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INGLÊS

Specters Of Slapstick And Silent Film Comediennes

de Maggie Hennefeld

40,56€ + 10% EM CARTÃO

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 In Specters of Slapstick and Silent Film Comediennes, Maggie Hennefeld examines little-known silent films that, she argues, provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. Hennefeld shows how slapstick comediennes were crucial to the emergence of film language and experimentation.
INGLÊS

How Film Became History - The Rise Of The Archival Documentary In 1930s America

de Thomas Doherty

~~29,74€~~ 26,77€ 10% IMEDIATO

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 Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen.
INGLÊS

How Film Became History - The Rise Of The Archival Documentary In 1930s America

de Thomas Doherty

~~124,37€~~ 111,93€ 10% IMEDIATO

portes grátis

 Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen.
INGLÊS

How Film Became History - The Rise Of The Archival Documentary In 1930s America

de Thomas Doherty

~~26,88€~~ 24,19€ 10% IMEDIATO

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 By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the eras restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of filmssome well-known, others obscureincluding J. Stuart Blacktons The Film Parade (1933), Laurence Stallings and Truman Talleys The First World War (1934), Cornelius Vanderbilt Jr.s Hitlers Reign of Terror (1934), Max Eastman and Herbert Axelbanks Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past.
INGLÊS

Nomadic Cinema - A Cultural Geography Of The Expedition Film

de Alison Griffiths

~~35,52€~~ 31,97€ 10% IMEDIATO

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 From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Alison Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutionsincluding the American Museum of Natural Historyresponsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources.
INGLÊS

Man Of Taste - The Erotic Cinema Of Radley Metzger

de Rob King

~~40,56€~~ 36,50€ 10% IMEDIATO

portes grátis

 Rob King uses Radley Metzgerâ€™s work to explore what taste means and how it works, tracing the evolution of the adult film industry and the changing frontiers of cultural acceptability.
INGLÊS

The Cinema Of Extractions - Film Materials And Their Forms

de Brian (University Of Toronto, Innis College) Jacobson

~~33,80€~~ 30,42€ 10% IMEDIATO

portes grátis

 Brian Jacobson traces the surprising and inextricable connections between extractive industries and cinema, developing new ways to read films in light of the typically unseen material practices out of which they are built.
INGLÊS

Cinema Of Extractions - Film Materials And Their Forms

de Brian R. Jacobson

~~39,74€~~ 35,77€ 10% IMEDIATO

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 From the petroleum used to make film stock to the carbon and tungsten needed for studio lights and theater projectors, every movie relies on extractive processes. The film industry of Hollywood, moreover, rose alongside the oil and aeronautics industries that transformed Southern California. In this book, Brian Jacobson traces the surprising and inextricable connections between extractive industries and cinema, developing new ways to read films in light of the typically unseen material practices out of which they are built. The Cinema of Extractions explores the ties between the worlds of movies and the materials that make movies possible and between the industries that make movies and the industries that use movies to reshape the world. Jacobson retells the history of cinema through the lens of extraction, considering its roots as a material form and its use as a tool for corporate and industrial world making. He brings together the material and industrial history of cinema with close formal analyses of films that depict extractive processes, juxtaposing early films and classics such as The Treasure of the Sierra Madre with industrial films made by companies like Shell Oil. Linking film and media studies with the energy and environmental humanities, this book models innovative historical and materialist approaches to formal film analysis and proposes a new poetics of industrial cinema.
INGLÊS

George Cukor'S People - Acting For A Master Director

de Joseph Mcbride

~~47,32€~~ 42,59€ 10% IMEDIATO

portes grátis

 In this groundbreaking, lavishly illustrated critical study, Joseph McBride provides insightful and revealing essayistic portraits of George Cukorâ€™s actors in their most memorable roles.
INGLÊS

The Rebirth Of Suspense - Slowness And Atmosphere In Cinema

de Rick Warner

~~40,56€~~ 36,50€ 10% IMEDIATO

portes grátis

 This ambitious and wide-ranging book offers a redefinition of suspense by considering its unlikely incarnations in the contemporary films that have been called â€œslow cinema.â€
INGLÊS

George Cukor'S People - Acting For A Master Director

de Joseph Mcbride

~~52,99€~~ 47,69€ 10% IMEDIATO

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 The director of classic films such as Sylvia Scarlett, The Philadelphia Story, Gaslight, Adam’s Rib, A Star Is Born, and My Fair Lady, George Cukor is widely admired but often misunderstood. Reductively stereotyped in his time as a "woman’s director"—a thinly veiled, disparaging code for "gay"—he brilliantly directed a wide range of iconic actors and actresses, including Cary Grant, Greta Garbo, Spencer Tracy, Joan Crawford, Marilyn Monroe, and Maggie Smith. As Katharine Hepburn, the star of ten Cukor films, told the director, "All the people in your pictures are as goddamned good as they can possibly be, and that’s your stamp." In this groundbreaking, lavishly illustrated critical study, Joseph McBride provides insightful and revealing essayistic portraits of Cukor’s actors in their most memorable roles. The queer filmmaker gravitated to socially adventurous, subversively rule-breaking, audacious dreamers who are often sexually transgressive and gender fluid in ways that seem strikingly modern today. McBride shows that Cukor’s seemingly self-effacing body of work is characterized by a discreet way of channeling his feelings through his actors. He expertly cajoled actors, usually gently but sometimes with bracing harshness, to delve deeply into emotional areas they tended to keep safely hidden. Cukor’s wry wit, his keen sense of psychological and social observation, his charm and irony, and his toughness and resilience kept him active for more than five decades in Hollywood. George Cukor’s People gives him the in-depth, multifaceted examination his rich achievement deserves.
INGLÊS

Rebirth Of Suspense - Slowness And Atmosphere In Cinema

de Rick Warner

~~46,36€~~ 41,72€ 10% IMEDIATO

DISPONIBILIDADE IMEDIATA

 Longlist, 2025 Moving Image Book Award, Kraszna-Krausz Foundation Typically, films are suspenseful when they keep us on the edge of our seats, when glimpses of a turning doorknob, a ticking clock, or a looming silhouette quicken our pulses. Exemplified by Alfred Hitchcock’s masterworks and the countless thrillers they influenced, such films captivate viewers with propulsive plots that spur emotional investment in the fates of protagonists. Suspense might therefore seem to be a curious concept to associate with art films featuring muted characters, serene landscapes, and unrushed rhythms, in which plot is secondary to mood and tone. This ambitious and wide-ranging book offers a redefinition of suspense by considering its unlikely incarnations in the contemporary films that have been called "slow cinema." Rick Warner shows how slowness builds suspense through atmospheric immersion, narrative sparseness, and the withholding of information, causing viewers to oscillate among boredom, curiosity, and dread. He focuses on works in which suspense arises where the boundaries between art cinema and popular genres—such as horror, thriller, science fiction, and gothic melodrama—become indefinite, including Chantal Akerman’s La captive, Apichatpong Weerasethakul’s Memoria, Jonathan Glazer’s Under the Skin, Kelly Reichardt’s Night Moves, Lucrecia Martel’s Zama, Kiyoshi Kurosawa’s Creepy, and David Lynch’s Twin Peaks: The Return. Warner investigates the pivotal role of sound in generating suspense and traces how the experience of suspense has changed in the era of digital streaming. The Rebirth of Suspense develops a fresh theory, history, typology, and analysis of suspense that casts new light on the workings of films across global cinema.
INGLÊS

Death By Laughter - Female Hysteria And Early Cinema

de Maggie Hennefeld

~~34,44€~~ 31,00€ 10% IMEDIATO

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 Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? Maggie Hennefeld reveals the forgotten histories of "hysterical laughter," exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.
INGLÊS

Hollis Frampton - Navigating The Infinite Cinema

de Michael Zryd

46,36€ + 10% EM CARTÃO

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 Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete. This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the "infinite cinema," which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.
INGLÊS

Perplexing Plots - Popular Storytelling And The Poetics Of Murder

de David (Observations On Film Art) Bordwell

43,26€ + 10% EM CARTÃO

portes grátis

 David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how popular culture has evolved over the past century.
INGLÊS

Perplexing Plots - Popular Storytelling And The Poetics Of Murder

de David Bordwell

50,19€ + 10% EM CARTÃO

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 Nominated, 2024 Edgar Allan Poe Award in the category of best critical/biographical, Mystery Writers of America Shortlisted, 2024 Agatha Awards - Best Mystery Nonfiction, Malice Domestic Posthumous Winner - 2023 IFCA Book Prize, International Crime Fiction Association Narrative innovation is typically seen as the domain of the avant-garde. However, techniques such as nonlinear timelines, multiple points of view, and unreliable narration have long been part of American popular culture. How did forms and styles once regarded as "difficult" become familiar to audiences? In Perplexing Plots, David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. He shows that since the nineteenth century, detective stories and suspense thrillers have allowed ambitious storytellers to experiment with narrative. Tales of crime and mystery became a training ground where audiences learned to appreciate artifice. These genres demand a sophisticated awareness of storytelling conventions: they play games with narrative form and toy with audience expectations. Bordwell examines how writers and directors have pushed, pulled, and collaborated with their audiences to change popular storytelling. He explores the plot engineering of figures such as Raymond Chandler, Agatha Christie, Dashiell Hammett, Patricia Highsmith, Alfred Hitchcock, Dorothy Sayers, and Quentin Tarantino, and traces how mainstream storytellers and modernist experimenters influenced one another’s work. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how movies, literature, theater, and popular culture have evolved over the past century.
INGLÊS

Music In Cinema

de Michel Chion

37,85€ + 10% EM CARTÃO

portes grátis

 Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.
INGLÊS

Play Time - Jacques Tati And Comedic Modernism

de Malcolm Turvey

33,80€ + 10% EM CARTÃO

portes grátis

 Malcolm Turvey examines Jacques Tatiâ€™s unique comedic style and evaluates its significance for the history of film and modernism. Richly illustrated with images from the directorâ€™s films, Play Time offers an illuminating and original understanding of Tatiâ€™s work.
INGLÊS

Bombay Hustle - Making Movies In A Colonial City

de Debashree Mukherjee

40,56€ + 10% EM CARTÃO

portes grátis

 Debashree Mukherjee offers a panoramic history of early Bombay cinema and its consolidation in the 1930s. Bombay Hustle provides vital insight into practices of modernity and political, social, and technological change in late colonial India.
INGLÊS

Film Studies, Second Edition - An Introduction

de Ed Sikov

33,80€ + 10% EM CARTÃO

portes grátis

 Film Studies is a concise and indispensable introduction to the formal study of cinema. The second edition to this best-selling textbook adds two new chapters: â€œFilm and Ideologyâ€ and â€œFilm Studies in the Age of Digital Cinema.â€
INGLÊS

Show Trial - Hollywood, Huac, And The Birth Of The Blacklist

de Thomas Doherty

37,85€ + 10% EM CARTÃO

portes grátis

 Thomas Doherty tells the story of the 1947 hearings into alleged Communist subversion in the movie industry. Show Trial is a character-driven inquiry into how the HUAC hearings ignited the Hollywood blacklist, providing a gripping new history of one of the most influential events of the postwar era.
INGLÊS

Horror Film And Otherness

de Adam Lowenstein

46,36€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the "others" that threaten the "normal." The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across "normal" self and "monstrous" other. This "transformative otherness" confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
INGLÊS

Music In Cinema

de Michel Chion

158,17€ + 10% EM CARTÃO

portes grátis

 Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.
INGLÊS

Music In Cinema

de Michel Chion

45,04€ + 10% EM CARTÃO

DISPONIBILIDADE IMEDIATA

 Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.
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