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Bauhausbücher 14 - From Material to Architecture

by László Moholy-Nagy

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 Published in 1929, From Material to Architecture contains the main features of László Moholy-Nagy’s teaching program at the Bauhaus. With its focus on the preliminary course, this last book of the 14-volumes series explains how students "develop towards practice from day to day". The educational principle behind it, Jedermann ist begabt (everyone is talented), was central to teaching at the Bauhaus from 1919 to its conclusion in 1933. Moholy-Nagy’s second contribution within the series (he also wrote Painting, Photography, Film, volume 8) searches "for the closest connection between art, science and technology by aiming for the training of finer sensory perception".
Bauhausbücher 10 - Dutch Architecture

by Jacobus Pieter Oud

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 «I am not an art historian but an architect: the future is more important to me than the past and I am more inclined to investigate what is to come than to research what had already occured». Thus begins Oud’s confession in volume 10 of the Bauhausbücher series. His writing is a summary of theoretical and practical findings in the field of architecture, specifically using the example of Dutch architecture. He thus looks to the future and reflects on the potential of architecture without forgetting to reveal his relationship with the past. "What has happened teaches lessons for what is to come" - from these considerations Oud's examination of Dutch architecture, which is recorded in this volume, derives his ideas.
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Bauhausbücher 8 - Painting, Photography, Film

by László Moholy-Nagy

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 Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895-1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the Bauhausbu¨cher series. In addition to designing and editing the Bauhausbu¨cher, Moholy-Nagy produced a title of his own: the legendary Painting, Photography, Film. In this book, Moholy-Nagy’s efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity. Alongside theoretical and technical approaches and forays into the nature of the medium, Moholy-Nagy uses an extensive appendix of illustrations to provide a thorough survey of the numerous possibilities that photography and film could offer—from press photography and scientific imagery to Moholy-Nagy’s own abstract photograms and New Vision photographs. This English translation of Painting, Photography, Film is based in content and design on the 1925 German first edition, making the latter available to an international readership for the first time. The publication includes a brief scholarly text providing crucial contextual information and reflecting on the history and legacy of Moholy-Nagy’s book.
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Bauhausbücher 2 - Pedagogical Sketchbook

by Paul Klee

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 Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879-1940) brought his expressive blend of color and line to the school—and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary Pedagogical Sketchbook, Paul Klee takes a theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee’s text expresses key aspects of the Bauhaus’ pedagogy and guiding philosophies. And while Klee’s method is deeply personal, in the context of the fundamentally multivocal Bauhaus, his individual approach to abstract form is typical in its idiosyncrasy. In this book, he presents his own theory about the relationships between line, shape, surface, and color in the visual space. In the present volume, the 1953 English translation by Sibyl Moholy-Nagy is combined with the design and physical qualities of the original German edition from 1925.
Bauhausbücher 13 - Cubism

by Albert Gleizes

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 The French painter and writer Albert Gleizes is considered an important representative of Cubism and described himself as the founder of this art movement. Although he was never an official member of the Bauhaus, Gleizes nevertheless dedicated his influential essay on Cubism to the art school. v In 1928, the editors László Moholy-Nagy and Walter Gropius included this essay as volume 13 in the Bauhaus book series. In addition to his own works, Albert Gleizes also shows artworks by Georges Braque, Robert Delaunay, Fernand Léger, and Pablo Picasso as reference examples and places the Bauhaus and its book series in an international context that impressively captures the interaction of the numerous art movements of the time.
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Bauhausbücher 12 - Gropius Bauhaus Buildings Dessau

by Walter Gropius

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 In his third and last contribution within the Bauhausbücher series, the founder and long-standing director of the Bauhaus, Walter Gropius, gives a comprehensive overview of the Bauhaus in Dessau. In addition to a brief outline of the origins and development of the school, Gropius presents the architectural design of the new Bauhaus building and the associated Masters’ Houses with the help of photographic documentary evidence and planning sketches. In the book, he traces the technical planning development with extreme precision and provides an insight into the design practice of the Bauhäusler.
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Bauhausbücher 11 - The Non-objective World

by Kasimir Malevich

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 Kasimir Malevich’s treatise on Suprematism was included in the Bauhausbücher series in 1927, as was Piet Mondrian’s reflections on Russian Constructivism in 1925 (New Design, Bauhausbücher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless has a close connection to the ideas of the school in terms of content. This volume, the eleventh, remains the only book publication in Germany to be produced during the life of the Russian avant-garde artist, and it laid the foundation for his late work: to wrest the mask of life from the true face of art.
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Bauhausbücher 9 - Point and Line to Plane

by Wassily Kandinsky

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 Point and Line to Plane, volume 9 of the Bauhausbücher series, can be seen as a continuation of Wassily Kandinsky's seminal treatise On the Spiritual in Art. Kandinsky's thesis is that different constellations of point, line and surface have different emotional effects on the viewer. Starting from the point (which represents the most concentrated and minimal graphic form), he understands all painterly forms as being a play of forces and counterforces: of contrasts. Kandinsky's essay can be read as an aesthetic analysis of form and its effect on the viewer. Based on the various effects of linear elements on our mood, Kandinsky attempts to develop an order of form types. Here, he offers an approach to a theory of the effects of form, which makes volume 9 one of the most important writings on art theory of the 20th century and it can still be understood as contemporary today.
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Utopia or Oblivion - The propects for humanity

by R. Buckminster Fuller

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 Utopia or Oblivion is a provocative blueprint for the future. This comprehensive volume is composed of essays derived from the lectures he gave all over the world during the 1960’s. Fuller’s thesis is that humanity—or the first time in its history—has the opportunity to create a world where the needs of 100% of humanity are met. «This is what man tends to call utopia. It’s a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe—the alternative of which is oblivion.» R. Buckminster Fuller
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And It Came to Pass – Not to Stay

by R. Buckminster Fuller

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 And it Came to Pass - Not to Stay brings together a selection of Buckminster Fuller’s lyrical and philosophical best, including seven essays in a form he called his ventilated prose which address global crises and his predictions for the future. These essays, including How Little I Know, What I am Trying to Do, Soft Revolution, and Ethics, put the task of ushering in a new era of humanity in the context of "always starting with the universe." In rare form, Fuller elegantly weaves the personal, the playful, the simple, and the profound.
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Carl Pruscha: Singular Personality - Architect, bohemian, activist

by Arno Ritter, Eva Schlegel e Lars Muller

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 Carl Pruscha is an unusual architect. His works are found in New York, Kathmandu, and Vienna. Far removed from each other, these three geographical areas profoundly influenced his outlook and career. In the United States Pruscha planned visionary and utopian projects. He began to deal with the real world in Nepal where the UN had sent him as a consultant in 1964. In this foreign culture the young architect grew with the challenge. Aside from complex development proposals for the Kathmandu Valley he created remarkable buildings that blend tradition and Modernism in close harmony with their natural and landscape environment. Following his return to Vienna in 1974 he became visibly engaged in academic and social issues. As rector of the Academy of Fine Arts, the man-about-town bohemian became a prominent figure in Vienna’s architectural scene. In this book essays by Manjushree Thapa and Natalie Lettner, a memoir by Michael Sorkin, photographic documentations by Iwan Baan and Hertha Hurnaus along with portfolios of Pruscha’s projects cover his eventful life and extraordinary work.
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Bauhausbücher 5 - New Design

by Piet Mondrian

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 Although Piet Mondrian (1872-1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. His rigorous geometric compositions of verticals and horizontals and strident palette of essential colors were important to numerous Bauhaus masters; Mondrian’s influence appeared in Bauhaus architecture, product design, typography, graphic design, painting and beyond. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbu¨cher series. New Design starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a New Design. Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world. Harry Holtzman’s renowned translations of Mondrian’s selected essays appear in New Design as a complete compilation for the first time. The publication is true to the content and design of the German first edition of 1925 and includes a brief scholarly commentary.
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Bauhausbücher 1 - International Architecture - Bauhausbuecher 1

by Walter Gropius

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 When the Bauhaus moved to Dessau in 1924, it was finally possible to publish the first of the Bauhausbu¨cher that Walter Gropius (1883-1969) and Làszlò Moholy-Nagy (1895-1946) had first conceived of in Weimar. The series was intended to give insight into the teachings of the Bauhaus and the possibilities it offered for incorporating modern design into everyday aspects of an ever-more-modern world. First in the series was Gropius’ International Architecture, an overview of the modern architecture of the mid-1920s and an early attempt to articulate what would come to be known as International Style architecture. In a brief preface, Gropius summarized the guiding principles he identified uniting the avant-garde around the world. But the real thrust of the book is visual, with an extensive illustrated section showing buildings in Europe and the Americas. According to Gropius, these illustrations show the "development of a consistent worldview" that dispensed with the prior decorative role of architecture and expressed itself in a new language of exactitude, functionality and geometry. Published for the first time in English, this new edition of the first of the Bauhausbu¨cher is accompanied by a brief scholarly commentary. Presented in a design true to Moholy-Nagy’s original, International Architecture offers readers the opportunity to explore the Bauhaus’ aesthetic and its place in the world as Gropius himself was trying to define them.
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Darwin'S Theatre - Babl At Work

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 First monograph on the work and vision of the remarkable Swiss firm BABL documents some twenty-five years of work by the firm and demonstrates their approach and vision through a selection of thirty-four built and unrealised designs.
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Level 1 - Contemporary Underground Stations Of The World

by Lisa Baker

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 Since the London Metropolitan Railway was opened in 1863 the subway has become a symbol of urban life. Tunnel systems are the lifelines of the big cities, transporting millions of passengers every day. This volume provides an overview of the highly interesting and manifold trends in underground construction around the world.
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Building Berlin, Vol. 9 - The Latest Architecture In And Out Of The Capital

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Pallets 3.0 - Remodeled, Reused, Recycled: Architecture + Design

by Chris Van Uffelen

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Lifestyles Today - Interior Design Around The World

by Chris Van Uffelen

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Bungalow Design

by Chris Van Uffelen

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In-Situ X-Ray Tomographic Study Of Materials

~~87,43€~~ 61,20€ 30% OFF

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Plant Polyamines

~~58,13€~~ 40,69€ 30% OFF

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New Horizons In Time-Domain Diffuse Optical Spectroscopy And Imaging

~~67,05€~~ 46,94€ 30% OFF

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Carbohydrate-Active Enzymes - Structure, Activity And Reaction Products

~~102,74€~~ 71,92€ 30% OFF

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Emissions Control Catalysis

~~102,74€~~ 71,92€ 30% OFF

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