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ENGLISH

Short Story As World Literature - The Deep History And Modern Lives Of An Impure Genre

~~121,67€~~ 109,50€ 10% OFF

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 Global in scope, this volume uncovers the deep history of the short story as an "impure" genre by challenging the commonplace understanding in contemporary literary studies that the short story is primarily a product of Western modernity.
ENGLISH

Kazuo Ishiguro Against World Literature

by Professor Or Dr. Chris (Ithaca College, Usa) Holmes

~~33,79€~~ 30,41€ 10% OFF

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 A study of how Kazuo Ishiguroâ€™s novels respond to and represent the world via characters that are profoundly limited in their understanding of the systems that bind them.
ENGLISH

Film As World Literature

~~128,43€~~ 115,59€ 10% OFF

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 Redefines the theoretical and thematic contents of world literature by considering it in connection with film.
ENGLISH

Life Writing As World Literature

~~113,29€~~ 101,96€ 10% OFF

 A global array of contributors explore the interplay between translation and circulation, mediums and materialities, and aesthetics and politics in how life writing is shaped by and becomes world literature. We live in the age of popular self-representation in that most people around the globe either produce or consume autobiographical material: memoirs, selfies, blogs, etc. The current volume investigates this global phenomenon and examines how life writing and world literature converge. Why do some personal stories get "picked up," translated, circulated, and taught in classrooms, while others remain moored in local waters? Do autobiographical stories that travel widely have something in common about them? Or is it the other way around, is it our notion of "world literature" that imposes uniform expectations on these diverse texts? And what can we gain from studying these two fields in conjunction? Life Writing as World Literature brings together experts who map regional and local autobiographical traditions from six continents. These scholars explore the dynamic interplay between local and global aesthetics and sociopolitical concerns, presenting case studies that include prison narratives from communist regimes, Japanese diaries, multilingual Caribbean memoirs, Indian auto/biographical comics, and stories by Taiwanese domestic workers. To understand how and why some personal stories enter global dissemination, contributors inquire into translation, market mechanisms, and circulation patterns, while also exploring the affordances of new media and materialities when recording contemporary lives. Life Writing as World Literature brings a fresh perspective to both fields - world literature and life writing - opening up exciting avenues of research.
ENGLISH

Life Writing As World Literature

~~113,29€~~ 101,96€ 10% OFF

 A global array of contributors explore the interplay between translation and circulation, mediums and materialities, and aesthetics and politics in how life writing is shaped by and becomes world literature. We live in the age of popular self-representation in that most people around the globe either produce or consume autobiographical material: memoirs, selfies, blogs, etc. The current volume investigates this global phenomenon and examines how life writing and world literature converge. Why do some personal stories get "picked up," translated, circulated, and taught in classrooms, while others remain moored in local waters? Do autobiographical stories that travel widely have something in common about them? Or is it the other way around, is it our notion of "world literature" that imposes uniform expectations on these diverse texts? And what can we gain from studying these two fields in conjunction? Life Writing as World Literature brings together experts who map regional and local autobiographical traditions from six continents. These scholars explore the dynamic interplay between local and global aesthetics and sociopolitical concerns, presenting case studies that include prison narratives from communist regimes, Japanese diaries, multilingual Caribbean memoirs, Indian auto/biographical comics, and stories by Taiwanese domestic workers. To understand how and why some personal stories enter global dissemination, contributors inquire into translation, market mechanisms, and circulation patterns, while also exploring the affordances of new media and materialities when recording contemporary lives. Life Writing as World Literature brings a fresh perspective to both fields - world literature and life writing - opening up exciting avenues of research.
ENGLISH

Life Writing As World Literature

~~128,43€~~ 115,59€ 10% OFF

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 Explores life writing and personal narratives from around the globe through the framework of world literature.
Theory As World Literature

~~113,29€~~ 101,96€ 10% OFF

 The first collection to consider what it means for theory to be considered as a species of world literature - and vice versa. What does it mean for theory to be considered as a species of not just literature but world literature? This volume offers a wide range of accounts of how the "worlding" of literature both problematizes the national categorizing of theory (e.g., French theory), and brings new meanings and challenges to the coming together of theory and literature. In sum, it presents theory as world literature as a viable alternative to more commonplace approaches to theory. Under such an approach to theory, what it means to be an African, American, or Asian "theorist" - let alone a French, German, or Spanish one - in the new millennium is as complicated (or simple) as what means to be "African," "American," or "Asian." "Worlded" literature is not considered here as only the world literature of nations and nationalities. Rather, it is also the worlded literature of individuals crossing borders, mixing stories, and speaking in dialect. So too is it the worlded literature of the multinational corporate publishing industry wherein success in the global market is a major determinate of aesthetic and literary value. Offering accounts of what it means to consider theory as world literature, the authors in this pioneering collection explore the ways in which we might regard theory as connected and reconnected through global literary networks of increasing complexity and precarity. By approaching theory from this perspective, Theory as World Literature demonstrates how and why theory is more worldly now than ever.
Theory As World Literature

~~113,29€~~ 101,96€ 10% OFF

 The first collection to consider what it means for theory to be considered as a species of world literature - and vice versa. What does it mean for theory to be considered as a species of not just literature but world literature? This volume offers a wide range of accounts of how the "worlding" of literature both problematizes the national categorizing of theory (e.g., French theory), and brings new meanings and challenges to the coming together of theory and literature. In sum, it presents theory as world literature as a viable alternative to more commonplace approaches to theory. Under such an approach to theory, what it means to be an African, American, or Asian "theorist" - let alone a French, German, or Spanish one - in the new millennium is as complicated (or simple) as what means to be "African," "American," or "Asian." "Worlded" literature is not considered here as only the world literature of nations and nationalities. Rather, it is also the worlded literature of individuals crossing borders, mixing stories, and speaking in dialect. So too is it the worlded literature of the multinational corporate publishing industry wherein success in the global market is a major determinate of aesthetic and literary value. Offering accounts of what it means to consider theory as world literature, the authors in this pioneering collection explore the ways in which we might regard theory as connected and reconnected through global literary networks of increasing complexity and precarity. By approaching theory from this perspective, Theory as World Literature demonstrates how and why theory is more worldly now than ever.
ENGLISH

Kazuo Ishiguro Against World Literature

by Chris Holmes

~~29,80€~~ 26,82€ 10% OFF

 A study of how Kazuo Ishiguro''s novels respond to and represent the world through characters that are profoundly limited in their understanding of the systems that bind them. How has a writer known principally for his contained domestic novels come to represent the most dynamic elements of world literature? In Kazuo Ishiguro Against World Literature, Chris Holmes expands our understanding of how world literature engages with the most pressing crises of the 20th and 21st centuries by examining Ishiguro''s fascination with characters who are profoundly constrained in their ability to understand global systems to which they are subject. Rather than following the established pattern of so-called global novels, which crisscross the planet exhibiting a knowing cosmopolitanism, Ishiguro''s fictional engagement with the world comes principally in the form of characters who are cut off from the global systems that abuse them. By examining the ways in which Ishiguro foregrounds the in-process thinking of those who fail to comprehend their place in the flow of politics, culture, and ideas, Holmes positions Ishiguro as the great chronicler of everyday lives, and as such, prepares a mode of reading world literature that questions the assumptions for how we live and think with others when each of us is deeply limited.
ENGLISH

Kazuo Ishiguro Against World Literature

by Chris Holmes

~~89,44€~~ 80,50€ 10% OFF

 A study of how Kazuo Ishiguro''s novels respond to and represent the world through characters that are profoundly limited in their understanding of the systems that bind them. How has a writer known principally for his contained domestic novels come to represent the most dynamic elements of world literature? In Kazuo Ishiguro Against World Literature, Chris Holmes expands our understanding of how world literature engages with the most pressing crises of the 20th and 21st centuries by examining Ishiguro''s fascination with characters who are profoundly constrained in their ability to understand global systems to which they are subject. Rather than following the established pattern of so-called global novels, which crisscross the planet exhibiting a knowing cosmopolitanism, Ishiguro''s fictional engagement with the world comes principally in the form of characters who are cut off from the global systems that abuse them. By examining the ways in which Ishiguro foregrounds the in-process thinking of those who fail to comprehend their place in the flow of politics, culture, and ideas, Holmes positions Ishiguro as the great chronicler of everyday lives, and as such, prepares a mode of reading world literature that questions the assumptions for how we live and think with others when each of us is deeply limited.
ENGLISH

Central American Literatures As World Literature

34,57€ + 10% CARD

 Challenging the notion that Central American literature is a marginal space within Latin American literary and world literary production, this collection positions and discusses Central American literature within the recently revived debates on world literature. This groundbreaking volume draws on new scholarship on global, transnational, postcolonial, translational, and sociological perspectives on the region''s literature, expanding and challenging these debates by focusing on the heterogenous literatures of Central America and its diasporas. Contributors discuss poems, testimonios, novels, and short stories in relation to center-periphery, cosmopolitan, and Internationalist paradigms. Central American Literatures as World Literature explores the multiple ways in which Central American literature goes beyond or against the confines of the nation-state, especially through the indigenous, Black, and migrant voices.
ENGLISH

Central American Literatures As World Literature

34,57€ + 10% CARD

 Challenging the notion that Central American literature is a marginal space within Latin American literary and world literary production, this collection positions and discusses Central American literature within the recently revived debates on world literature. This groundbreaking volume draws on new scholarship on global, transnational, postcolonial, translational, and sociological perspectives on the region''s literature, expanding and challenging these debates by focusing on the heterogenous literatures of Central America and its diasporas. Contributors discuss poems, testimonios, novels, and short stories in relation to center-periphery, cosmopolitan, and Internationalist paradigms. Central American Literatures as World Literature explores the multiple ways in which Central American literature goes beyond or against the confines of the nation-state, especially through the indigenous, Black, and migrant voices.
ENGLISH

Pacific Literatures As World Literature

34,57€ + 10% CARD

 Examines trans-Pacific poets and writers to suggest a different way of understanding Oceanic literature and its place in world literature.
ENGLISH

Pacific Literatures As World Literature

34,57€ + 10% CARD

 Examines trans-Pacific poets and writers to suggest a different way of understanding Oceanic literature and its place in world literature.
ENGLISH

Graphic Novels And Comics As World Literature

~~40,55€~~ 36,50€ 10% OFF

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 Addresses the recent emergence of graphic narratives from the non-Western world, contextualizing them within the fundamental questions of World Literature while exploring what the graphic form brings to literary studies writ large.
ENGLISH

Transnational Arab Stardom - Glamour, Performance And Politics

~~135,19€~~ 121,67€ 10% OFF

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 A richly illustrated collection, structured along chronological, geographical and thematic lines, this book offers a significant new approach to Arab film studies and to star studies by expanding both fields through critical engagement by scholars from across the globe.
ENGLISH

Polish Literature As World Literature

35,76€ + 10% CARD

 This carefully curated collection consists of 16 chapters by leading Polish and world literature scholars from the United States, Canada, Italy, and, of course, Poland. An historical approach gives readers a panoramic view of Polish authors and their explicit or implicit contributions to world literature. Indeed, the volume shows how Polish authors, from Jan Kochanowski in the 16th century to the 2018 Nobel laureate Olga Tokarczuk, have engaged with their foreign counterparts and other traditions, active participants in the global literary network and the conversations of their day. The volume features views of Polish literature and culture within theories of world literature and literary systems, with a particular attention paid to the resurgence of the idea of the physical book as a cultural artifact. This perspective is especially important since so much of today''s global literary output stems from Anglophone perceptions of what constitutes literary quality and tastes. The collection also sheds light on specific issues pertaining to Poland, such as the idea of Polishness, and global phenomena, including social and economic advancement as well as ecological degradation. Some of the authors discussed, like the Romantic poet Adam Mickiewicz or the 1980 Nobel laureate Czeslaw Milosz, were renowned far beyond the borders of their country, while others, like the contemporary travel writer and novelist Andrzej Stasiuk, embrace regionalism, seeing as they do in their immediate surroundings a synecdoche of the world at large. Nevertheless, the picture of Polish literature and Polish authors that emerges from these articles is that of a diverse, cosmopolitan cohort engaged in a mutually rewarding relationship with what the late French critic Pascale Casanova has called "the world republic of letters."
ENGLISH

Polish Literature As World Literature

35,76€ + 10% CARD

 This carefully curated collection consists of 16 chapters by leading Polish and world literature scholars from the United States, Canada, Italy, and, of course, Poland. An historical approach gives readers a panoramic view of Polish authors and their explicit or implicit contributions to world literature. Indeed, the volume shows how Polish authors, from Jan Kochanowski in the 16th century to the 2018 Nobel laureate Olga Tokarczuk, have engaged with their foreign counterparts and other traditions, active participants in the global literary network and the conversations of their day. The volume features views of Polish literature and culture within theories of world literature and literary systems, with a particular attention paid to the resurgence of the idea of the physical book as a cultural artifact. This perspective is especially important since so much of today''s global literary output stems from Anglophone perceptions of what constitutes literary quality and tastes. The collection also sheds light on specific issues pertaining to Poland, such as the idea of Polishness, and global phenomena, including social and economic advancement as well as ecological degradation. Some of the authors discussed, like the Romantic poet Adam Mickiewicz or the 1980 Nobel laureate Czeslaw Milosz, were renowned far beyond the borders of their country, while others, like the contemporary travel writer and novelist Andrzej Stasiuk, embrace regionalism, seeing as they do in their immediate surroundings a synecdoche of the world at large. Nevertheless, the picture of Polish literature and Polish authors that emerges from these articles is that of a diverse, cosmopolitan cohort engaged in a mutually rewarding relationship with what the late French critic Pascale Casanova has called "the world republic of letters."
ENGLISH

Taiwanese Literature As World Literature

35,76€ + 10% CARD

 Owing to Taiwan''s multi-ethnic nature and palimpsestic colonial past, Taiwanese literature is naturally multilingual. Although it can be analyzed through frameworks of Japanophone literature and Chinese literature, and the more provocative Sinophone literature, only through viewing Taiwanese literature as world literature can we redress the limits of national identity and fully examine writers'' transculturation practice, globally minded vision, and the politics of its circulation. Throughout the colonial era, Taiwanese writers gained inspiration from global literary trends mainly but not exclusively through the medium of Japanese and Chinese. Modernism was the mainstream literary style in 1960s Taiwan, and since the 1980s Taiwanese literature has demonstrated a unique trajectory shaped jointly by postmodernism and postcolonialism. These movements exhibit Taiwanese writers'' creative adaptations of world literary thought as a response to their local and trans-national reality. During the postwar years Taiwanese literature began to be more systematically introduced to world readers through translation. Over the past few decades, Taiwanese authors and their translated works have participated in global conversations, such as those on climate change, the "post-truth" era, and ethnic and gender equality. Bringing together scholars and translators from Europe, North America, and East Asia, the volume focuses on three interrelated themes - the framing and worlding ploys of Taiwanese literature, Taiwanese writers'' experience of transculturation, and politics behind translating Taiwanese literature. The volume stimulates new ways of conceptualizing Taiwanese literature, demonstrates remarkable cases of Taiwanese authors'' co-option of world trends in their Taiwan-concerned writing, and explores its readership and dissemination.
ENGLISH

Taiwanese Literature As World Literature

35,76€ + 10% CARD

 Owing to Taiwan''s multi-ethnic nature and palimpsestic colonial past, Taiwanese literature is naturally multilingual. Although it can be analyzed through frameworks of Japanophone literature and Chinese literature, and the more provocative Sinophone literature, only through viewing Taiwanese literature as world literature can we redress the limits of national identity and fully examine writers'' transculturation practice, globally minded vision, and the politics of its circulation. Throughout the colonial era, Taiwanese writers gained inspiration from global literary trends mainly but not exclusively through the medium of Japanese and Chinese. Modernism was the mainstream literary style in 1960s Taiwan, and since the 1980s Taiwanese literature has demonstrated a unique trajectory shaped jointly by postmodernism and postcolonialism. These movements exhibit Taiwanese writers'' creative adaptations of world literary thought as a response to their local and trans-national reality. During the postwar years Taiwanese literature began to be more systematically introduced to world readers through translation. Over the past few decades, Taiwanese authors and their translated works have participated in global conversations, such as those on climate change, the "post-truth" era, and ethnic and gender equality. Bringing together scholars and translators from Europe, North America, and East Asia, the volume focuses on three interrelated themes - the framing and worlding ploys of Taiwanese literature, Taiwanese writers'' experience of transculturation, and politics behind translating Taiwanese literature. The volume stimulates new ways of conceptualizing Taiwanese literature, demonstrates remarkable cases of Taiwanese authors'' co-option of world trends in their Taiwan-concerned writing, and explores its readership and dissemination.
ENGLISH

African Literatures As World Literature

35,76€ + 10% CARD

 The enormous success of writers such as Teju Cole and Chimamanda Ngozi Adichie demonstrates that African literatures are now an international phenomenon. But the apparent global legibility of a small number of (mostly Anglophone) writers in the diaspora raises the question of how literary producers from the continent, both past and present, have situated their work in relation to the world and the kinds of material networks to which this corresponds. This collection shows how literatures from across the African continent engage with conceptualizations of ''the world'' in relation to local social and political issues. Focusing on a wide variety of geographic, historical and linguistic contexts, the essays in this volume seek answers to the following questions: What are the topographies of ''the world'' in different literary texts and traditions? What are that world''s limits, boundaries and possibilities? How do literary modes and forms such as realism, narrative poetry or the political essay affect the presentation of worldliness? What are the material networks of circulation that allow African literatures to become world literature? African literatures, it emerges, do important theoretical work that speaks to the very core of world literary studies today.
ENGLISH

African Literatures As World Literature

35,76€ + 10% CARD

 The enormous success of writers such as Teju Cole and Chimamanda Ngozi Adichie demonstrates that African literatures are now an international phenomenon. But the apparent global legibility of a small number of (mostly Anglophone) writers in the diaspora raises the question of how literary producers from the continent, both past and present, have situated their work in relation to the world and the kinds of material networks to which this corresponds. This collection shows how literatures from across the African continent engage with conceptualizations of ''the world'' in relation to local social and political issues. Focusing on a wide variety of geographic, historical and linguistic contexts, the essays in this volume seek answers to the following questions: What are the topographies of ''the world'' in different literary texts and traditions? What are that world''s limits, boundaries and possibilities? How do literary modes and forms such as realism, narrative poetry or the political essay affect the presentation of worldliness? What are the material networks of circulation that allow African literatures to become world literature? African literatures, it emerges, do important theoretical work that speaks to the very core of world literary studies today.
ENGLISH

Feminism As World Literature

35,76€ + 10% CARD

 The conventional lineage of World Literature starts with Goethe and moves through Marx, Said, Moretti, and Damrosch, among others. What if there is another way to trace the lineage, starting with Simone de Beauvoir and moving through Hannah Arendt, Assia Djebar, Octavia Butler, Donna Haraway, Karen Barad, and Gayatri Spivak? What ideas and issues get left out of the current foundations that have institutionalized World Literature, and what can be added, challenged, or changed with this tweaking of the referential terminology? Feminism as World Literature redefines the thematic and theoretical contents of World Literature in feminist terms as well as rethinking feminist terms, analyses, frameworks, and concepts in a World Literature context. Other ideas built into World Literature and its criticism are viewed here by feminist framings, including the environment, technology, immigration, translation, work, race, governance, image, sound, religion, affect, violence, media, future, and history. The authors recognize genres, strategies, and themes of World Literature that demonstrate feminism as integral to the world-making gestures of literary form and production. In other words, this volume looks to readings and modes of reading that expose how the historical worldliness of texts allows for feminist interventions that might not sit clearly or comfortably on the surfaces.
ENGLISH

Feminism As World Literature

35,76€ + 10% CARD

 The conventional lineage of World Literature starts with Goethe and moves through Marx, Said, Moretti, and Damrosch, among others. What if there is another way to trace the lineage, starting with Simone de Beauvoir and moving through Hannah Arendt, Assia Djebar, Octavia Butler, Donna Haraway, Karen Barad, and Gayatri Spivak? What ideas and issues get left out of the current foundations that have institutionalized World Literature, and what can be added, challenged, or changed with this tweaking of the referential terminology? Feminism as World Literature redefines the thematic and theoretical contents of World Literature in feminist terms as well as rethinking feminist terms, analyses, frameworks, and concepts in a World Literature context. Other ideas built into World Literature and its criticism are viewed here by feminist framings, including the environment, technology, immigration, translation, work, race, governance, image, sound, religion, affect, violence, media, future, and history. The authors recognize genres, strategies, and themes of World Literature that demonstrate feminism as integral to the world-making gestures of literary form and production. In other words, this volume looks to readings and modes of reading that expose how the historical worldliness of texts allows for feminist interventions that might not sit clearly or comfortably on the surfaces.
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