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The Million Dead, Too, Summ'D Up - Walt Whitman'S Civil War Writings

by Walt Whitman

40,49€ + 10% CARD

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 The first book to offer a comprehensive selection of Walt Whitman's Civil War poetry and prose with a full commentary on each work. Ed Folsom and Christopher Merrill carry on a dialogue with Whitman (and with each other) as they invite readers to trace how Whitman's writing about the Civil War develops, shifts, and manifests itself.
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Transnational Modernity And The Italian Reinvention Of Walt Whitman, 1870-1945

by Caterina Bernardini

119,25€ + 10% CARD

 Explores the effects that Walt Whitman's poetry had in Italy from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. Particular attention is given to women writers and non-canonical writers often excluded from previous discussions in this area of study.
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Whitman Revolution - Sex, Poetry, And Politics

by Erkkila Betsy Erkkila

66,25€ + 10% CARD

 Brings together a rich collection of Betsy Erkkila's phenomenally influential essays that have been published over the years, along with two powerful new essays. Erkkila offers a moving account of the inseparable mix of the spiritual-sexual-political in Whitman and the absolute centrality of male-male connection to his work and thinking.
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Every Hour, Every Atom - A Collection Of Walt Whitman''S Early Notebooks And Fragments

by Walt Whitman

33,13€ + 10% CARD

 Walt Whitman's invaluable notebooks have been virtually inaccessible to the public, until now. Maintaining the early notebooks' wild, syncretic feel and sample illustrations of Whitman's beautiful and unkempt pages, Zachary Turpin and Matt Miller's thorough transcriptions have made these notebooks available to all.
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Leaves Of Grass, 1860 - The 150th Anniversary Facsimile Edition

by Walt Whitman

33,06€ + 10% CARD

 <div><p>In May 1860, Walt Whitman published a third edition of <i>Leaves of Grass</i>. His timing was compelling. Printed during a period of regional, ideological, and political divisions, written by a poet intimately concerned with the idea of a United States as "essentially the greatest poem," this new edition was Whitman’s last best hope for national salvation. Now available in a facsimile edition, <i>Leaves of Grass, 1860</i> faithfully reproduces Whitman’s attempt to create a "Great construction of the New Bible" to save the nation on the eve of civil war and, for the first time, frames the book in historical rather than literary terms.</p><p>In his third edition, Whitman added 146 new poems to the 32 that comprised the second edition, reorganized the book into a bible of American civic religion that could be cited chapter and verse, and included erotic poetry intended to bind the nation in organic harmony. This 150th anniversary edition includes a facsimile reproduction of the original 1860 volume, a thought-provoking introduction by antebellum historian and Whitman scholar Jason Stacy that situates Whitman in nineteenth-century America, and annotations that provide detailed historical context for Whitman’s poems.</p><p>A profoundly rich product of a period when America faced its greatest peril, this third edition finds the poet transforming himself into a prophet of spiritual democracy and the Whitman we celebrate today—boisterous, barbaric, and benevolent. Reprinting it now continues the poet’s goal of proclaiming for "the whole of America for each / individual, without exception . . . uncompromising liberty and equality."</p></div>
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Selected Letters Of Walt Whitman

41,08€ + 10% CARD

 Letters from each period of his life document Whitman's relationships with his family, friends, and fellow writers.
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Walt Whitman, Where The Future Becomes Present

52,93€ + 10% CARD

 Walt Whitman's poetry is full of places where he directly addresses his future readers, acknowledges the time span between them, then shrugs it off. This volume invigorates Whitman studies by garnering insights from a diverse group of writers and intellectuals. It places Whitman in the center of both world literature and American public life.
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Whitman Noir - Black America And The Good Gray Poet

by Wilson Ivy Wilson

59,63€ + 10% CARD

 <div>Walt Whitman’s now-famous maxim about "containing the multitudes" has often been understood as a metaphor for the democratizing impulses of the young American nation. But did these impulses extend across the color line? Early in his career, especially in the manuscripts leading up to the first edition of <i>Leaves of Grass</i>, the poet espoused a rather progressive outlook on race relations within the United States. However, as time passed, he steered away from issues of race and blackness altogether. These changing depictions and representations of African Americans in the poetic space of <i>Leaves of Grass</i> and Whitman’s other writings complicate his attempts to fully contain all of America’s subject-citizens within the national imaginary. As alluring as "containing the multitudes" might prove to be, African American poets and writers have been equally vexed by and attracted to Whitman’s acknowledgment of the promise and contradictions of the United States and their place within it.<br><br><i>Whitman Noir: Black America and the Good Gray Poet</i> explores the meaning of blacks and blackness in Whitman’s imagination and, equally significant, also illuminates the aura of Whitman in African American letters from Langston Hughes to June Jordan, Margaret Walker to Yusef Komunyakaa. The essays, which feature academic scholars and poets alike, address questions of literary history, the textual interplay between author and narrator, and race and poetic influence. The volume as a whole reveals the mutual engagement with a matrix of shared ideas, contradictions, and languages to expose how Whitman influenced African American literary production as well as how African American Studies brings to bear new questions and concerns for evaluating Whitman.</div>
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Whitman & Dickinson - A Colloquy

86,13€ + 10% CARD

 Brings together essays by scholars directly linking the poetry and ideas of Walt Whitman and Emily Dickinson. The essays present intersections between these great figures across several fields of study, rehearsing well-established topics from new perspectives, opening new areas of investigation, and providing new information about Whitman's and Dickinson's lives, work, and reception.
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Whitman'S Drift - Imagining Literary Distribution

by Cohen Matt Cohen

86,13€ + 10% CARD

 Asks how the many options for distributing books and newspapers shaped the way writers wrote and readers read. Writers like Walt Whitman spoke to the imagination inspired by media transformations by calling attention to connectedness, to how literature not only moves us emotionally, but moves around in the world among people and places.
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Song Of Myself - With A Complete Commentary

by Walt Whitman

33,06€ + 10% CARD

 <div>This book offers the most comprehensive and detailed reading to date of <i>Song of Myself.</i> One of the most distinguished critics in Whitman Studies, Ed Folsom, and one of the nation’s most prominent writers and literary figures, Christopher Merrill, carry on a dialog with Whitman, and with each other, section by section, as they invite readers to enter into the conversation about how the poem develops, moves, improvises, and surprises. Instead of picking and choosing particular passages to support a reading of the poem, Folsom and Merrill take Whitman at his word and interact with "every atom" of his work. The book presents Whitman’s final version of the poem, arranged in fifty-two sections; each section is followed by Folsom’s detailed critical examination of the passage, and then Merrill offers a poet’s perspective, suggesting broader contexts for thinking about both the passage in question and the entire poem.</div>
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Walt Whitman'S Selected Journalism

by Whitman Walt Whitman

39,68€ + 10% CARD

 Long before he was a celebrated poet, Walt Whitman was a working journalist. By the time he published the first edition of Leaves of Grass in 1855, Whitman had edited three newspapers and published thousands of reviews, editorials, and human-interest stories in newspapers in and around New York City. Yet for decades, much of his journalism has been difficult to access or even find. For the first time, Walt Whitman's Selected Journalism thematically and chronologically organizes a compelling selection of Whitman's journalism from the late 1830s to the Civil War. It includes writings from the poet's first immersion into the burgeoning democratic culture of antebellum America to the war that transformed both the poet and the nation.Walt Whitman's Selected Journalism covers Whitman's early years as a part-time editorialist and ambivalent schoolteacher between 1838 and 1841. After 1841, it follows his work as a dedicated full-time newspaperman and editor, most prominently at the New York Aurora and the Brooklyn Daily Eagle between 1842 and 1848. After 1848 and up to the Civil War, Whitman's journalism shows his slow transformation from daily newspaper editor to poet. This volume gathers journalism from throughout these early years in his career, focusing on reporting, reviews, and editorials on politics and democratic culture, the arts, and the social debates of his day. It also includes some of Whitman's best early reportage, in the form of the short, personal pieces he wrote that aimed to give his readers a sense of immediacy of experience as he guided them through various aspects of daily life in America's largest metropolis.Over time, journalism's limitations pushed Whitman to seek another medium to capture and describe the world and the experience of America with words. In this light, today's readers of Whitman are doubly indebted to his career in journalism. In presenting Whitman-the-journalist in his own words here, and with useful context and annotations by renowned scholars, Walt Whitman's Selected Journalism illuminates for readers the future poet's earliest attempts to speak on behalf of and to the entire American republic.
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Whitman Among The Bohemians

62,94€ + 10% CARD

 For several years just before and just after his 1860 edition of Leaves of Grass appeared, Walt Whitman regularly frequented Pfaff's beer cellar in downtown Manhattan. The basement bar was the very center of mid-nineteenth-century American bohemian activity and was heavily patronized by writers, artists, musicians, actors, intellectuals, and radicals such as free-love advocate Henry Clapp, Jr., and Broadway succes de scandale Adah Isaacs Menken. Numerous creative and political ventures emerged from this environment, and at least two bohemian literary weeklies, The New-York Saturday Press and Vanity Fair, shared origins around the tables at Pfaff's.In this milieu, Whitman found sympathetic supporters of his poetic vision, professional connections, rivals, romantic partners, and close friends, and left a lasting impression on poet and critic Edmund Clarence Stedman, an erstwhile bohemian who later in the century emerged as a tastemaker of American poetry. Yet for many years, the bohemians associated with Pfaff's have served merely as minor background characters in Whitman scholarship. Whitman among the Bohemians corrects that by exploring in depth the connections Whitman made at Pfaff's and the impact they had on him, his poetry, and his career. In telling the story of these intersecting social and professional links that converged at Pfaff's in the late 1850s and early 1860s, the essays in this volume powerfully demonstrate just how much we can learn about Whitman and his work by viewing him within the context of American bohemia.CONTRIBUTORS: Stephanie Blalock, Ruth Bohan, Leif Eckstrom, Logan Esdale, Amanda Gailey, Karen Karbiener, Joanna Levin, Mary Loeffelholz, Eliza Richards, Ingrid Satelmajer, Robert J. Scholnick, Edward Whitley
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Place For Humility - Whitman, Dickinson, And The Natural World

by Christine Gerhardt

62,94€ + 10% CARD

 <div>Emily Dickinson and Walt Whitman are widely acknowledged as two of America’s foremost nature poets, primarily due to their explorations of natural phenomena as evocative symbols for cultural developments, individual experiences, and poetry itself. Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones.<br> <br> Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.<br> <br> <i>A Place for Humility</i> examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author''s poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s "letter to the World" and Whitman’s "language experiment," but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.<br></div>
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Walt Whitman'S Reconstruction - Poetry And Publishing Between Memory And History

by Buinicki Martin T. Buinicki

39,68€ + 10% CARD

 For Walt Whitman, living and working in Washington, D.C., after the Civil War, Reconstruction meant not only navigating these tumultuous years alongside his fellow citizens but also coming to terms with his own memories of the war. Just as the work of national reconstruction would continue long past its official end in 1877, Whitman's own reconstruction would continue throughout the remainder of his life as he worked to revise his poetic project-and his public image-to incorporate the disasters that had befallen the Union. In this innovative and insightful analysis of the considerable poetic and personal reimagining that is the hallmark of these postwar years, Martin Buinicki reveals the ways that Whitman reconstructed and read the war. The Reconstruction years would see Whitman transformed from newspaper editor and staff journalist to celebrity contributor and nationally recognized public lecturer, a transformation driven as much by material developments in the nation as by his own professional and poetic ambitions while he expanded and cemented his place in the American literary landscape. Buinicki places Whitman's postwar periodical publications and business interests in context, closely examining his "By the Roadside" cluster as well as MemorandaDuring the War and Specimen Days as part of his larger project of personal and artistic reintegration. He traces Whitman's shifting views of Ulysses S. Grant as yet another way to understand the poet's postwar life and profession and reveals the emergence of Whitman the public historian at the end of Reconstruction. Whitman's personal reconstruction was political, poetic, and public, and his prose writings, like his poetry, formed a major part of the postwar figure that he presented to the nation. Looking at the poet's efforts to absorb the war into his own reconstruction narrative, Martin Buinicki provides striking new insights into the evolution of Whitman's views and writings.
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Evolution Of Walt Whitman

by Roger Asselineau

39,68€ + 10% CARD

 Roger Asselineau's complete biography of Walt Whitman speaks with authority on a vast range of topics that define both Whitman the man and Whitman the mythical personage. In this expanded edition, Asselineau has provided a new essay summarizing his own continuing journey with Whitman.
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Conserving Walt Whitman'S Fame - Selections From Horace Traubel''S Conservator, 1890-1919

39,68€ + 10% CARD

 Offers a selection from the trove of Whitman-related materials Traubel included in the 352 issues of the "Conservator". This book includes more than 150 topical essays on Whitman and memoirs, by many of his friends and literary cohorts that shed light on the poet, his work, and his critical reception.
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Supplement To &Quote;Walt Whitman - A Descriptive Bibliography”

by Joel Myerson

59,63€ + 10% CARD

 <div> <div>Focusing on actual publications <i>by</i> Whitman rather than those <i>about</i> him, Joel Myerson’s painstakingly compiled supplement to his 1993 <i>Walt Whitman: A Descriptive Bibliography</i> (Oak Knoll, ISBN 0-82293-739-5) includes almost twenty years of newly discovered and updated materials that will be invaluable to Whitman scholars. The entries describe in detail the various forms of Whitman’s books, newspaper articles, broadsheets, reprints, translations, and so on. Myerson includes facsimiles of title pages as well as information on pagination, illustrations, dimensions, contents, publication history, typography, paper, binding, and dust jackets. </div> <div> </div> <div>The sections incorporate the following: all books and pamphlets written wholly by Whitman through 1892, the year of his death, and all editions and reprintings in English through 2009; all collected editions of Whitman’s writings through 2009; all miscellaneous collections of his writings through 2009; all books in which material by Whitman appears for the first time; all first American and English publications in newspapers and magazines of material by Whitman through 2009; all proof copies as well as circulars and broadsides of his poetry and prose published during his lifetime; prose and poetry by Whitman reprinted in books and pamphlets through 1892; separate publications of individual poems and prose works through 2009; and references to possible publications by Whitman that are not dealt with elsewhere in the bibliography. The volume is thoroughly indexed.</div> <div> </div> <div>Based on evidence gathered from personal inspection of multiple copies of Whitman’s works in American, Canadian, British, and New Zealand libraries, Myerson’s <i>Supplement</i> exemplifies the highest standards of bibliographic research.</div> </div>
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Walt Whitman'S Songs Of Male Intimacy And Love - &Quote;Live Oak, With Moss&Quote; And &Quote;Calamus&Quote;

by Whitman Walt Whitman

31,80€ + 10% CARD

 In his 1859 "Live Oak, with Moss," Walt Whitman's unpublished sheaf of twelve poems on manly passion, the poet dreams of a city where men who love men can live and love openly. The revised "Live Oak, with Moss" poems became "Calamus," Whitman's cluster of poems on "adhesive" and manly love, comradeship, and democracy, in Leaves of Grass. Commemorating both the first publication of the "Calamus" poems and the little-known manuscript of notebook poems out of which the "Calamus" cluster grew, Whitman scholar Betsy Erkkila brings together in a single edition for the first time the "Live Oak, with Moss" poems, the 1860 "Calamus" poems, and the final 1881 "Calamus" poems. In addition to honoring the sesquicentennial of the "Calamus" cluster, she celebrates the ongoing legacy of Whitman's songs of manly passion, sex, and love.The volume begins with Whitman's elegantly handwritten manuscript of the "Live Oak, with Moss" poems, printed side by side with a typeset transcription and followed by a facsimile of the 1860 version of the "Calamus" poems. The concluding section reprints the final version of the "Calamus" poems from the 1881 edition of Leaves of Grass. In an afterword, Erkkila discusses the radical nature of these poems in literary, sexual, and social history; the changes Whitman made in the "Live Oak" and "Calamus" poems in the post-Civil War and Reconstruction years; the literary, political, and other contests surrounding the poems; and the constitutive role the poems have played in the emergence of modern heterosexual and homosexual identity in the United States and worldwide. The volume closes with a selected bibliography of works that have contributed to the critical and interpretive struggles around Whitman's man-loving life.One hundred and fifty years after Whitman's brave decision to speak publicly about a fully realized democracy, his country is still locked in a struggle over the rights of homosexuals. These public battles have been at the very center of controversies over the life, work, and legacy of Walt Whitman, America's (and the world's) major poet of democracy and its major singer of what he called "manly love" in all its moods. Together the poems in this omnibus volume affirm his creation of a radical new language designed to convey and affirm the poet's man love.
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Democratic Vistas - The Original Edition In Facsimile

by Walt Whitman

33,06€ + 10% CARD

 Written in the aftermath of the American Civil War during the ferment of national Reconstruction, this title offers a diagnosis of democracy's failures and lays out its vast possibilities. It also includes an assessment of the ongoing social experiment known as the United States.
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Walt Whitman And The Class Struggle

by Lawson Andrew Lawson

39,68€ + 10% CARD

 By reconsidering Whitman not as the proletarian voice of American diversity but as a historically specific poet with roots in the antebellum lower middle class, Andrew Lawson in Walt Whitman and the Class Struggle defines the tensions and ambiguities about culture, class, and politics that underlie his poetry.Drawing on a wealth of primary sources from across the range of antebellum print culture, Lawson uses close readings of Leaves of Grass to reveal Whitman as an artisan and an autodidact ambivalently balanced between his sense of the injustice of class privilege and his desire for distinction. Consciously drawing upon the languages of both the elite culture above him and the vernacular culture below him, Whitman constructed a kind of middle linguistic register that attempted to filter these conflicting strata and defuse their tensions: "You shall not look through my eyes either, nor take things from me, / You shall listen to all sides and filter them from yourself." By exploring Whitman's internal struggle with the contradictions and tensions of his class identity, Lawson locates the source of his poetic innovation. By revealing a class-conscious and conflicted Whitman, he realigns our understanding of the poet's political identity and distinctive use of language and thus valuably alters our perspective on his poetry.
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Transatlantic Connections - Whitman U.S., Whitman U.K.

by Thomas M. Wynn Thomas

39,68€ + 10% CARD

 In this series of textual readings and cultural comparisons, M. Wynn Thomas explores Whitman's amazing ability to appeal across distances and centuries.The book's contrasting sections reflect the two locations studied: the first shows Whitman in his time and place, while the second repositions him within the cultures of England and Wales from the late 19th to the late 20th century. In the opening chapter he is placed against the vivid, outrageous background of the New York of his time; the second finds evidence in his poetry of a critique of the new urban politics of the emerging city boss; the third radically redefines Whitman's relationship to his famous contemporary Longfellow. Other chapters deal with the Civil War poet, exploring the ways in which his poetic responses were in part shaped by his relationship to his soldier brother George, and his use of the meteorological discoveries of his day to fashion metaphors for imaging the different phases of the conflict.The second section ponders the paradox that this Whitman, who was so much the product of his specific time and limited "local" culture, should come to be accepted as an international visionary. The United Kingdom is taken as offering striking instances of this phenomenon, and his transatlantic admirers are shown to have been engaged in an unconscious process of "translating" Whitman into the terms of their own culturally specific social, political, and sexual preoccupations. Some of the connections explored are those between Whitman and Edward Carpenter, the so-called English Whitman; between Whitman and perhaps his greatest English critic, D. H. Lawrence; and between Whitman and the Welsh poets Ernest Rhys, Amanwy (David Rees Griffiths), Niclas y Glais (T. E. Nicholas), Waldo Williams, Glyn Jones, Dylan Thomas, and R. S. Thomas.This bold and original study, offering new points of entry into understanding Whitman as the product of his time and place as well as understanding the reception of Whitman in the U.K. as a process of cultural translation, should fascinate scholars of Whitman and students of comparative literature.
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Walt Whitman And The Earth - A Study Of Ecopoetics

by Killingsworth M. Jimmie Killingsworth

26,43€ + 10% CARD

 Now I am terrified at the Earth, it is that calm and patient,It grows such sweet things out of such corruptions,It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses,It distills such exquisite winds out of such infused fetor,It renews with such unwitting looks its prodigal, annual, sumptuous crops,It gives such divine materials to men, and accepts such leavings from them at last.-Walt Whitman, from "This Compost"How did Whitman use language to figure out his relationship to the earth, and how can we interpret his language to reconstruct the interplay between the poet and his sociopolitical and environmental world? In this first book-length study of Whitman's poetry from an ecocritical perspective, Jimmie Killingsworth takes ecocriticism one step further into ecopoetics to reconsider both Whitman's language in light of an ecological understanding of the world and the world through a close study of Whitman's language.Killingsworth contends that Whitman's poetry embodies the kinds of conflicted experience and language that continually crop up in the discourse of political ecology and that an ecopoetic perspective can explicate Whitman's feelings about his aging body, his war-torn nation, and the increasing stress on the American environment both inside and outside the urban world. He begins with a close reading of "This Compost"-Whitman's greatest contribution to the literature of ecology," from the 1856 edition of Leaves of Grass. He then explores personification and nature as object, as resource, and as spirit and examines manifest destiny and the globalizing impulse behind Leaves of Grass, then moves the other way, toward Whitman's regional, even local appeal-demonstrating that he remained an island poet even as he became America's first urban poet. After considering Whitman as an urbanizing poet, he shows how, in his final writings, Whitman tried to renew his earlier connection to nature.Walt Whitman and the Earth reveals Whitman as a powerfully creative experimental poet and a representative figure in American culture whose struggles and impulses previewed our lives today.
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Walt Whitman - The Correspondence, Volume Vii

by Genoways Ted Genoways

39,68€ + 10% CARD

 In 1961 the first volume of Edwin Haviland Miller's The Correspondence was published in the newly established series the Collected Writings of Walt Whitman. Miller proceeded to publish five additional volumes of Whitman letters, and other leading scholars, including Roger Asselineau, compiled accompanying volumes of prose, poems, and daybooks. Yet by the late 1980s, the Whitman Collected Writings project was hopelessly scattered, fragmented, and incomplete.Now, more than forty years after the inaugural volume's original publication, Ted Genoways brings scholars the latest volume in Walt Whitman: The Correspondence. Incorporating all of the letters Miller had collected before his death in 2001 and combining them with more than a hundred previously unknown letters he himself gathered, Genoways's volume is a perfect accompaniment to Miller's original work.Among the more than one hundred fifty letters collected in this volume are numerous correspondences concerning Whitman's Civil War years, including a letter sending John Hay, the personal secretary to Abraham Lincoln, a manuscript copy of "O Captain, My Captain!" Additional letters address various aspects of the production of Leaves of Grass, the most notable being an extensive correspondence surrounding the Deathbed Edition, gathered by Whitman's friend Horace Traubel, and reproduced here for the first time. Most significantly, this volume at last incorporates Whitman's early letters to Abraham Paul Leech, first published by Arthur Golden in American Literature in 1986. The revelations contained in these letters must be considered among the most important discoveries about Whitman's life made during the last half of the twentieth century.Regardless of whether their significance is great or small, immediate or long-term, each new piece of Whitman's correspondence returns us to a particular moment in his life and suggests the limitless directions that remain for Whitman scholarship.
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