what the dominance of historical fiction in the contemporary canon reveals about American literary culture.
INGLÊS

Big Fiction - How Conglomeration Changed The Publishing Industry And American Literature

de Dan Sinykin

33,80€ + 10% EM CARTÃO

portes grátis

 Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author.
INGLÊS

Migrant Aesthetics - Contemporary Fiction, Global Migration, And The Limits Of Empathy

de Glenda R. Carpio

40,56€ + 10% EM CARTÃO

portes grátis

 Glenda R. Carpio argues that we need a new paradigm for migrant fiction. She shows how contemporary authors expose the historical legacies and political injustices that produce forced migration.
INGLÊS

Migrant Aesthetics - Contemporary Fiction, Global Migration, And The Limits Of Empathy

de Glenda R. Carpio

46,36€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Co-winner, 2024 Matei Calinescu Prize, Modern Language Association By most accounts, immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries. Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Yet such narratives can center exceptional stories of individual success or obscure the political forces that uproot millions of people the world over. Glenda R. Carpio argues that we need a new paradigm for migrant fiction. Migrant Aesthetics shows how contemporary authors—Teju Cole, Dinaw Mengestu, Aleksandar Hemon, Valeria Luiselli, Julie Otsuka, and Junot Díaz—expose the historical legacies and political injustices that produce forced migration through artistic innovation. Their fiction rejects the generic features of immigrant literature—especially the acculturation plot and the use of migrant narrators as cultural guides who must appeal to readerly empathy. They emphasize the limits of empathy, insisting instead that readers recognize their own roles in the realities of migration, which, like climate change, is driven by global inequalities. Carpio traces how these authors create literary echoes of the past, showing how the history of (neo)colonialism links distinct immigrant experiences and can lay the foundation for cross-ethnic migrant solidarity. Revealing how migration shapes and is shaped by language and narrative, Migrant Aesthetics casts fiction as vital testimony to past and present colonial, imperial, and structural displacement and violence.
INGLÊS

Worlds Woven Together - Essays On Poetry And Poetics

de Vidyan Ravinthiran

39,74€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Writing about poetry follows models provided either by academic scholarship or literary journalism, each with its pitfalls. The former distances the reader from the poem and effaces the critic’s personality. In literary journalism, the critic is front and center, but the discussion is introductory and prioritizes value judgments. In either case, entrenched practices and patterns of privilege limit one’s perspective. The situation worsens when it comes to minoritized poets and poets from the Global South, where the focus is on restrictive notions of identity: the stylistic innovations of literary works get ousted by prefabricated historical narratives. In Worlds Woven Together, the critic, poet, and scholar Vidyan Ravinthiran searches for alternatives, pursuing close, imaginative readings of a variety of writers. His essays are open-ended, attentive, and curious, unabashedly passionate and subjective yet keenly analytical and investigative. Discussing neglected authors and those well-known in the West, Ravinthiran sees politics as inseparable from literary form and is fascinated by the relation of the creative consciousness to the violences of history. The book features essays on writers including Mir Taqi Mir, Ana Blandiana, A. K. Ramanujan, Marianne Moore, Eunice de Souza, Czeslaw Milosz, Ted Hughes, Rae Armantrout, Arvind Krishna Mehrotra, Galway Kinnell, Dawn Lundy Martin, and Vahni Capildeo. Revealing serendipitous connections—between poems and cultures, between lines of verse and the lives we lead—Worlds Woven Together is for all readers fascinated by the mechanics and politics of poetry.
INGLÊS

Investing In The Era Of Climate Change

de Bruce Usher

29,74€ + 10% EM CARTÃO

portes grátis

 Bruce Usher offers an indispensable guide to the risks and opportunities for investors as the world faces climate change. He explores the role that investment plays in reducing emissions to net zero by 2050, detailing how to finance the winners and avoid the losers in a transforming global economy.
INGLÊS

Worlds Woven Together - Essays On Poetry And Poetics

de Vidyan Ravinthiran

135,19€ + 10% EM CARTÃO

portes grátis

 The critic, poet, and scholar Vidyan Ravinthiran searches for alternatives to the standard models of writing about poetry, pursuing close, imaginative readings of a variety of authors. Discussing neglected writers and those well-known in the West, these essays are unabashedly passionate and subjective yet keenly analytical and investigative.
INGLÊS

Bookishness - Loving Books In A Digital Age

de Jessica Pressman

33,80€ + 10% EM CARTÃO

portes grátis

 Jessica Pressman explores the rise of â€œbookishnessâ€ as an identity and an aesthetic strategy that proliferates from store-window dÃ©cor to experimental writing. Ranging from literature to kitsch objects, stop-motion animation films to book design, she considers the multivalent meanings of books in contemporary culture.
INGLÊS

Racial Unfamiliar - Illegibility In Black Literature And Culture

de John Brooks

46,36€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for "positive" or "negative" representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the "Black experience." However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility. John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences perceive and imagine race. He argues that literature and visual art that exceed the confines of familiar conceptions of Black identity can upend received ideas about race and difference. Considering photography by Roy DeCarava, installation art by Kara Walker, novels by Percival Everett and Paul Beatty, drama by Suzan-Lori Parks, and poetry by Robin Coste Lewis, Brooks pinpoints a shared aesthetic sensibility. In their works, the devices that typically make race feel familiar are instead used to estrange cultural assumptions about race. Brooks contends that when artists confound expectations about racial representation, the resulting disorientation reveals the incoherence of racial ideologies. By showing how contemporary literature and art ask audiences to question what they think they know about race, The Racial Unfamiliar offers a new way to understand African American cultural production.
INGLÊS

Free Indirect - The Novel In A Postfictional Age

de Timothy Bewes

46,36€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Everywhere today, we are urged to "connect." Literary critics celebrate a new "honesty" in contemporary fiction or call for a return to "realism." Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing—E. M. Forster’s "Only connect . . ." and Fredric Jameson’s "Always historicize!"—helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era—and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile? This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls "free indirect," in which the novel’s refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today.
INGLÊS

Literature In Motion - Translating Multilingualism Across The Americas

de Ellen Jones

46,36€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Literature is often assumed to be monolingual: publishing rights are sold on the basis of linguistic territories and translated books are assumed to move from one "original" language to another. Yet a wide range of contemporary literary works mix and meld two or more languages, incorporating translation into their composition. How are these multilingual works translated, and what are the cultural and political implications of doing so? In Literature in Motion, Ellen Jones offers a new framework for understanding literary multilingualism, emphasizing how authors and translators can use its defamiliarizing and disruptive potential to resist conventions of form and dominant narratives about language and gender. Examining the connection between translation and multilingualism in contemporary literature, she considers its significance for the theory, practice, and publishing of literature in translation. Jones argues that translation does not conflict with multilingual writing’s subversive potential. Instead, we can understand multilingualism and translation as closely intertwined creative strategies through which other forms of textual and conceptual hybridity, fluidity, and disruption are explored. Jones addresses both well-known and understudied writers from across the American hemisphere who explore the spaces between languages as well as genders, genres, and textual versions, reading their work alongside their translations. She focuses on U.S. Latinx authors Susana Chávez-Silverman, Junot Díaz, and Giannina Braschi, who write in different forms of "Spanglish," as well as the Brazilian writer Wilson Bueno, who combines Portuguese and Spanish, or "Portunhol," with the indigenous language Guarani, and whose writing is rendered into "Frenglish" by Canadian translator Erín Moure.
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