The program is organized around the theme of Resurrection, understood as artistic renewal, sonic transformation, and creative rebirth.
In Samuel Barber's Summer Music, originally written for wind quintet, the music constructs a path of progressive sonic awakening, evolving from introspection to a fully expressive statement.
The Three Cs follow.Songs "Des Knaben Wunderhorn" (The Boy's Magic Horn), by Gustav Mahler, where resurrection manifests itself in the transformation of popular song. In this version for wind quintet, melodies of folkloric inspiration gain new timbral life, preserving their essential identity.
With Seven Souvenirs for Vieira da SilvaIn Fernando Lopes-Graça's work, the dimension of memory and artistic evocation emerges: music transforms remembrance into a living presence, affirming creative continuity as a form of renewal.
The concert culminates with the American Quartet No. 12 Antonín Dvorák's piece, originally for string quartet and presented in a version for wind quintet, expresses perhaps the most human form of resurrection: an inner rebirth, marked by serenity, energy, and optimism.
Throughout the program, the audience witnesses different forms of resurrection—inner, aesthetic, and sonic—revealing music's capacity for continuous renewal.