Stories From A Life Lived Along The Border
de Octavio Solis
Sobre o livro
Seminal moments, rites of passage, crystalline vignettes—a memoir about growing up brown at the U.S./Mexico border.
The tradition of retablo painting dates back to the Spanish Conquest in both Mexico and the U.S. Southwest. Humble ex-votos, retablos are usually painted on repurposed metal, and in one small tableau they tell the story of a crisis, and offer thanks for its successful resolution.
In this uniquely framed memoir, playwright Octavio Solis channels his youth in El Paso, Texas. Like traditional retablos, the rituals of childhood and rites of passage are remembered as singular, dramatic events, self-contained episodes with life-changing reverberations.
Living in a home just a mile from the Rio Grande, Octavio is a skinny brown kid on the border, growing up among those who live there, and those passing through on their way North. From the first terrible self-awareness of racism to inspired afternoons playing air trumpet with Herb Alpert, from an innocent game of hide-and-seek to the discovery of a Mexican girl hiding in the cotton fields, Solis reflects on the moments of trauma and transformation that shaped him into a man.
Praise for Octavio Solis'sRetablos:
"Unpretentiously and with an unerring accuracy of tone and rhythm, Solis slowly builds what amounts to a storybook cathedral. We inhabit a border world rich in characters, lush with details, playful and poignant, a border that refutes the stereotypes and divisions smaller minds create. Solis reminds us that sometimes the most profound truths are best told with crafted fictions—and he is a master at it."—Julia Alvarezis the author of numerous books, includingHow the García Girls Lost Their Accents, and received a National Medal for the Arts from President Obama in 2014
"The murky flow of the Rio Grande River, the border patrol we callla migra,demons, a petty crime of stolen candy, street urchins, family squabbles, eccentric neighbors, and bike rides in which dust envelops a skinny kid named Octavio Solis. When he stops peddling years later, he'll spank the dust from his clothes, but not all of it. Some of it clings to his very soul, and will cling to us, the reader, in this tender and perceptive memoir. This is AmericanandMexican literature a stone's throw from the always hustling El Paso border."—Gary Soto, author ofThe Elements of San Joaquin
"Octavio Solis isn't a painter, but he ought to be. He's not a poet, but he could be. His isn't fiction or memoir but, like dreams, might be either. His vision of El Paso and the border is as though through an undulating haze of desert heat."—Dagoberto Gilb, author ofBefore the End, After the Beginning: Stories
"Solis has written beautifully about his youth on the border, never flinching from his childish blunders, nor failing to find soul in the frailties of others. These stories soar and shimmer with poetry and a playwright's gift for dramatic compression, comedy and pathos running through them arm in arm.Retablosis deeply moving, and a joy."—Elizabeth McKenzie, author ofThe Portable Veblen: A Novel
"To enter into this book is like walking into a shrine, walls lined with beautiful paintings, each one colorful and visceral, depicting memories, life on the border, death and sadness and joy. This is one of the most memorable books written about the borderlands in years"—
Daniel Chacón, author ofHotel Juárez: Stories, Rooms and Loops
"The short-short format is often called flash fiction these days, but Octavio Solis' stories are more like slow fiction: a moment unfolds, revealing a life, a way of life, generations. He explores the borderlands, not ju...