Resultados de Pesquisa

INGLÊS

Insult And The Making Of The Gay Self

de Didier Eribon

35,14€ + 10% EM CARTÃO

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 Published in English for the first time, Didier Eribon' s well-received and celebrated work on a philosophy of and examination of gay life
INGLÊS

Weather In Proust

de Eve Kosofsky Sedgwick

35,71€ + 10% EM CARTÃO

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 The Weather in Proust gathers pieces written by the eminent critic and theorist Eve Kosofsky Sedgwick in the last decade of her life, as she worked toward a book on Proust. This book takes its title from the first essay, a startlingly original interpretation of Proust. By way of Neoplatonism, Buddhism, and the work of Melanie Klein, Sedgwick establishes the sense of refreshment and surprise that the author of the Recherche affords his readers. Proust also figures in pieces on the poetry of C. P. Cavafy, object relations, affect theory, and Sedgwick's textile art practices. More explicitly connected to her role as a pioneering queer theorist are an exuberant attack against reactionary refusals of the work of Guy Hocquenghem and talks in which she lays out her central ideas about sexuality and her concerns about the direction of US queer theory. Sedgwick lived for more than a dozen years with a diagnosis of terminal cancer; its implications informed her later writing and thinking, as well as her spiritual and artistic practices. In the book's final and most personal essay, she reflects on the realization of her impending death. Featuring thirty-seven color images of her art, The Weather in Proust offers a comprehensive view of Sedgwick's later work, underscoring its diversity and coherence.
INGLÊS

After Sex? - On Writing Since Queer Theory

46,31€ + 10% EM CARTÃO

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 Prominent participants in the development of queer theory explore the field in relation to their own intellectual itineraries, reflecting on its accomplishments, limitations, and critical potential.
INGLÊS

Shakesqueer - A Queer Companion To The Complete Works Of Shakespeare

44,98€ + 10% EM CARTÃO

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 Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare.
INGLÊS

No Future - Queer Theory And The Death Drive

de Lee Edelman

34,38€ + 10% EM CARTÃO

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 Prominent theorist rethinks the psychoanalytic assumptions underlying queer theory.
INGLÊS

Misfit Of The Family - Balzac And The Social Forms Of Sexuality

de Michael Lucey

46,31€ + 10% EM CARTÃO

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 In more than ninety novels and novellas, Honore de Balzac (1799-1850) created a universe teeming with over two thousand characters. This book reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used his writing as a powerful means to understand and analyze - as well as represent - a range of forms of sexuality.
INGLÊS

Touching Feeling - Affect, Pedagogy, Performativity

de Eve Kosofsky Sedgwick

34,38€ + 10% EM CARTÃO

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 <div>A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in <i>Touching Feeling</i> her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion."<p>In prose sometimes somber, often high-spirited, and always accessible and moving, <i>Touching Feeling</i> interrogates—through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others—emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick''s unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.</p></div>
INGLÊS

Making Girls Into Women - American Women''S Writing And The Rise Of Lesbian Identity

de Kathryn R. Kent

52,93€ + 10% EM CARTÃO

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 Offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. This title proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women's culture.
INGLÊS

Archive Of Feelings - Trauma, Sexuality, And Lesbian Public Cultures

de Ann Cvetkovich

39,68€ + 10% EM CARTÃO

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 In this bold new work of cultural criticism, Ann Cvetkovich develops a queer approach to trauma. She argues for the importance of recognizing-and archiving-accounts of trauma that belong as much to the ordinary and everyday as to the domain of catastrophe. An Archive of Feelings contends that the field of trauma studies, limited by too strict a division between the public and the private, has overlooked the experiences of women and queers. Rejecting the pathologizing understandings of trauma that permeate medical and clinical discourses on the subject, Cvetkovich develops instead a sex-positive approach missing even from most feminist work on trauma. She challenges the field to engage more fully with sexual trauma and the wide range of feelings in its vicinity, including those associated with butch-femme sex and aids activism and caretaking. An Archive of Feelings brings together oral histories from lesbian activists involved in act up/New York; readings of literature by Dorothy Allison, Leslie Feinberg, Cherrie Moraga, and Shani Mootoo; videos by Jean Carlomusto and Pratibha Parmar; and performances by Lisa Kron, Carmelita Tropicana, and the bands Le Tigre and Tribe 8. Cvetkovich reveals how activism, performance, and literature give rise to public cultures that work through trauma and transform the conditions producing it. By looking closely at connections between sexuality, trauma, and the creation of lesbian public cultures, Cvetkovich makes those experiences that have been pushed to the peripheries of trauma culture the defining principles of a new construction of sexual trauma-one in which trauma catalyzes the creation of cultural archives and political communities.
INGLÊS

Wedding Complex - Forms Of Belonging In Modern American Culture

de Elizabeth Freeman

46,31€ + 10% EM CARTÃO

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 In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings-as performances, fantasies, and rituals of transformation-are sites for imagining and enacting forms of social intimacy other than monogamous heterosexuality. Looking at the history of Anglo-American weddings and their depictions in American literature and popular culture from the antebellum era to the present, she reveals the cluster of queer desires at the heart of the "wedding complex"-longings not for marriage necessarily but for public forms of attachment, ceremony, pageantry, and celebration.Freeman draws on queer theory and social history to focus on a range of texts where weddings do not necessarily lead to legal marriage but instead reflect yearnings for intimate arrangements other than long-term, state-sanctioned, domestic couplehood. Beginning with a look at the debates over gay marriage, she proceeds to consider literary works by Nathaniel Hawthorne, William Faulkner, Carson McCullers, Vladimir Nabokov, and Edgar Allan Poe, along with such Hollywood films as Father of the Bride, The Graduate, and The Godfather. She also discusses less well-known texts such as Su Friedrich's experimental film First Comes Love and the off-Broadway, interactive dinner play Tony 'n' Tina's Wedding.Offering bold new ways to imagine attachment and belonging, and the public performance and recognition of social intimacy, The Wedding Complex is a major contribution to American studies, queer theory, and cultural studies.
INGLÊS

Working Like A Homosexual - Camp, Capital, Cinema

de Matthew Tinkcom

42,33€ + 10% EM CARTÃO

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 <div>What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? Why is cinema central to camp? With chapters on the films of Vincente Minnelli, Andy Warhol, Kenneth Anger, and John Waters, <i>Working Like a Homosexual</i> responds to these questions by arguing that post-World War II gay male subcultures have fostered their own ways not only of consuming mass culture but of producing it as well.<br>With a special emphasis on the tensions between high and low forms of culture and between good and bad taste, Matthew Tinkcom offers a new vision of queer politics and aesthetics that is critically engaged with Marxist theories of capitalist production. He argues that camp—while embracing the cheap, the scorned, the gaudy, the tasteless, and what Warhol called "the leftovers" of artistic production—is a mode of intellectual production and a critical philosophy of modernity as much as it is an expression of a dissident sex/gender difference. From Minnelli’s musicals and the "everyday glamour" of Warhol’s films to Anger’s experimental films and Waters’s "trash aesthetic," Tinkcom demonstrates how camp allowed these gay men to design their own relationship to labor and to history in a way that protected them from censure even as they struggled to forge a role for themselves within a system of "value" that failed to recognize them.</div>
INGLÊS

Queering The Renaissance

52,93€ + 10% EM CARTÃO

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 <div><i>Queering the Renaissance</i> offers a major reassessment of the field of Renaissance studies. Gathering essays by sixteen critics working within the perspective of gay and lesbian studies, this collection redraws the map of sexuality and gender studies in the Renaissance. Taken together, these essays move beyond limiting notions of identity politics by locating historically forms of same-sex desire that are not organized in terms of modern definitions of homosexual and heterosexual.<br>The presence of contemporary history can be felt throughout the volume, beginning with an investigation of the uses of Renaissance precedents in the 1986 U.S. Supreme Court decision <i>Bowers v. Hardwick</i>, to a piece on the foundations of ''our'' national imaginary, and an afterword that addresses how identity politics has shaped the work of early modern historians. The volume examines canonical and noncanonical texts, including highly coded poems of the fifteenth-century Italian poet Burchiello, a tale from Marguerite de Navarre''s <u>Heptameron</u>, and Erasmus''s letters to a young male acolyte. English texts provide a central focus, including works by Spenser, Shakespeare, Bacon, Donne, Beaumont and Fletcher, Crashaw, and Dryden. Broad suveys of the complex terrains of friendship and sodomy are explored in one essay, while another offers a cross-cultural reading of the discursive sites of lesbian desire.<p><i>Contributors.</i> Alan Bray, Marcie Frank, Carla Freccero, Jonathan Goldberg, Janet Halley, Graham Hammill, Margaret Hunt, Donald N. Mager, Jeff Masten, Elizabeth Pittenger, Richard Rambuss, Alan K. Smith, Dorothy Stephens, Forrest Tyler Stevens, Valerie Traub, Michael Warner</p></div>
INGLÊS

Novel Gazing - Queer Readings In Fiction

52,93€ + 10% EM CARTÃO

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 Offers a collection of queer criticism on the history of the novel. This title includes startingly imaginative essays that explore critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses.
INGLÊS

Queer Iberia - Sexualities, Cultures, And Crossings From The Middle Ages To The Renaissance

52,93€ + 10% EM CARTÃO

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 Offers a collection of essays exploring ideologies and discourses that center on sexual otherness in medieval Iberian cultures, Martyred saints, Moors, Jews, viragoes, hermaphrodites, sodomites, kings, queens, and cross-dressers that comprise the mosaic of historical and imaginative figures unearthed in Queer Iberia.
INGLÊS

Foundlings - Lesbian And Gay Historical Emotion Before Stonewall

de Christopher Nealon

42,33€ + 10% EM CARTÃO

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 Suitable for those working on gay and lesbian studies, American literature and culture, and twentieth century history, this book analyses texts produced by American gay men and lesbians in the first half of the twentieth century.
INGLÊS

Willa Cather And Others

de Jonathan Goldberg

42,33€ + 10% EM CARTÃO

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 With a focus on Willa Cather's artistic principle of "the thing not named," this book illuminates the contradictions and complexities inherent in notions of identity and shows how her fiction transforms the very categories-regarding gender, sexuality, race, and class-around which most recent Cather scholarship has focused.
INGLÊS

Virtuous Vice - Homoeroticism And The Public Sphere

de Eric O. Clarke

42,33€ + 10% EM CARTÃO

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 Using queer theory and Marx's theory of value to explore issues of assimilation, representation, and equivalence, this book traces the concepts through selected 19th-century texts and contemporary gay and lesbian studies.
INGLÊS

Un-Americans - Jews, The Blacklist, And Stoolpigeon Culture

de Litvak Joseph Litvak

3,96€ + 10% EM CARTÃO

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 In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee's (HUAC's) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls "comic cosmopolitanism," an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the "uncooperative" witnesses as a crime against an American identity based on self-repudiation and the willingness to "name names." Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude.Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.
INGLÊS

Queer Child, Or Growing Sideways In The Twentieth Century

de Kathryn Bond Stockton

38,36€ + 10% EM CARTÃO

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 Examines children's strangeness, even some children's subliminal 'gayness', in the twentieth century.
INGLÊS

Never Say I - Sexuality And The First Person In Colette, Gide, And Proust

de Michael Lucey

46,31€ + 10% EM CARTÃO

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 Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel Proust, Andre Gide, and Colette, Michael Lucey considers these writers' production of a first-person voice in which matters related to same-sex sexuality could be spoken of. He shows how their writings and careers took on political and social import in part through the contribution they made to the representation of social groups that were only slowly coming to be publicly recognized. Proust, Gide, and Colette helped create persons and characters, points of view, and narrative practices from which to speak and write about, for, or as people attracted to those of the same sex.Considering novels along with journalism, theatrical performances, correspondences, and face-to-face encounters, Lucey focuses on the interlocking social and formal dimensions of using the first person. He argues for understanding the first person not just as a grammatical category but also as a collectively produced social artifact, demonstrating that Proust's, Gide's, and Colette's use of the first person involved a social process of assuming the authority to speak about certain issues, or on behalf of certain people. Lucey reveals these three writers as both practitioners and theorists of the first person; he traces how, when they figured themselves or other first persons in certain statements regarding same-sex identity, they self-consciously called attention to the creative effort involved in doing so.
INGLÊS

Beautiful Bottom, Beautiful Shame - Where “Black” Meets “Queer”

de Kathryn Bond Stockton

46,31€ + 10% EM CARTÃO

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 Shame, Kathryn Bond Stockton argues in Beautiful Bottom, Beautiful Shame, has often been a meeting place for the signs "black" and "queer" and for black and queer people-overlapping groups who have been publicly marked as degraded and debased. But when and why have certain forms of shame been embraced by blacks and queers? How does debasement foster attractions? How is it used for aesthetic delight? What does it offer for projects of sorrow and ways of creative historical knowing? How and why is it central to camp?Stockton engages the domains of African American studies, queer theory, psychoanalysis, film theory, photography, semiotics, and gender studies. She brings together thinkers rarely, if ever, read together in a single study-James Baldwin, Radclyffe Hall, Jean Genet, Toni Morrison, Robert Mapplethorpe, Eldridge Cleaver, Todd Haynes, Norman Mailer, Leslie Feinberg, David Fincher, and Quentin Tarantino-and reads them with and against major theorists, including Georges Bataille, Sigmund Freud, Eve Kosofsky Sedgwick, Jacques Lacan, Roland Barthes, and Leo Bersani. Stockton asserts that there is no clear, mirrored relation between the terms "black" and "queer"; rather, seemingly definitive associations attached to each are often taken up or crossed through by the other. Stockton explores dramatic switchpoints between these terms: the stigmatized "skin" of some queers' clothes, the description of blacks as an "economic bottom," the visual force of interracial homosexual rape, the complicated logic of so-called same-sex miscegenation, and the ways in which a famous depiction of slavery (namely, Morrison's Beloved) seems bound up with depictions of AIDS. All of the thinkers Stockton considers scrutinize the social nature of shame as they examine the structures that make debasements possible, bearable, pleasurable, and creative, even in their darkness.
INGLÊS

Queer/Early/Modern

de Carla Freccero

41,01€ + 10% EM CARTÃO

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 Argues for a reading practice that accounts for the queerness of temporality, for the way past, present, and future time appear out of sequence and in dialogue in our thinking about history and texts. This book urges us to see how the indeterminacies of subjectivity found in literary texts challenge identitarian constructions.
INGLÊS

Insult And The Making Of The Gay Self

de Didier Eribon

43,66€ + 10% EM CARTÃO

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 A bestseller in France following its publication in 1999, Insult and the Making of the Gay Self is an extraordinary set of reflections on "the gay question" by Didier Eribon, one of France's foremost public intellectuals. Known internationally as the author of a pathbreaking biography of Michel Foucault, Eribon is a leading voice in French gay studies. In explorations of gay subjectivity as it is lived now and as it has been expressed in literary history and in the life and work of Foucault, Eribon argues that gay male politics, social life, and culture are transformative responses to an oppressive social order. Bringing together the work of Jean-Paul Sartre, Pierre Bourdieu, Judith Butler, and Erving Goffman, he contends that gay culture and political movements flow from the need to overcome a world of insult in the process of creating gay selves.Eribon describes the emergence of homosexual literature in Britain and France at the turn of the last century and traces this new gay discourse from Oscar Wilde and the literary circles of late-Victorian Oxford to Andre Gide and Marcel Proust. He asserts that Foucault should be placed in a long line of authors-including Wilde, Gide, and Proust-who from the nineteenth century onward have tried to create spaces in which to resist subjection and reformulate oneself. Drawing on his unrivaled knowledge of Foucault's oeuvre, Eribon presents a masterful new interpretation of Foucault. He calls attention to a particular passage from Madness and Civilization that has never been translated into English. Written some fifteen years before The History of Sexuality, this passage seems to contradict Foucault's famous idea that homosexuality was a late-nineteenth-century construction. Including an argument for the use of Hannah Arendt's thought in gay rights advocacy, Insult and the Making of the Gay Self is an impassioned call for critical, active engagement with the question of how gay life is shaped both from without and within.
INGLÊS

Getting Medieval - Sexualities And Communities, Pre- And Postmodern

de Carolyn Dinshaw

52,93€ + 10% EM CARTÃO

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 In Getting Medieval Carolyn Dinshaw examines communities-dissident and orthodox-in late-fourteenth and early-fifteenth-century England to create a new sense of queer history. Reaching beyond both medieval and queer studies, Dinshaw demonstrates in this challenging work how intellectual inquiry into pre-modern societies can contribute invaluably to current issues in cultural studies. In the process, she makes important connections between past and present cultures that until now have not been realized.In her pursuit of historical analyses that embrace the heterogeneity and indeterminacy of sex and sexuality, Dinshaw examines canonical Middle English texts such as the Canterbury Tales and The Book of Margery Kempe. She examines polemics around the religious dissidents known as the Lollards as well as accounts of prostitutes in London to address questions of how particular sexual practices and identifications were normalized while others were proscribed. By exploring contemporary (mis)appropriations of medieval tropes in texts ranging from Quentin Tarantino's Pulp Fiction to recent Congressional debates on U.S. cultural production, Dinshaw demonstrates how such modern media can serve to reinforce constrictive heteronormative values and deny the multifarious nature of history. Finally, she works with and against the theories of Michel Foucault, Homi K. Bhabha, Roland Barthes, and John Boswell to show how deconstructionist impulses as well as historical perspectives can further an understanding of community in both pre- and postmodern societies.This long-anticipated volume will be indispensible to medieval and queer scholars and will be welcomed by a larger cultural studies audience.
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