Nimrods

Reflects on being a newly minted professor, fatherhood, alcoholism, and suicidal ideation as well as his many attempts to flee from American gender, racial, and religious norms. Guillermo’s shameless mixtures of autotheory, queer punk poetry, musical ekphrasis, haibun, academic (mis)quotations, and bad dad jokes present a bold new take on the autobiography: the fake-punk self-hurt anti-memoir.