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ENGLISH

Acting - Keywords And Concepts

by John (University Of Plymouth, Uk) Matthews

~~87,87€~~ 79,08€ 10% OFF

free shipping

 Applying novel research techniques to the largest digitized database of literature on acting in the world, this book and its companion volume, Training Actors, explores and explains the complex and competing ideas about acting.
ENGLISH

Acting - Keywords And Concepts

by John (University Of Plymouth, Uk) Matthews

~~27,03€~~ 24,33€ 10% OFF

free shipping

 Applying novel research techniques to the largest digitized database of literature on acting in the world, this book and its companion volume, Training Actors, explores and explains the complex and competing ideas about acting.
ENGLISH

Stage Management - Communication Design As Scenography

by Michael Smalley

~~34,57€~~ 31,11€ 10% OFF

 Drawing on interview material from more than 20 leading stage managers from the UK, USA and Australia, this book situates the contemporary practice of stage management within its historical and social contexts. Questioning the notions of the invisible stage manager and a linear production process, it argues for a broader conception of stage management lying at the intersections of administration, management and artistry. This volume places stage management practice within key theories drawn from the diverse fields of performance studies, semiotics, phenomenology, distributed cognition, management and scenography. It champions the creative agency of stage management and details the properties of communication which stage managers manipulate and the objectives they set out to achieve as a guide for decision making. While it considers the different approaches necessitated by productions from different cultures, genres, and so on, it offers a view of stage management which is not bound by these differences.
ENGLISH

Stage Management - Communication Design As Scenography

by Michael Smalley

~~34,57€~~ 31,11€ 10% OFF

 Drawing on interview material from more than 20 leading stage managers from the UK, USA and Australia, this book situates the contemporary practice of stage management within its historical and social contexts. Questioning the notions of the invisible stage manager and a linear production process, it argues for a broader conception of stage management lying at the intersections of administration, management and artistry. This volume places stage management practice within key theories drawn from the diverse fields of performance studies, semiotics, phenomenology, distributed cognition, management and scenography. It champions the creative agency of stage management and details the properties of communication which stage managers manipulate and the objectives they set out to achieve as a guide for decision making. While it considers the different approaches necessitated by productions from different cultures, genres, and so on, it offers a view of stage management which is not bound by these differences.
ENGLISH

Voice

by Jane Boston

38,15€ + 10% CARD

 This wide-ranging volume explores the technical and physical aspects of voice as a craft, questioning its definitions, its historical presence, training practices and its publications. Drawing on a wealth of experience, Jane Boston presents a selection of readings that demonstrate and contextualize some of the defining moments of voice throughout history. This clear and accessible text examines the relationship between voice and aesthetics and poetics, against the backdrop of class, race and gender politics, demonstrating how vocal training has been and still is inevitably connected to such issues. Underpinned by theory, voice practitioner accounts, and cultural and historical contextualization, this comprehensive resource will be invaluable for practitioners, researchers and students of voice studies, physical theatre and theatre history.
ENGLISH

Direction - Readings In Theatre Practice

by Simon Shepherd

39,34€ + 10% CARD

 Is directing an art? Do directors need to be trained? What do directors actually do? These questions and more are answered in this accessibly written survey of the art of theatre direction. Its broad scope ranges across the theatres of both America and Europe, looking at practices from Stanislavski up to the present day.
ENGLISH

Clown

by Jon Davison

40,53€ + 10% CARD

 This rich collection of readings offers a wide-ranging and authoritative survey of clown practices, history and theory, from the origins of the word clown through to contemporary clowning. Covering clowns in theatre, circus, cinema, TV, street and elsewhere, the author's stimulating narrative challenges assumptions and turns orthodoxy on its head.
ENGLISH

Sound: A Reader In Theatre Practice

by Ross Brown

40,53€ + 10% CARD

 Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.
ENGLISH

Puppetry: A Reader In Theatre Practice

by Penny Francis

40,53€ + 10% CARD

 Theatre-goers are increasingly aware of the growing use of object and figure animation throughout the performing arts. Puppetry offers engaging contemporary perspectives on this universal art-form. It provides an account of puppetry's different facets, from its demands and techniques, through its uses and abuses to its history and philosophy.
ENGLISH

Costume - Readings In Theatre Practice

by Ali Maclaurin e Aoife Monks

39,34€ + 10% CARD

 Focussing on costume in performance, this reader brings together key texts, case studies and interviews. Exploring costume's role and function in a variety of theoretical, historical, conceptual and practical contexts, this exciting volume also reflects on the broader relationship between costume and visual culture throughout.
ENGLISH

Voice

by Jane Boston

38,15€ + 10% CARD

 This wide-ranging volume explores the technical and physical aspects of voice as a craft, questioning its definitions, its historical presence, training practices and its publications. Drawing on a wealth of experience, Jane Boston presents a selection of readings that demonstrate and contextualize some of the defining moments of voice throughout history. This clear and accessible text examines the relationship between voice and aesthetics and poetics, against the backdrop of class, race and gender politics, demonstrating how vocal training has been and still is inevitably connected to such issues. Underpinned by theory, voice practitioner accounts, and cultural and historical contextualization, this comprehensive resource will be invaluable for practitioners, researchers and students of voice studies, physical theatre and theatre history.
ENGLISH

Clown

by Jon Davison

40,53€ + 10% CARD

 This rich collection of readings offers a wide-ranging and authoritative survey of clown practices, history and theory, from the origins of the word clown through to contemporary clowning. Covering clowns in theatre, circus, cinema, TV, street and elsewhere, the author's stimulating narrative challenges assumptions and turns orthodoxy on its head.
ENGLISH

Props

by Eleanor Margolies

39,34€ + 10% CARD

 Props are moving objects of attention: they can be part of theatre scenery, equal partners in performance, or autonomous things. This wide-ranging book brings together both theoretical and practical viewpoints on objects in performance, covering actor training, scenography, materials, construction techniques and object theatre.
Props

by Eleanor (London) Margolies

44,60€ + 10% CARD

free shipping

 This diverse book brings together theoretical and practical viewpoints on objects in performance, how they can be part of theatre scenery, equal partners in performance, or autonomous things.
ENGLISH

Direction - Readings In Theatre Practice

by Simon Shepherd

39,34€ + 10% CARD

 Is directing an art? Do directors need to be trained? What do directors actually do? These questions and more are answered in this accessibly written survey of the art of theatre direction. Its broad scope ranges across the theatres of both America and Europe, looking at practices from Stanislavski up to the present day.
ENGLISH

Direction - Readings In Theatre Practice

by Simon (Royal Central School Of Speech & Drama, University Of London, Uk) Shepherd

44,60€ + 10% CARD

free shipping

 Is directing an art? Do directors need to be trained? What do directors actually do? These questions and more are answered in this accessibly written survey of the art of theatre direction. Its broad scope ranges across the theatres of both America and Europe, looking at practices from Stanislavski up to the present day.
ENGLISH

Stage Management - Communication Design As Scenography

by Michael (Guildford School Of Acting, Uk) Smalley

~~39,19€~~ 35,27€ 10% OFF

free shipping
ENGLISH

Stage Management - Communication Design As Scenography

by Michael (Guildford School Of Acting, Uk) Smalley

~~121,67€~~ 109,50€ 10% OFF

free shipping
ENGLISH

Voice - Readings In Theatre Practice

by Jane (Central School Of Speech And Drama, London, Uk) Boston

43,25€ + 10% CARD

free shipping
ENGLISH

Props

by Eleanor Margolies

OUT OF STOCK OR NOT AVAILABLE

 Props are moving objects of attention: they can be part of theatre scenery, equal partners in performance, or autonomous things. This wide-ranging book brings together both theoretical and practical viewpoints on objects in performance, covering actor training, scenography, materials, construction techniques and object theatre.
ENGLISH

Costume - Readings In Theatre Practice

by Ali Maclaurin e Aoife Monks

OUT OF STOCK OR NOT AVAILABLE

 Focussing on costume in performance, this reader brings together key texts, case studies and interviews. Exploring costume's role and function in a variety of theoretical, historical, conceptual and practical contexts, this exciting volume also reflects on the broader relationship between costume and visual culture throughout.
ENGLISH

Sound - A Reader In Theatre Practice

by Ross Brown

OUT OF STOCK OR NOT AVAILABLE

 Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.
ENGLISH

Puppetry: A Reader In Theatre Practice

by Penny Francis

OUT OF STOCK OR NOT AVAILABLE

 Theatre-goers are increasingly aware of the growing use of object and figure animation throughout the performing arts. Puppetry offers engaging contemporary perspectives on this universal art-form. It provides an account of puppetry's different facets, from its demands and techniques, through its uses and abuses to its history and philosophy.
ENGLISH

Costume - Readings In Theatre Practice

by Ali Maclaurin e Aoife (Department Of Drama, London) Monks

OUT OF STOCK OR NOT AVAILABLE

 Focussing on costume in performance, this reader brings together key texts, case studies and interviews. Exploring costume's role and function in a variety of theoretical, historical, conceptual and practical contexts, this exciting volume also reflects on the broader relationship between costume and visual culture throughout.
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