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Affective Images eBook
Post-Apartheid Documentary Perspectives
language: english
Publisher:
State University of New York Press, December of 2017 ‧
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43,66€
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Ebook for ADE
SYNOPSIS
Affective Images examines both canonical and lesser-known photographs and films that address the struggle against apartheid and the new struggles that came into being in post-apartheid times. Marietta Kesting argues for a way of embodied seeing and complements this with feminist and queer film studies, history of photography, media theory, and cultural studies. Featuring in-depth discussions of photographs, films, and other visual documents, Kesting then situates them in broader historical contexts, such as cultural history and the history of black subjectivity and revolves the images around the intersection of race and gender. In its interdisciplinary approach, this book explores the recurrence of affective images of the past in a different way, including flashbacks, trauma, "white noise," and the return of the repressed. It draws its materials from photographers, filmmakers, and artists such as Ernest Cole, Simphiwe Nkwali, Terry Kurgan, Thenjiwe Niki Nkosi, Adze Ugah, and the Center for Historical Reenactments.
This book is freely available in an open access edition thanks to Knowledge Unlatched—an initiative that provides libraries and institutions with a centralized platform to support OA collections and from leading publishing houses and OA initiatives. Learn more at the Knowledge Unlatched website at: https://www.knowledgeunlatched.org/, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7134 .
This book is freely available in an open access edition thanks to Knowledge Unlatched—an initiative that provides libraries and institutions with a centralized platform to support OA collections and from leading publishing houses and OA initiatives. Learn more at the Knowledge Unlatched website at: https://www.knowledgeunlatched.org/, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7134 .
DETAILS
| Property | Description |
|---|---|
| ISBN: | 9781438467863 |
| Publisher: | State University of New York Press |
| Release Date: | December of 2017 |
| Language: | English |
| Format: | eBook |
| File Format and Compatibility: | |
| Collection: | Suny Press Open Access |
| Categories: |
eBooks in English
>
Art
>
Cinema
eBooks in English > Tourist Guides and Maps > Africa |
| EAN: | 9781438467863 |
| Acessibilidade: | Ver características de acessibilidade indicadas pelo editor |
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